Author of THE MEMORY EATER and THE VALLEY AND THE FLOOD Rebecca Mahoney's THRALL, in which a college student is infected by a vampire and teams up with the women on campus determined to stop him, including a radio host and an infuriating (and beguiling) archery champion, to break free of his control before she fully turns, to Olivia Zavitson at Hyperion Avenue, for publication in spring 2026, by Kari Sutherland at kt literary (world).

Discover this creepy, charming monster-slaying fantasy romance—from the perspective of the monster—by Nebula Award-winning debut author John Wiswell Shesheshen has made a mistake fatal to all monsters: she's fallen in love. Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body from the remains of past meals: a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she’s found and nursed back to health by Homily, a warm-hearted human, who has mistaken Shesheshen as a fellow human. Homily is kind and nurturing and would make an excellent co-parent: an ideal place to lay Shesheshen’s eggs so their young could devour Homily from the inside out. But as they grow close, she realizes humans don’t think about love that way. Shesheshen hates keeping her identity secret from Homily, but just as she’s about to confess, Homily reveals why she’s in the area: she’s hunting a shapeshifting monster that supposedly cursed her family. Has Shesheshen seen it anywhere? Eating her girlfriend isn’t an option. Shesheshen didn’t curse anyone, but to give herself and Homily a chance at happiness, she has to figure out why Homily’s twisted family thinks she did. As the hunt for the monster becomes increasingly deadly, Shesheshen must unearth the truth quickly, or soon both of their lives will be at risk. And the bigger challenge remains: surviving her toxic in-laws long enough to learn to build a life with, rather than in, the love of her life.

Aaryn once fell in love with a knight who was as wary of the tension between them as Aaryn was eager to embrace it… until Thea stole her dragon, and Aaryn learned that every moment between them was fabricated from the beginning. Now, Aaryn is caught in the middle of a centuries-long feud between rebel druids and the kingdom of Evergale. Starspark is going feral and the only thing that will cure him is the woman Thea left behind. Thea—not the knight Aaryn once knew, but a druid who seeks to correct her mistakes—must convince Aaryn to leave Evergale. With forbidden magic in her veins, Aaryn must learn when to fight and when to fold, for the sake of her dragon, for herself, and for the druid who stole her heart. Join Aaryn and Thea in their escape to the skies in this sapphic romantasy adventure!

From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart. Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten. Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs. But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Horror Movie meets The Blair Witch Project in this supernatural chokehold of a book told entirely through found documents: the cursed story of an unwitting couple ensnared by a mysterious tabletop role-playing game, who are commanded, as the game’s intentions become clearer, to do the unthinkable. Cole and Lorraine playtest board games for some extra cash as they save up to buy a home. But after a series of bizarre coincidences, and signing a strange NDA, the couple finds on their porch a mysterious indie developer’s tabletop role-playing game called The Ship of Death. The game relies heavily on the players’ imaginations, and takes up an ever-growing amount of space: in their kitchen, and in their minds. As its true sinister nature becomes clearer, and its forces capture more in its web, the boundary between the game and reality begins to dissolve. . . and the pair are instructed to possess a stranger’s soul. Told entirely through game reports, emails, game forum posts, personal journals, and police reports, reading The Ship of Death feels like a dangerous dice roll. It’s a sleep-stealing, possession-inducing work of intense, intelligent found cosmic horror that announces Kyle Winkler as a spectacular voice in the genre.

You are cordially invited to the Dragon Masquerade … Del has two rules. stay away from royalty. don’t fall in love. The first – because Del is secretly a runaway princess. After the death of her sister at the hand of her boyfriend, Del flees her family, home and all the responsibilities that come with being the queendom’s new heir. With a magically constructed mirrorwoven face, Del is now unrecognisable, and disappears to the faraway opaline lagoon-city of Salato. The second rule – because the enchantment hiding Del’s identity can only be unravelled by true love’s kiss. But that’s just fine. Del’s had enough of love anyway. When Del breaks Rule One and becomes court bard to the newly widowed First of Salato, she is resolved to keep her head down. But Clara is naïve and trusts too easily, and soon Del finds herself having to guide Clara through the shoals of court life, somehow without revealing her own secret. As Del grows closer to both Clara and Nasca, Clara’s brilliant, dangerous sister-in-law, it will only take a push to bring Del’s house of cards tumbling down. Like, for example, breaking Rule Two.

The forest doesn't just take what it's owed—it takes whatever it wants. Dominic was born in Aplin Shade, a remote Canadian town built on the bones of another that vanished without a trace. Bookish and quiet, he never asked to lead his family, but after a carriage crash kills his father and leaves his sister forever changed, he has no choice. The only person who truly sees him is Lex, a logger in the camp near town and the love Dominic must keep secret. Together they dream of escaping Aplin Shade, a place where isolation breeds judgment and every kindness hides a cost. But the forest is no refuge. The Fanteur dwell there—shadowed beings who come at night to drain the dead of their blood and return them for burial by dawn. They've never touched the living. Until now. As winter descends and the Fanteur strike back against the logging camp, Dominic and Lex must fight for their lives, their love, and a way out of the woods' tightening grasp. Because the forest doesn't forgive, and it never forgets.

As fascination turns to obsession, two women drag each other into an academic horror of forgery, murder, and rage, destined to be devoured by readers of Plain Bad Heroines and If We Were Villains. Archivist Celia Kiel has spent her life on the remote campus of Basin College in the Southern Ozarks. Once a jewel of women’s higher education in the South, the school now molders on its mountaintop, its endowment thinly supported by the bequeathed estate of 19th century writer, Beatrice Donahue. Celia guards the legacy of this venerated, yet scandalous author, who has been the object of her illicit desire since childhood. When the administration announces the college's imminent closure, Celia discovers a manuscript pickled in formaldehyde, and with it, a chance to save the only home she's ever known. She will forge Beatrice's infamous lost work, a spellbinding horror written toward her life's tumultuous end. To do it, she is forced to recruit her professional rival, literature postdoc Joan Harriot, who has both an astounding talent for mimicry and a dark secret of her own. As their world closes in and the ghosts of the Victorian past encroach, their creative collaboration spirals into an obsession more twisted than even their beloved Beatrice could have penned.

Perfect for fans of Tamsyn Muir and Rebecca Thorne, this joyful debut follows a gardener fighting to secure her dream job in the Divine Gardens—manipulating God, antagonizing her attractive rival, and running afoul of a brewing rebellion along the way. Cyprin grows perfect apples. No other worker tends the orchards like she can. Sick of living in a Jenga-esque megacity where she’s never alone (there’s always a rat), Cyprin dreams of a job in the Divine Gardens, tending to the plants overseen by God. Her only way in is winning an annual flower pageant—one that’s been dominated by the Divine Gardens’ head gardener for five years an insufferable woman with an undeniable affinity for plants. When Cyprin plays dirty (criminally dirty) and wins, she jumps headfirst into life in the gardens and her rivalry with the head gardener, who she just can’t stop thinking about. Pranks, backstabbing, and a lot of heated glaring unite them, until they’re both drawn into a plot to take down God—who’s really just some guy with a great garden. As they spiral through layers of the city’s history and underground rebel group, Cyprin and her rival will find they understand each other like no one else does, even if there can only be one head gardener in the end. But rise or fall, at least Cyprin will always have the rats. A chaotically queer exploration of love, ambition, and toxic work culture, The Divine Gardener's Handbook is a romp of a science fantasy that will leave you gasping for more.

From the author of the international bestseller Life of Pi, a brilliant retelling of the Trojan War from two commoners: an ancient soldier and a modern scholar. Homer’s Iliad and Odyssey were not the only ancient tales of the Trojan War. In Son of Nobody, Yann Martel composes a new the Psoad, an epic in free verse that follows a goatherd’s son, Psoas of Midea, who leaves his wife and family to fight at Troy. Psoas meets his doom and the poem of his life is lost—until a Canadian academic studying at Oxford, Harlow Donne, discovers its relics thirty centuries later. As Harlow assembles and comments on the fragments in footnotes, he retrieves memories of his wife and daughter and grapples with questions of ambition, family, and responsibility in both the ancient and modern worlds. Son of Nobody upends the regal perspective of traditional epics and shows that “the past is never done with, that always there are parallels and returns and repetitions, always the song continues.” Readers of Madeline Miller’s The Song of Achilles and Emily Wilson’s The Iliad will revel in this breathtaking feat of the imagination.

USA Today Bestselling author Rebecca Thorne delights in a brand new cozy science-fiction series...for fans of Martha Wells and Olivia Waite! Features original inside art! Torian Razner finally bought a starship, and contrary to Amelia’s assessment, it was not “a meteoric sign of stupidity.” Sure, the alien starship may have been abandoned for a century, and it may be covered in moss now… but it’s Torian’s ticket to freedom, regardless of what her ex… ah, captain… said. Except Torian’s first flight reveals a surprise passenger: the moss is actually an organic computer with a snarky attitude and serious abandonment issues. The target of its loathing? The immortal alien who built it (and then parked the starship, with Moss inside, and forgot about it). The same alien who just found Torian and accused her of “stealing” the ship. It’s entirely possible that Amelia was right about this meteoric stupidity.

Witty, endearing, and wildly entertaining, this Southern cozy mystery is a little bit Gilmore Girls, a little bit Finlay Donovan, with a big helping of Only Murders in the Building. Lila Shaw stopped trusting anyone the minute her husband went to jail for white-collar crime, taking their country club lifestyle with him. Now Lila is broke, friendless, and losing her house—and to make things worse, her true-crime-obsessed daughter, Bea, was just expelled from fourth grade. Desperate for a fresh start, Lila agrees to temporarily move in and clean out an abandoned junk-filled apartment in Richmond’s palatial Primrose building. The luxurious Virginia landmark is filled with retirees who start their days early drinking bourbon and gossiping, in that order. Soon after Lila’s arrival, the Primrose is thrown into chaos. The owner of the building’s splendid penthouse has died and in his final days he set up a two-million-dollar reward for any resident who helps to solve the 21-year-old murder of his granddaughter at the Primrose. A fan of all detective stories and true-crime podcasts, Bea is inspired to investigate. They really could use the reward money, so Lila reluctantly agrees, in a questionable attempt at family bonding. She’s certain the killer is long-gone after all these years anyway. That is, until another resident is murdered… and Lila becomes the prime suspect. Now Lila needs to solve both murders to avoid jail, and even worse, losing her daughter to her snobby in-laws. To catch a killer and clear Lila's name, she and Bea must rely on their elderly neighbors—Jasper, a shy former detective, and Evelyn, an opinionated socialite—along with Nate, a good-looking reporter who keeps appearing at the most inconvenient moments. As the amateur sleuths expose the truth about the Primrose, Lila hopes she can also unravel the trickiest parts of her own life and start fresh.

A fresh, charming, socially conscious tour of the mysteries of space-time, from the award-winning author of The Disordered CosmosIn her highly acclaimed debut, distinguished cosmologist and particle physicist Dr. Chanda Prescod-Weinstein shed light on the entrenched injustices plaguing her field, while at the same time sharing with her audience her abiding sense of wonder at the cosmos from a Black feminist perspective. Now, in The Edge of Space-Time, she leans into that wonder, taking readers on a mind-altering journey to the boundaries of the universe, inviting us to spend time at the edge of what we know about space-time and about ourselves.Guided by her conviction that science is for everybody, Prescod-Weinstein renders accessible some of the most abstract concepts of theoretical physics and draws on poetry and popular culture—from Queen Latifah to Lewis Carroll to Big K.R.I.T. to Sun Ra and Star Trek— to tell fascinating stories about the fundamental quantum nature of space-time and everything inside of it. Here we meet the quantum cat that is both dead and alive, learn the difference between dark matter and dark energy, explore the inner workings of black holes, investigate the possibility of a unified theory of quantum gravity, and map out the meeting place of the unimaginably vast with the confoundingly small, following our guide out to the far reaches of the particle horizon and down to the tiniest (and queerest) neutrino. Prescod-Weinstein shows us how spending time with the cosmos is a vital human activity that enriches all our lives. Along the way, she calls on us to resist colonial approaches to space exploration and instead imagine a better path forward in our pursuit of humanity’s undeniable connection with the stars.Through Prescod-Weinstein’s clear-eyed and unique perspective, and informed by her deep knowledge of post-colonial history and Black feminist thought, The Edge of Space-Time argues that physics is an essential way for everyone to look at the universe and presents a compelling case that “the edge” is a powerful vantage point from which to see the big picture.

From the pages of Vanity Fair to the red carpets of Hollywood, editor Graydon Carter’s memoir revives the glamorous heyday of print magazines when they were at the vanguard of American cultureWhen Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated. With curiosity, fearlessness, and a love of recent history and glamour that would come to define his storied career in magazines, Carter succeeded in endearing himself to his editors, contributors, and readers, as well as many of the faces that would come to appear in Vanity Fair’s pages. He went on to run the magazine with overwhelming success for the next two and a half decades.Filled with colorful memories and intimate details, When the Going Was Good is Graydon Carter’s lively recounting of how he made his mark as one of the most talented editors in the business. Moving to New York from Canada, he worked at Time, Life, The New York Observer, and Spy, before catching the eye of Condé Nast chairman Si Newhouse, who pulled him in to run Vanity Fair. In Newhouse he found an unwavering champion, a loyal proprietor who gave Carter the editorial and financial freedom to thrive. Annie Leibovitz’s photographs would come to define the look of the magazine, as would the “New Establishment” and annual Hollywood issues. Carter further planted a flag in Los Angeles with the legendary Vanity Fair Oscar party.With his inimitable voice and signature quip, he brings readers to lunches and dinners with the great and good of America, Britain, and Europe. He assembled one of the most formidable stables of writers and photographers under one roof, and here he re-creates in real time the steps he took to ensure Vanity Fair cemented its place as the epicenter of art, culture, business, and politics, even as digital media took hold. Charming, candid, and brimming with stories, When the Going Was Good perfectly captures the last golden age of print magazines from the inside out.

In this campy love letter to the slasher films of the 1980s, seven friends reunite for a weekend of fun—only to be hunted down by a cold-blooded killer. But the real horror is not being able to escape who you were in high school... The sleepy town of Cedar Lake Falls is best known as the shooting location of the campy ’80s horror flick Slasher. In high school, preppy Patrick, jock Jason, cheerleader Tiffany, stoner Freddy, goth Jennifer, and nerdy Michael had played the cast of Slasher during midnight showings, with virginal Carrie as the Final Girl, of course. Years later, the friends reunite at the remote cabin where Slasher was filmed. They've changed since high school—Patrick came out, Mikey bulked up, and, well, Freddy's still stoned—and they're looking forward to a weekend to catch up. But when night falls, and the eponymous masked killer is spotted, the reunion takes a deadly turn. The friends discover their tires deflated and the phone line disconnected, and soon they’re being stalked by a mysterious assailant. Is someone trying to make their Slasher experience as authentic as possible? One thing is for sure. Before the night is over, they each will have to take on the role they thought they'd left behind.