From the New York Times bestselling author Rina Kent comes a new MM dark hockey romance set in a new glamorous secret world. Vipers Book 3. This is an MM romance. More information is coming soon. This book is part of the Vipers' series but can be read on its own.

What my eyes are showing me can’t be possible. Can’t be real. Because if they are, then I have to accept that Julian Conrad has been alive for a very long time. Too long to be human. A stay-up-all-night, smart, spicy romance following a doctor who finds herself falling for an alluring, much-younger man with a deadly secret Sean’s not in the market for love. The only female, let alone Black, interventional cardiologist at her hospital, she’s watched too many of her male colleagues divorce their first wives to marry younger models—and then there’s the abusive relationship she’s spent the better part of her early 30s healing from. Her passions are reserved for her best friend, her goddaughter, and her job. Then she meets Julian. Brooding, beautiful and eleven years her junior. In short: A bad idea. Julian pursues her in a way that sets off alarm bells in her mind, but she finds herself unable to resist their undeniable chemistry—even starts fantasizing about him in dreams that feel altogether too real. They also have a lot in common despite their age gap. So, to hell with it: If men can date younger, why can’t she? But the more Sean gets to know him, the more impossible Julian seems: He has a depth and sorrow to him that’s beyond his years, and sometimes there’s a look in his eyes that’s less than human, and leaves her feeling more like prey. Plus, Sean herself has been exhibiting odd symptoms—memory lapses, a lack of restraint that's unlike her, persistent exhaustion—that all trace back to Julian, making Sean feeling more than a little afraid. Who—or what—is she falling, irrevocably, in love with? Extraordinarily transfixing, suspenseful, and addictive, Die for Me is nothing short of a seduction.

This is what it looks like when coral dies. Present day. Marine biologist Hana Ishikawa is racing against time to save the coral of the Great Barrier Reef, but struggles to fight for a future in a world where so much has already been lost. 1839. Seventeen-year-old Judith Holliman escapes the monotony of Sydney Town when her naval captain father lets her accompany him on a voyage, unaware of the wonders and dangers she will soon encounter. The sun-scorched 22nd century. Telma Velasco is hunting for a miracle: a leafy seadragon, long believed extinct, has been sighted. But as Telma investigates, she finds hope in unexpected places. Three women: divided by time, connected by the ocean. Past, present and future collide in E. J. Swift’s The Coral Bones, a powerful elegy to a disappearing world – and a vision of a more hopeful future.

A burned-out bisexual confronts old demons, her estranged chosen family, and the ex she maybe shouldn’t have walked away from when she attends her five-year college reunion. Charlotte Thorne does not want to go back to Hein University. Her life postcollege isn’t what she expected—her career in media is stalled, her passion for drawing has fallen by the wayside, and she’s done a terrible job keeping in touch with her queer chosen family since graduation day. Willingly spend a full weekend with her incredibly successful classmates? Hard pass. But when her demanding boss, tech journalist Roger Ludermore, is invited to give the commencement address at this year’s graduation—which falls on the same weekend as her five-year reunion—Charlotte has no choice but to return to campus. The minute she steps foot on Hein property, the past comes crawling back in its glory and cringe: disco parties at the LGBTQIA+ program house, sleeping in a twin XL bed, and her chemistry with Reece Kreuger, the hockey player she rebounded with after a traumatic breakup. Suddenly the weekend Charlotte has dreaded for months feels like an opportunity to go back in time. Determined to have some fun, Charlotte dodges her best friend’s questions about her mental health, ignores her boss’s constant Slack messages, and tries to avoid the truth about why she ghosted Reece five years ago. But can she really outrun her past and get her life together in seventy-two hours?

Grace is no longer famous. She sits alone in her New York apartment, endlessly watching reruns of herself on the reality TV show Speed Daters. Then, one evening, a man breaks in through her window. A rare, still-obsessed fan or raging incel – Grace is unsure. Before she can find out, he disappears. That same night, the world is rocked by the news that Anoushka, Grace's onscreen rival, has taken her own life. Suddenly thrust back into the public eye, Grace is thrilled to be relevant again. Driven by a familiar desperation for love and attention, she clings to the dregs of her old her followers; her on-again, off-again boyfriend, Cal; and her unstable influencer income. But fame is fickle, and Grace's image is fragile. When the fans begin to turn on her, Grace escapes with Cal to his isolated cabin. In the woods with nothing but each other, can they mend what's broken without destroying what little is left? A piercing debut exposing the toxicities of reality TV and influencer culture, After Care is a disconcertingly recognisable portrait of reckless consumerism, spectatorship and the attention economy. Perfect for fans of Boy Parts by Eliza Clark, Ripe by Sarah Rose Etter and My Year of Rest and Relaxation by Ottessa Moshfegh. This novel contains discussions of suicide and graphic depictions of sexual assault.

In book one of a seductive sapphic paranormal fantasy, a vampire hunter goes undercover at a mysterious university and falls in love with her roommate, an alluring vampire. “Then her red eyes are on mine, gentle, deadly. She takes her time kissing my neck. I pull her closer and say: Bite me.” In the mists of the Scottish Highlands is a university where vampire students study alongside humans. Rebecca Charity is a vampire hunter undercover at the university, searching for the mysterious Book of Blood and Roses, a lost compendium of ways to kill vampires. If she finds it, she’ll be one step closer to avenging her parents, who were slain by those creatures of the night. But when Rebecca arrives, she finds something unexpected: a coffin. Her new roommate is Aliz Astra, scion of one of the most powerful vampire families... and the most beautiful woman Rebecca has ever met. The maddeningly gorgeous Aliz is everything that Rebecca has always hated, but also everything she ever wanted, and now Rebecca doesn't know if she wants to kiss or kill her. When Aliz rescues her from a vampire attack one moonlit night, she accidentally makes Rebecca her familiar. Now, they must work together to break the curse, but as they get closer to solving the mystery, Rebecca and Aliz get closer, too. But can a vampire hunter ever fall in love with a vampire?

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

Long ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there. Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures. Long ago, something sinister, something hungry, walked in the tunnels and the mountains and the coal mines of their hometown in rural Pennsylvania. Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver. And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic. This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.