Follow a motley crew on an exciting journey through space-and one adventurous young explorer who discovers the meaning of family in the far reaches of the universe-in this light-hearted debut space opera from a rising sci-fi star. Rosemary Harper doesn’t expect much when she joins the crew of the aging Wayfarer. While the patched-up ship has seen better days, it offers her a bed, a chance to explore the far-off corners of the galaxy, and most importantly, some distance from her past. An introspective young woman who learned early to keep to herself, she’s never met anyone remotely like the ship’s diverse crew, including Sissix, the exotic reptilian pilot, chatty engineers Kizzy and Jenks who keep the ship running, and Ashby, their noble captain. Life aboard the Wayfarer is chaotic and crazy—exactly what Rosemary wants. It’s also about to get extremely dangerous when the crew is offered the job of a lifetime. Tunneling wormholes through space to a distant planet is definitely lucrative and will keep them comfortable for years. But risking her life wasn’t part of the plan. In the far reaches of deep space, the tiny Wayfarer crew will confront a host of unexpected mishaps and thrilling adventures that force them to depend on each other. To survive, Rosemary’s got to learn how to rely on this assortment of oddballs—an experience that teaches her about love and trust, and that having a family isn’t necessarily the worst thing in the universe.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction. The husband stitch -- Inventory -- Mothers -- Especially heinous -- Real women have bodies -- Eight bites -- The resident -- Difficult at parties

The serial killer isn't on trial. He's on the jury... They were Hollywood's hottest power couple. They had the world at their feet. Now one of them is dead and Hollywood star Robert Solomon is charged with the brutal murder of his beautiful wife. This is the celebrity murder trial of the century and the defence want one man on their team: con artist turned lawyer Eddie Flynn. All the evidence points to Robert's guilt, but as the trial begins a series of sinister incidents in the court room start to raise doubts in Eddie's mind. What if there's more than one actor in the courtroom? What if the killer isn't on trial? What if the killer is on the jury?

The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones. Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

When Apollo Kagwa’s father disappeared, all he left his son were strange recurring dreams and a box of books stamped with the word IMPROBABILIA. Now Apollo is a father himself–and as he and his wife, Emma, are settling into their new lives as parents, exhaustion and anxiety start to take their toll. Apollo’s old dreams return and Emma begins acting odd. Irritable and disconnected from their new baby boy, at first Emma seems to be exhibiting signs of postpartum depression, but it quickly becomes clear that her troubles go even deeper. Before Apollo can do anything to help, Emma commits a horrific act–beyond any parent’s comprehension–and vanishes, seemingly into thin air. Thus begins Apollo’s odyssey through a world he only thought he understood, to find a wife and child who are nothing like he’d imagined. His quest, which begins when he meets a mysterious stranger who claims to have information about Emma’s whereabouts, takes him to a forgotten island, a graveyard full of secrets, a forest where immigrant legends still live, and finally back to a place he thought he had lost forever. This captivating retelling of a classic fairy tale imaginatively explores parental obsession, spousal love, and the secrets that make strangers out of the people we love the most. It’s a thrilling and emotionally devastating journey through the gruesome legacies that threaten to devour us and the homely, messy magic that saves us, if we’re lucky.

In a world where the dead can wake and walk among us, what is truly real? Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the only good thing in Roos’ life, which is filled with sordid backroom séances organized by her mother. That is, until wealthy young widow Agnes Knoop attends one of these séances and asks Roos to come live with her at the crumbling estate she inherited upon the death of her husband. The manor is unsettling, but the attraction between Roos and Agnes is palpable. So how does someone end up dead? Roos is caught red-handed, but she claims a spirit is the culprit. Doctor Montague, a psychologist tasked with finding out whether Roos can be considered mentally fit to stand trial, suspects she’s created an elaborate fantasy to protect her from what really happened. But Roos knows spirits are real; she's loved one of them. She'll have to prove her innocence and her sanity, or lose everything.

A woman is determined to stay in her dream home even after it becomes a haunted nightmare in this compulsively readable, twisty, and layered debut novel. When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying. It’s her house. But after four years Hal can’t take it anymore, and he leaves abruptly. Now, he’s not returning calls, and their daughter Katherine—who knows nothing about the hauntings—arrives, intent on looking for her missing father. To make things worse, September has just begun, and with every attempt Margaret and Katherine make at finding Hal, the hauntings grow more harrowing, because there are some secrets the house needs to keep.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.

Eisner-winning writer Kelly Thompson re-teams with superstar artist Mattia De Iulis for their first creator-owned work together! The Cull is a dark tale about five friends setting off in the middle of the night to shoot a short film on a forbidden rock near their small coastal town the summer before they all go their separate ways. But they're not really there to shoot a film. One of them has lied. And that lie will change EVERYTHING. Collects THE CULL #1-#5

I would say it's a pleasure to meet thee, Prosperity Oceanus Redding, but truly, I only anticipate the delights of destroying thy happiness. Prosper is the only unexceptional Redding in his old and storied family history — that is, until he discovers the demon living inside him. Turns out Prosper's great-great-great-great-great-something grandfather made — and then broke — a contract with a malefactor, a demon who exchanges fortune for eternal servitude. And, weirdly enough, four-thousand-year-old Alastor isn't exactly the forgiving type. The fiend has reawakened with one purpose — to destroy the family whose success he ensured and who then betrayed him. With only days to break the curse and banish Alastor back to the demon realm, Prosper is playing unwilling host to the fiend, who delights in tormenting him with nasty insults and constant attempts trick him into a contract. Yeah, Prosper will take his future without a side of eternal servitude, thanks. Little does Prosper know, the malefactor's control over his body grows stronger with each passing night, and there's a lot Alastor isn't telling his dim-witted (but admittedly strong-willed) human host.