Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

For nineteen-year-old Harriet Morton, life in 1912 Cambridge is as dry and dull as a biscuit. Her stuffy father and her opressive aunt Louisa allow her only one outlet: ballet. When a Russian ballet master comes to class searching for dancers to fill the corps of his ballet company before their South American tour, Harriet's world changes. Defying her father's wishes and narrowly escaping the clutches of the man who wishes to marry her, Harriet sneaks off to join the ballet on their journey to the Amazon. There, in the wild, lush jungle, they perform Swan Lake in grand opera houses for the wealthy and culture-deprived rubber barons, and Harriet meets Rom Verney, the handsome and mysterious British exile who owns the most ornate opera house. Utterly enchanted by both the exotic surroundings and by Rom's affections, Harriet is swept away by her new life, completely unaware that her father and would-be fiancé have begun to track her down...

For nineteen-year-old Harriet Morton, life in 1912 Cambridge is as dry and dull as a biscuit. Her stuffy father and her opressive aunt Louisa allow her only one outlet: ballet. When a Russian ballet master comes to class searching for dancers to fill the corps of his ballet company before their South American tour, Harriet's world changes. Defying her father's wishes and narrowly escaping the clutches of the man who wishes to marry her, Harriet sneaks off to join the ballet on their journey to the Amazon. There, in the wild, lush jungle, they perform Swan Lake in grand opera houses for the wealthy and culture-deprived rubber barons, and Harriet meets Rom Verney, the handsome and mysterious British exile who owns the most ornate opera house. Utterly enchanted by both the exotic surroundings and by Rom's affections, Harriet is swept away by her new life, completely unaware that her father and would-be fiancé have begun to track her down...

Spring, 1922 Tessa is a beautiful, tiny, dark-eyed princess – who’s given up her duties to follow her heart, working for nothing backstage at the Viennese opera. No one there knows who she really is, or that a fairytale castle is missing its princess, and Tessa is determined to keep it that way. But secret lives can be complicated. When a wealthy, handsome Englishman discovers this bewitching urchin backstage,Tessa’s two lives collide – and in escaping her inheritance, she finds her destiny. . .

A shocking, hilarious and strangely tender novel about a young woman’s experiment in narcotic hibernation, aided and abetted by one of the worst psychiatrists in the annals of literature. Our narrator has many of the advantages of life, on the surface. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? This story of a year spent under the influence of a truly mad combination of drugs, designed to heal us from our alienation from this world, shows us how reasonable, even necessary, that alienation sometimes is. Blackly funny, both merciless and compassionate – dangling its legs over the ledge of 9/11 – this novel is a showcase for the gifts of one of America’s major young writers working at the height of her powers.

Spring, 1922 Tessa is a beautiful, tiny, dark-eyed princess – who’s given up her duties to follow her heart, working for nothing backstage at the Viennese opera. No one there knows who she really is, or that a fairytale castle is missing its princess, and Tessa is determined to keep it that way. But secret lives can be complicated. When a wealthy, handsome Englishman discovers this bewitching urchin backstage,Tessa’s two lives collide – and in escaping her inheritance, she finds her destiny. . .

Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme's crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid - but she soon wins them over with her warmth and dedication.Then the young Earl returns home from the war - and Anna falls hopelessly in love. But they can never be together: Rupert is engaged to the snobbish and awful Muriel - and anyway, Anna is only a servant. Or so everybody thinks... NOTE: also goes by the name, A Countess Below Stairs.

Based on a real-life seventeenth century Danish witch trial, The Wax Child tells in vivid prose the story of Christenze Kruckow, a noblewoman long pursued by a scandal of sorcery. People whisper that in her wake one finds illness, death, and unsettling behaviour by pigs and cats. Some even say she once fashioned out of wax a child, an instrument of the most sinister magic. Christenze will flee the rumours to Aalborg, that great city of seawater and mist. But even there suspicion and fear rule, and once a rumour of witchcraft has taken hold, it can prove hard to shake…

Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme's crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid - but she soon wins them over with her warmth and dedication.Then the young Earl returns home from the war - and Anna falls hopelessly in love. But they can never be together: Rupert is engaged to the snobbish and awful Muriel - and anyway, Anna is only a servant. Or so everybody thinks... NOTE: also goes by the name, A Countess Below Stairs.