In this darkly funny and irreverent memoir, the daughter of a mail-order bride unpacks her undocumented childhood in America. The perfect read for fans of the jaw-dropping twists of 90 Day Fiancé and the emotional gut punch of I'm Glad My Mom Died.Growing up undocumented in Houston, Texas, Katya Suvorova learned that keeping her family together meant dodging the police, enduring her mother’s many husbands, and babysitting her younger sister instead of finishing the third grade.Her understanding of her life shifted dramatically at seventeen, when Katya discovered her mother’s advertisement in a forgotten Eastern European mail-order bride catalog from the 1990s. As she grew older, Katya came to better understand what her mother had risked when she smuggled herself and her then three-year-old daughter from Russia into the US. When your parents sacrifice their lives so yours can be better, to whom do you owe your future?Ungrateful Immigrant Daughter explores difficult questions and stories both shocking and hilarious across Katya’s childhood through to an adulthood estranged from the woman who sacrificed everything for her. Her sharp, dry wit engages readers in a deeply relatable take on the experience of being a child of immigrants and unraveling a landscape of family secrets and lies, sharing her unique story of being the undocumented daughter of a mail-order bride.

Alive and hiding in South America, Nazi Dr. Josef Mengele gathers a group of former colleagues for a horrifying project — the creation of the Fourth Reich. Barry Kohler, a young investigative journalist, gets wind of the project and informs famed Nazi hunter Ezra Lieberman. Why has Mengele marked a number of harmless aging men for murder? What is the hidden link that binds them? What interest can they possibly hold for their killers: six former SS men dispatched from South America by the most wanted Nazi still alive, the notorious "Angel of Death"? One man alone must answer these questions and stop the killings — Lieberman, himself aging and thought by some to be losing his grip on reality.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

«En el siglo XX, en Europa», dice el narrador, «no queda lugar para tierras misteriosas ni anacrónicas aventuras robinsonianas…» Pero un joven seminarista, excelente traductor del griego y del latín, y absoluto ignorante de los códigos del mundo, se ve compelido a protagonizar una extraña peripecia…En El año de Gracia se reúnen muchos de los elementos de la novela clásica del género —tempestades, naufragios, una isla desierta e, incluso, un especialísimo y ocurrente salvaje…— pasados por el tamiz peculiar al mundo onírico de la autora. Cristina Fernández Cubas cambia ahora, en su primera novela, los espacios cerrados, a los que nos tenía acostumbrados, por la ominosa libertad de unas tierras sin nombre. El resultado es El año de Gracia : una original e inquietante aventura que nos hace desear un buen fuego y afuera, tras los cristales, una magnífica noche de tormenta.

Illustrated in B/W. A sweeping, atmospheric history of Bell Labs that highlights its unparalleled role as an incubator of innovation and birthplace of the century's most influential technologies.

FOR USE IN SCHOOLS AND LIBRARIES ONLY. When the Chamber of Secrets is opened again at the Hogswarts School for Witchcraft and Wizardry, second-year student Harry Potter finds himself in danger from a dark power that has once more been released on the school.

Harry Potter has no idea how famous he is. That's because he's being raised by his miserable aunt and uncle who are terrified Harry will learn that he's really a wizard, just as his parents were. But everything changes when Harry is summoned to attend an infamous school for wizards, and he begins to discover some clues about his illustrious birthright. From the surprising way he is greeted by a lovable giant, to the unique curriculum and colorful faculty at his unusual school, Harry finds himself drawn deep inside a mystical world he never knew existed and closer to his own noble destiny.

San Francisco, 1976. A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

A delectable comedy of manners about cooking, ambition, and friendship set in the food world as a young and socially awkward writer takes a job ghostwriting the cookbook for a famous (and famously chaotic) Hollywood starlet.Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste. When offered the opportunity to ghostwrite a cookbook for Molly Babcock, the once-beloved television actress now mired in scandal, Isabella warily accepts. Unfortunately, Molly quickly proves herself to be a nightmare hungover, flakey, shallow, and—worst of all—indifferent to food. But between Molly’s bizarre late-night texts, goofy confessions, and impromptu road trips, Isabella reluctantly begins to see Molly’s charms. Can Isabella corral Molly out of the gossip rags and into the kitchen? Can she find the key to Molly’s heart and stomach? Or will Isabella’s devotion to her culinary idols and Molly’s monstrous ego send the entire cookbook—and both of their careers—up in flames?A mouth-watering, hilarious debut peppered with insider food world detail—the real writers behind celebrity chef cookbooks, the hot restaurants that run on the backs of their sous-chefs, the secret to perfect blinis á la Russe—Adam Roberts' Food Person is a literary soufflé—a deceptively light, deliciously rich, showstopping confection.

From one of our most acclaimed chroniclers of the forces eroding the fabric of our shared life, her most personal and powerful a reckoning with the changes that have rocked her own beloved small Ohio hometownThe town of Urbana, Ohio was not a utopia when Beth Macy grew up there in the 70’s and 80’s, certainly not for her family. Her dad was an alcoholic who only fitfully worked, and people called him the town drunk, which hurt, as did their poverty. But Urbana had a healthy enough economy, and there were middle class kids at school whose families became her role models. People in Urbana were proud of their schools, and the library, and the history of their town, an important stop on the Underground Railroad. Macy loved Urbana, and though she was able to make it to college on a Pell Grant and then follow a career in journalism that took her far away, she still clung gratefully to the hometown that helped raise her. On the surface it was still picture-postcard cute.But as Macy’s mother’s health began its final descent in 2020, on more frequent visits home to Ohio, she couldn’t shake the feeling that her town had dramatically hardened in ways she couldn’t process. Beth grew up as the paper girl, delivering the local newspaper, which was like civic glue, mirroring the community back to itself. Now there was no local paper, no paper girl, and precious little civic glue. Yes, a lot of the work that once supported the middle class had gone away, along with all that went with it. But that was an old story that didn’t begin to cover the forces turning her town into a poorer and angrier place. High school graduation rates were plummeting as absenteeism soared in the public schools and in the workplace. A mental health crisis gripped the small city, along with a litany of other pathologies. Urbana’s pride in its institutions was parents were opting to home school, or transferring their kids elsewhere, in record numbers. Even more painfully, many of her own family members and old friends had gone down the rabbit hole of conspiracies like QAnon, and worse. What happened to Urbana?This was not an assignment Beth Macy ever wanted to take, but she felt she had no choice. Two years ago, she began to return regularly, to deploy everything she’d learned to figure her hometown out. The result is an astonishment, a book that takes us into the heart of one specific place and through it brings into focus in a new way our most urgent set of national issues.Paper Girl is a gift of courage, empathy and insight, a profoundly generous act. Beth Macy has turned to face the darkest corners in the shared life of her family and community, people she loves wholeheartedly, even the ones she struggles now to like. And in doing so, in facing the truth—in person, with respect—she has found sparks of human dignity that she has used to light a great signal fire, of warning but also of hope.

People who have read my books, particularly "The War of Art" and its cousins, have a vague idea of the odyssey of a particular solitary guy, wracked by guilt and riven by self-doubt, as he struggles toward his destiny as a writer. But they have only the scantiest conception of the particulars of that journey. These particulars, I'm hoping, may be of use to others as they wrestle with their own version of that same odyssey. So let me try to strip it down. Let me tell the parts I normally leave out.

An intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided. Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path. As green and inexperienced as the men sent to Vietnam to fight, Frankie is over- whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets—and becomes one of—the lucky, the brave, the broken, and the lost. But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam. The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.