From the author of the international bestseller Life of Pi, a brilliant retelling of the Trojan War from two commoners: an ancient soldier and a modern scholar. Homer’s Iliad and Odyssey were not the only ancient tales of the Trojan War. In Son of Nobody, Yann Martel composes a new the Psoad, an epic in free verse that follows a goatherd’s son, Psoas of Midea, who leaves his wife and family to fight at Troy. Psoas meets his doom and the poem of his life is lost—until a Canadian academic studying at Oxford, Harlow Donne, discovers its relics thirty centuries later. As Harlow assembles and comments on the fragments in footnotes, he retrieves memories of his wife and daughter and grapples with questions of ambition, family, and responsibility in both the ancient and modern worlds. Son of Nobody upends the regal perspective of traditional epics and shows that “the past is never done with, that always there are parallels and returns and repetitions, always the song continues.” Readers of Madeline Miller’s The Song of Achilles and Emily Wilson’s The Iliad will revel in this breathtaking feat of the imagination.

USA Today Bestselling author Rebecca Thorne delights in a brand new cozy science-fiction series...for fans of Martha Wells and Olivia Waite! Features original inside art! Torian Razner finally bought a starship, and contrary to Amelia’s assessment, it was not “a meteoric sign of stupidity.” Sure, the alien starship may have been abandoned for a century, and it may be covered in moss now… but it’s Torian’s ticket to freedom, regardless of what her ex… ah, captain… said. Except Torian’s first flight reveals a surprise passenger: the moss is actually an organic computer with a snarky attitude and serious abandonment issues. The target of its loathing? The immortal alien who built it (and then parked the starship, with Moss inside, and forgot about it). The same alien who just found Torian and accused her of “stealing” the ship. It’s entirely possible that Amelia was right about this meteoric stupidity.

Witty, endearing, and wildly entertaining, this Southern cozy mystery is a little bit Gilmore Girls, a little bit Finlay Donovan, with a big helping of Only Murders in the Building. Lila Shaw stopped trusting anyone the minute her husband went to jail for white-collar crime, taking their country club lifestyle with him. Now Lila is broke, friendless, and losing her house—and to make things worse, her true-crime-obsessed daughter, Bea, was just expelled from fourth grade. Desperate for a fresh start, Lila agrees to temporarily move in and clean out an abandoned junk-filled apartment in Richmond’s palatial Primrose building. The luxurious Virginia landmark is filled with retirees who start their days early drinking bourbon and gossiping, in that order. Soon after Lila’s arrival, the Primrose is thrown into chaos. The owner of the building’s splendid penthouse has died and in his final days he set up a two-million-dollar reward for any resident who helps to solve the 21-year-old murder of his granddaughter at the Primrose. A fan of all detective stories and true-crime podcasts, Bea is inspired to investigate. They really could use the reward money, so Lila reluctantly agrees, in a questionable attempt at family bonding. She’s certain the killer is long-gone after all these years anyway. That is, until another resident is murdered… and Lila becomes the prime suspect. Now Lila needs to solve both murders to avoid jail, and even worse, losing her daughter to her snobby in-laws. To catch a killer and clear Lila's name, she and Bea must rely on their elderly neighbors—Jasper, a shy former detective, and Evelyn, an opinionated socialite—along with Nate, a good-looking reporter who keeps appearing at the most inconvenient moments. As the amateur sleuths expose the truth about the Primrose, Lila hopes she can also unravel the trickiest parts of her own life and start fresh.

A fresh, charming, socially conscious tour of the mysteries of space-time, from the award-winning author of The Disordered CosmosIn her highly acclaimed debut, distinguished cosmologist and particle physicist Dr. Chanda Prescod-Weinstein shed light on the entrenched injustices plaguing her field, while at the same time sharing with her audience her abiding sense of wonder at the cosmos from a Black feminist perspective. Now, in The Edge of Space-Time, she leans into that wonder, taking readers on a mind-altering journey to the boundaries of the universe, inviting us to spend time at the edge of what we know about space-time and about ourselves.Guided by her conviction that science is for everybody, Prescod-Weinstein renders accessible some of the most abstract concepts of theoretical physics and draws on poetry and popular culture—from Queen Latifah to Lewis Carroll to Big K.R.I.T. to Sun Ra and Star Trek— to tell fascinating stories about the fundamental quantum nature of space-time and everything inside of it. Here we meet the quantum cat that is both dead and alive, learn the difference between dark matter and dark energy, explore the inner workings of black holes, investigate the possibility of a unified theory of quantum gravity, and map out the meeting place of the unimaginably vast with the confoundingly small, following our guide out to the far reaches of the particle horizon and down to the tiniest (and queerest) neutrino. Prescod-Weinstein shows us how spending time with the cosmos is a vital human activity that enriches all our lives. Along the way, she calls on us to resist colonial approaches to space exploration and instead imagine a better path forward in our pursuit of humanity’s undeniable connection with the stars.Through Prescod-Weinstein’s clear-eyed and unique perspective, and informed by her deep knowledge of post-colonial history and Black feminist thought, The Edge of Space-Time argues that physics is an essential way for everyone to look at the universe and presents a compelling case that “the edge” is a powerful vantage point from which to see the big picture.

From the pages of Vanity Fair to the red carpets of Hollywood, editor Graydon Carter’s memoir revives the glamorous heyday of print magazines when they were at the vanguard of American cultureWhen Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated. With curiosity, fearlessness, and a love of recent history and glamour that would come to define his storied career in magazines, Carter succeeded in endearing himself to his editors, contributors, and readers, as well as many of the faces that would come to appear in Vanity Fair’s pages. He went on to run the magazine with overwhelming success for the next two and a half decades.Filled with colorful memories and intimate details, When the Going Was Good is Graydon Carter’s lively recounting of how he made his mark as one of the most talented editors in the business. Moving to New York from Canada, he worked at Time, Life, The New York Observer, and Spy, before catching the eye of Condé Nast chairman Si Newhouse, who pulled him in to run Vanity Fair. In Newhouse he found an unwavering champion, a loyal proprietor who gave Carter the editorial and financial freedom to thrive. Annie Leibovitz’s photographs would come to define the look of the magazine, as would the “New Establishment” and annual Hollywood issues. Carter further planted a flag in Los Angeles with the legendary Vanity Fair Oscar party.With his inimitable voice and signature quip, he brings readers to lunches and dinners with the great and good of America, Britain, and Europe. He assembled one of the most formidable stables of writers and photographers under one roof, and here he re-creates in real time the steps he took to ensure Vanity Fair cemented its place as the epicenter of art, culture, business, and politics, even as digital media took hold. Charming, candid, and brimming with stories, When the Going Was Good perfectly captures the last golden age of print magazines from the inside out.

In this campy love letter to the slasher films of the 1980s, seven friends reunite for a weekend of fun—only to be hunted down by a cold-blooded killer. But the real horror is not being able to escape who you were in high school... The sleepy town of Cedar Lake Falls is best known as the shooting location of the campy ’80s horror flick Slasher. In high school, preppy Patrick, jock Jason, cheerleader Tiffany, stoner Freddy, goth Jennifer, and nerdy Michael had played the cast of Slasher during midnight showings, with virginal Carrie as the Final Girl, of course.Years later, the friends reunite at the remote cabin where Slasher was filmed. They've changed since high school—Patrick came out, Mikey bulked up, and, well, Freddy's still stoned—and they're looking forward to a weekend to catch up. But when night falls, and the eponymous masked killer is spotted, the reunion takes a deadly turn. The friends discover their tires deflated and the phone line disconnected, and soon they’re being stalked by a mysterious assailant. Is someone trying to make their Slasher experience as authentic as possible?One thing is for sure. Before the night is over, they each will have to take on the role they thought they'd left behind.

USA Today Bestselling author Rebecca Thorne delights in a brand new cozy science-fiction series...for fans of Martha Wells and Olivia Waite! Features original inside art! Torian Razner finally bought a starship, and contrary to Amelia’s assessment, it was not “a meteoric sign of stupidity.” Sure, the alien starship may have been abandoned for a century, and it may be covered in moss now… but it’s Torian’s ticket to freedom, regardless of what her ex… ah, captain… said. Except Torian’s first flight reveals a surprise passenger: the moss is actually an organic computer with a snarky attitude and serious abandonment issues. The target of its loathing? The immortal alien who built it (and then parked the starship, with Moss inside, and forgot about it). The same alien who just found Torian and accused her of “stealing” the ship. It’s entirely possible that Amelia was right about this meteoric stupidity.

USA Today Bestselling author Rebecca Thorne delights in a brand new cozy science-fiction series...for fans of Martha Wells and Olivia Waite! Features original inside art! Torian Razner finally bought a starship, and contrary to Amelia’s assessment, it was not “a meteoric sign of stupidity.” Sure, the alien starship may have been abandoned for a century, and it may be covered in moss now… but it’s Torian’s ticket to freedom, regardless of what her ex… ah, captain… said. Except Torian’s first flight reveals a surprise passenger: the moss is actually an organic computer with a snarky attitude and serious abandonment issues. The target of its loathing? The immortal alien who built it (and then parked the starship, with Moss inside, and forgot about it). The same alien who just found Torian and accused her of “stealing” the ship. It’s entirely possible that Amelia was right about this meteoric stupidity.

In this hilarious, off-the-wall queer fantasy romance, a reclusive sorcerer is forced to protect a cowardly knight after a prophecy ties their fates together. Funny, touching and inventive, this book is perfect for fans of A Marvellous Light and Dreadful. All his life, Sir Cameron has tried to stay as far away from danger as possible. But when the Church hands down a prophecy to his fellow knights predicting that the only way to defeat their nemesis, the mad sorcerer Merulo, is to kill Sir Cameron, he finds himself in a situation too sticky for even his considerable wiles. Short of ideas, Cameron throws himself on the mercy of the one person who now actually wants him to the mad sorcerer. Merulo isn't thrilled to be babysitting a spoilt, attention-seeking knight, but fate has tied them together. And transmogrifying Cameron into a vulture is at least a great source of entertainment. Cameron, meanwhile, is on a voyage of self-discovery. It turns out he's really, really into surly sorcerers who lock him up and tell him what to do. Who knew? As a legion of knights surround their stronghold, led by an angry concussed elf—which definitely isn't in any way Cameron's fault—the sorcerer's poisonous ambitions draw ever closer to fruition. Cameron is quite invested in not dying, but he finds he's also invested in Merulo. And sometimes, supporting the sorcerer you care about means taking an interest in their hobbies. Even if their hobby is trying to kill God. Even if it might get you killed, too.

Cursed Ever After is a dazzling romantic fantasy debut brimming with snark, humor, and banter-filled romance perfect for fans of The Princess Bride and Once Upon a Broken Heart. Love is not for cursed girls. Risa is better off without it. Risa Porto is a Bad Thing born on a Bad Day and cursed with Bad Luck. After years of taking the blame for every calamity, mishap, and minor inconvenience that befalls the townspeople of Barrow, she longs for escape. And on her seventeenth birthday, her wish is granted. Sort of. Risa owes a (very annoying) witch a favor, and it comes in the form of a quest: escort Prince Javi―the youngest, handsomest, and least significant prince― through the dark (and deadly) Bosque to his wedding. This measly errand quickly spirals into a struggle against greedy assassins, a murderous cult, a vicious tyrant – and Risa’s own curse. Most unfortunate of all... She is not immune to Javi’s charms and has a highly irritating urge to kiss the prince. Though, surviving the darkest corners of the Bosque is only the beginning. If Risa is to hold up her end of a witch’s bargain, she’ll need a lot more than luck on her side to untangle the web of lies threatening the kingdom. Is Risa willing to pay the price of happily ever after? What if the only person she’s meant to save is herself? Don't miss this action-packed, Latinx subverted fairytale!

Knives Out meets Death at Morning House in this thrilling standalone mystery layered with family secrets, the whitewashing of history, and a high-stakes literary competition for the keys to a Victorian-era English estate—from Aleema Omotoni, the NAACP Image Award-winning author of Everyone’s Thinking It. Derin’s acceptance into Cambridge University is the end of an era—just not the one she expected. When she and her ultra-competitive Uni prep group, the Kenfield Set, were first invited to Professor Darnley’s summer ball, they planned on celebrating the group’s success, surrounded by the riches of his historical Kenfield estate—not kicking off the festivities with the professor’s will reading. But when the Darnleys’ aristocratic children are disinherited, the students are offered the opportunity of a compete in a Victorian, literary-inspired inheritance competition to be named the new heir—winner takes all! For Derin, it’s a chance to help her working-class family. But the remaining Darnleys won’t take losing their stately home and its multimillion-pound inheritance lying down. And added to the mix, a mysterious note is slipped under Derin’s door alluding to a dark family secret lying in wait. Now Derin must balance the cutthroat games; scheming relatives; and a cute Kenfield intern amid her dawning realization that the history of this inheritance might be soaked in lies . . . and blood.