In the early 1900s, teenaged Sunja, the adored daughter of a crippled fisherman, falls for a wealthy stranger at the seashore near her home in Korea. He promises her the world, but when she discovers she is pregnant—and that her lover is married—she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son's powerful father, sets off a dramatic saga that will echo down through the generations. Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan's finest universities to the pachinko parlors of the criminal underworld, Lee's complex and passionate characters—strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis—survive and thrive against the indifferent arc of history.

Kafka on the Shore, a tour de force of metaphysical reality, is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle—yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

For twenty-six-year-old Adelaide Williams, an American living in dreamy London, meeting Rory Hughes was like a lightning bolt out of the blue: this charming Englishman was The One she wasn’t even looking for. Is it enough? Does he respond to texts? Honor his commitments? Make advance plans? Sometimes, rarely, and no, not at all. But when he shines his light on her, the world makes sense, and Adelaide is convinced that, in his heart, he’s fallen just as deeply as she has. Then, when Rory is rocked by an unexpected tragedy, Adelaide does everything in her power to hold him together—even if it means losing herself in the process. When love asks too much of us, how do we find the strength to put ourselves first? With unflinching honesty and heart, this relatable debut from a fresh new voice explores grief and mental health while capturing the timeless nature of what it’s like to be young and in love—with your friends, with your city, and with a person who cannot, will not, love you back.

A bestselling, prizewinning novel of obsession and psychological intrigue about two enigmatic unmarried women, one of whom manipulates the other from afar, by one of Japan's most acclaimed young writers Almost every day, the Woman in the Purple Skirt buys a single cream bun and goes to the park, where she sits on a bench to eat it as the local children taunt her. She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt. Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.