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emilyspages

🪻 emily, she/they, 23, ny 🫐 misandrist theatre artist/public health academic 🧸 big fan of hopecore and baking sweet treats! 🌟 @emilys.pages on tiktok 🌷 @emilyspages on substack

5646 points

0% overlap
Classics Starter Pack Vol I
Level 7
British & Irish Classic Literature
My Taste
Hamnet
A Tale for the Time Being
4.48 Psychosis
Circe
Everything I Know About Love
Reading...
Unlikeable Female Characters: The Women Pop Culture Wants You to Hate
67%
Lady Macbeth
41%
  • Unlikeable Female Characters: The Women Pop Culture Wants You to Hate
    Thoughts from 68% - The Trainwreck (7:38 šŸŽ§)

    This book has been incredibly compelling thus far because the examples have been so well fleshed out and expanded upon. This chapter has been such a great example of this — maybe I’m just a Fleabag fan but the way the author has explained Fleabag’s character through the archetype of The Trainwreckā„¢ļø has been so impressive. I have not watched all the other examples mentioned in this chapter (and others!) but even so, I feel completely up to speed on the arguments surrounding them.

    That being said, there are definitely gripes I have with some aspects of the interpretation of Fleabag, but the author’s argument is sound because of the way she backed up her claims. Genuinely I think this book is such a great example of argumentative writing.

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    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

    Anna Bogutskaya

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    Lady Macbeth

    Lady Macbeth

    Ava Reid

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    emilyspages commented on a post from the Pagebound Club forum

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  • What are some of your favorite book titles?

    Hello Boundlings, a quick question! What are some of your favorite book titles? Doesn't have to be your favorite books, just titles that you find especially compelling / beautiful / attractive / intriguing!

    Some of mine: The Ten Thousand Doors of January The Seven Husbands of Evelyn Hugo Sorcery and Small Magics The Boy Who Steals Houses Life as We Knew It

    As you can see, I tend to enjoy longer titles, LOL

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  • emilyspages commented on a post from the Pagebound Club forum

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  • Love for PB: More 5 Star Reads

    Ever since I ditched the other apps and started using Pagebound I have had way more five star reads and way fewer DNFs! Not sure if it’s the quests, absolutely think it has something to do with the real person not an algorithm making the recs. Who else is finding the same?

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    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

    Anna Bogutskaya

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    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

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    Lady Macbeth

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    emilyspages commented on breaklikeafish's review of La lista delle cose semplici

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  • La lista delle cose semplici
    breaklikeafish
    May 10, 2026
    1.0
    Enjoyment: 0.5Quality: 1.5Characters: 0.5Plot: 0.5
    šŸ‘Øā€šŸ‘©ā€šŸ‘§ā€šŸ‘¦
    ā™Š
    šŸ‘Æā€ā™€ļø

    This could've been great, but instead it was about men šŸ˜”

    The title refers to a list of simple things that lead to a happy life Camilla and her sister wrote before Sara died. Cute idea, unfortunately, finding the list as an adult didn't strike me as impactful enough to serve as a catalyst to the story. If you introduce something like this, even separating the book into different parts titled after items in the list, you have to commit to it. To me, it felt like a clunky way to guide the narration when there was no discernible plot to do the job. For most of the ten items, Camilla didn't seem to really change anything about her life, at least consciously enough to make the constant references to and musings about this list blend into the story.

    La lista delle cose semplici is supposed to be a story about a woman who, after losing her twin sister as a child, tries to find meaning in life again. However, most of Camilla's character arc centered around which man she would most like to cheat on her boyfriend with. I get that her relationship and views on romantic love showed how cynical she had grown up to be, but, like. Someone free this woman from the shackles of hetero-/amato-normativity. There were some interesting points to be made about the protagonist growing up in a very Catholic household and being taught an extremely conservative image what a family, and her life as a woman in her thirties, was supposed to look like. Unfortunately, the novel failed to successfully challenge any of these ideas and even her complicated relationship with her parents, especially her father, seemed to be resolved without any actual growth happening on either side.

    There were some other minor comments that made me cringe, like the continued obsession with the weight of various characters, and Camilla's tendency to judge literal strangers by the way they look (e.g. saying a woman probably subscribes to a man-free lifestyle because of the way she dresses).

    The writing was beautiful in the parts that talked about grief; I think my favorite scene was a graveyard visit. However, they were few of those, and there were many parts were the prose felt clunky even to my non-native speaker brain. I especially loathed the pop culture references. At first I thought I just noticed them more because, not growing up in Italy, I didn't understand them and thus they stood out to me, but no. There were so many. Some I understood, some I didn't, all of them were unnecessary. I think saying a character looks like a mix of celebrity A and celebrity B instead of properly describing them is lazy writing. It doesn't actually matter what they look like! What matters it how their appearance characterizes them, and how the protagonist's subjective perception of that characterizes her. What am I supposed to do with the info that someone looks like some random celebrity I don't know or don't care about? Tell me how they hold themselves, if they put thought into their outfits, if they took time to brush their hair this morning! And if the point was to show how in tune Camilla is with pop culture, I genuinely don't know how that affected the story.

    Speaking of pop culture references and lazy writing, I need to share my newest huge pet peeve in books: quoting songs. No. Just. No. I think it's incredibly lazy to borrow other people's art to invoke a specific feeling in the reader. The author is supposed to do that with their own writing! I don't need to be told that Fast Car is a great song, I know that!! I also have a lot of feelings about it, but it's your job as an author to make me feel those feelings with your own words!!! The worst part is that it doesn't happen only once, but with two different songs. Both scenes are big turning points for our main character, and both times several lines of the songs are repeatedly quoted. It seemed like a low-effort attempt to explain Camilla's emotional development and I hated every second of it.

    At least I now know that my Italian is good enough to truly hate a book.

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  • emilyspages commented on a post from the Pagebound Club forum

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  • Shout to the void (pt9)🪐

    Another week… another complaint! What is your complaint of the week (no matter how big, small, dramatic, silly, serious, etc). Shout it to the void!!

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    Lady Macbeth

    Lady Macbeth

    Ava Reid

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    emilyspages made progress on...

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    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

    Unlikeable Female Characters: The Women Pop Culture Wants You to Hate

    Anna Bogutskaya

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    emilyspages commented on a post

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  • The Second Death of Locke
    Thoughts from 27% (page 123)

    I'm enjoying the book but I really wish the map was more detailed. Anytime someone mentions a city or region I flip to the map only to remember it's just the countries.

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  • emilyspages wrote a review...

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  • The Second Death of Locke
    emilyspages
    May 10, 2026
    4.5
    Enjoyment: 4.5Quality: 4.0Characters: 5.0Plot: 3.0
    šŸ’«
    āš”ļø
    šŸŒ«ļø

    ā€Why must you always sacrifice yourself, and call that love?ā€ (404)

    The Second Death of Locke by V.L. Bovino should have been titled The Second and Continued Death of This Reader… because phew.

    As a 23 year old woman who has engaged with online fandom content since the ripe age of 10, this book gave me all the fanfiction feels in all the right ways. I wasn’t expecting to fall straight into the world as it’s been a while since I’ve taken on a fantasy title; it was like the author knew that and threw me right into the world with the fast paced action and learn-as-we-go lore and world building. I stayed up way past my bedtime that first night I started reading this book, and that was the consistent experience I had…. until about the last quarter of the book.

    What I loved about this book was that the stakes were constantly high. There was no slow exposition to introduce the reader to the world, there was no get-to-know-yous with the characters — everything I learned about them, I learned through their actions and interactions. Because really there was no time in the plot to have slow moments. The dire state of the world and the danger they were all always in didn’t allow for explanation, only examples. I loved getting to know the characters in this way, as it made them feel much more palpable. I was making every one of their decisions with them, which made their desperation all the more real.

    Editing to add that the first time I wrote this review, I completely left out another HUGE thing that I loved: the casual queer representation. As a queer woman, I don’t tend to read much queer literature because what I have read so far makes the story about being queer, and I yearn for stories where a character’s queerness is as unimportant to the story as their hair color. I love the validation in the former type of books, but I crave the validation of normalcy. This book satisfies that craving, and I didn’t even expect it to! From explicitly noting that almost every single character mentioned had some sort of queer sexuality, to including an openly trans character who’s gender identity does not dictate their arc, to gender neutral names up the wazoo (which, yes, is common in fantasy, but still an incredibly visible tool in terms of gender expression and identity), Bovalino captured my heart by featuring me, and those I love within these characters. If for nothing else you’re looking for casual queer representation, I shout this book’s title at you.

    What I didn’t love about this book can be accounted for with one idea: if I was the author, I would’ve split this book into a duology. For the first 50-75% of the story, I didn’t mind the fast pacing — though I did note during one of their journeys that two to three weeks felt as if it passed by in twenty pages. But approximately the last third of the book felt so tonally different from the first two thirds, and it lost me. I felt as if the characters were making decisions not because those decisions were reflections of their identities, but because that was what they had to do to get the plot to completion in the way the author desired. It lost the feel of an AO3 gem featuring my two favorite characters and adopted the aura of a wattpad AU that completely betrayed their canon identities.

    The ideas and themes within the book — that of sacrifice, love, power, and the depths to which one will travel to reveal the truth of all three, are incredibly compelling. I think they are much better represented in the first two thirds of the book than the last, even though one could argue that the last third of the book places more importance on those themes as they directly relates to the plot. I do not agree with the choices of the characters towards the end, as they feel antithesis to the cores that were displayed within the first two thirds of the narrative.

    All that being said, I’m sure some confusion may arise as to the final rating I’ve given this book. Ultimately, the absolute joy I felt while reading the first 75% of the book was so powerful that the lackluster ending saved the rating. This was a very personal differentiation, and one that I’m sure many other folks would not agree with. This book is not perfect in any way, though I can very clearly see that it had potential to be. I think it would’ve objectively fully earned the rating I give it if it had been split into two and adjusted to fill two individual books. The world building is there, the characters are there, it’s just the execution of the story that doesn’t stick the landing.

    Grey is such a baddie, and so if you’re looking for AO3 level yearning, a fantasy that isn’t too hard to wrap your head around, and a greying 26 year old MMC, I would definitely recommend this book to you.

    ā€œā€˜What is love without freedom?’ he asked. ā€˜Is that love at all?ā€™ā€ (345)

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  • Post from the The Second Death of Locke forum

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  • The Second Death of Locke
    Thoughts from 82% (page 378 - End of Chapter 28)
    spoilers

    View spoiler

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