Hans George Schuwald, the most influential person in the state of Bayern, has come to trust Johan fully and made him his right-hand man. Johan now seems to be setting himself up as the wonder boy of the German financial world. Meanwhile, a private detective working for Schuwald investigates the mysterious events happening around the man and senses something massive and evil lurking behind it all. His investigation pits him against a terrible monster—are Johan’s plans going to come to light? Although Johan knows that Tenma wants to kill him, he pursues a quiet life. But what does he see in a children’s book that suddenly causes him to burst into tears?

Could Johan have a dual personality, like Jekyll and Hyde? Tenma calls on Dr. Gillen, an authority on criminal psychology, to psychoanalyze Johan. But Dr. Gillen secretly concludes that it's not Johan but Tenma who has committed all the serial murders. Dr. Gillen then tries to lure Tenma into various traps, intending to use him in his own experiments. Karl, a student at Munich University, visits a blind billionaire every week to read books to him as a way to pay for school. One day he encounters another young man, named Johan, who had once done the same job for the billionaire. From that point on, strange events continue to befall Karl...

Dr. Tenma has fallen into a trap set by Johan and is now wanted by the police as a serial killer. While narrowly evading the police dragnet, Tenma pursues Johan in an attempt to prove his own innocence and prevent another murder, edging closer to the Monster by tracing his secret past. As the only person who knows what Johan is, Tenma searches for Nina, who has been captured by neo-Nazis. His investigation leads him to uncover a horrific fact—the ultra-rightists are conspiring to set Johan up as a second Adolf Hitler.

Everyone faces uncertainty at some point in their lives. Even a brilliant surgeon like Kenzo Tenma is no exception. But there's no way for him to know that his decision to stop chasing professional success and instead concentrate on his oath to save peoples' lives will result in the birth of an abomination. The questions of good and evil now take on a terrifyingly real dimension. Years later, in Germany during the tumultuous post-reunification period, middle-aged childless couples are being killed one after another. The serial killer's identity is known. The reasons why he kills are not. Dr. Tenma sets out on a journey to find the killer's twin sister, who may hold some clues to solving the enigma of the "Monster."

A deliciously entertaining, never-before-told history of a residence for American women artists in Paris from 1893 to 1914. In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women. Now in The Club, curator, art historian, and podcast host Jennifer Dasal presents the never-before-told story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. For readers interested in women's lives as captured in books like The Barbizon, art history buffs who loved Ninth Street Women, and armchair travelers longing to visit Belle Époque Paris, The Club is a captivating, colorful new history.

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

A powerful Nigeria-set horror tale of possession, malevolent ghosts, family tensions, secrets and murder from the recipient of the Bram Stoker Award for Lifetime Achievement and 'Queen of African Horror'. For readers of Tananarive Due, Chikodili Emelumadu and Paul Tremblay. Bata, an 11-year-old girl tormented by nightmares, wakes up one night to find herself standing sentinel before her cousin's door. Her skin, hair, and eyes have turned a dazzling white colour, which even the medicine-man can't heal. Her cousin is to get married the next morning, but only if she can escape the murderous attack of a ghost-bride, who used to be engaged to her groom. Through the night, Bata battles the vengeful ghost and finally vanquishes it before collapsing. On awakening, she has no recollection of the events. And when the medicine-man tries to exorcise the entities clinging to her body as a result of her supernatural possession, Bata dies on the exorcism mat. There begins her journey. She is taken into Ibaja-La, the realm of dead brides, by Mmuọ-Ka-Mmuọ, the ghost-collector of the spirit realm. There she meets the ghosts of brides from every culture who died tragically before their weddings; both the kind and the malevolent. Bata is given secret powers to fight the evil ghost-brides before being sent back to the human realm, where she must learn to harness her new abilities as she strives to protect those whom she loves. By turns touching and terrifying, this is vivid supernatural horror story of family drama, long-held secrets, possession, death - and what lies beyond.

This inquiry into the collective psychology of the ancient Romans speaks not about military conquest, sober law, and practical politics, but about extremes of despair, desire, and envy. Carlin Barton makes us uncomfortably familiar with a society struggling at or beyond the limits of human endurance. To probe the tensions of the Roman world in the period from the first century b.c.e. through the first two centuries c.e., Barton picks two images: the gladiator and the "monster."

A deliciously entertaining, never-before-told history of a residence for American women artists in Paris from 1893 to 1914. In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women. Now in The Club, curator, art historian, and podcast host Jennifer Dasal presents the never-before-told story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. For readers interested in women's lives as captured in books like The Barbizon, art history buffs who loved Ninth Street Women, and armchair travelers longing to visit Belle Époque Paris, The Club is a captivating, colorful new history.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.