A young woman wins the role of a lifetime in a film about a legendary heroine — but the real drama is behind the scenes in this sumptuous historical epic from the author of Mexican Gothic. 1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves. Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination. But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart. Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

At Bloodwing Academy, blood is currency, but a dragon's legacy is priceless–and as dangerous as fire.I thought surviving my first year in Bloodwing's deadly halls would be enough. I was wrong.I accidentally woke a dragon–a creature of myth, of death, of fire.Now every highblood house wants control over me and the dragon's legacy I carry. But here's the I have no control. I'm bluffing my way through every encounter, trying to keep everyone from realizing that I'm not the one pulling the dragon's strings.And then there's Blake Drakharrow. I thought he was on my side, that I might even be able to trust him. But he betrayed me. Now I'm his only blood source. How messed up is that? In a place like Bloodwing, where power and survival are everything, this bond may well be the death of us both. Unless I can find a way to end it.In this world of vampires, dragons, and lies, there are no happy endings. Just legends–and the darkness it takes to make them.Set in a richly crafted world of vampire courts and dragon lore, On Wings of Blood blends dark academia, a brooding bully with Draco Malfoy energy, forbidden romance, heart-pounding enemies-to-lovers tension, banter, and dangerous intrigue. A full list of Trigger Warnings may be found in the book's interior.

At Bloodwing Academy, blood is currency, but a dragon's legacy is priceless–and as dangerous as fire.I thought surviving my first year in Bloodwing's deadly halls would be enough. I was wrong.I accidentally woke a dragon–a creature of myth, of death, of fire.Now every highblood house wants control over me and the dragon's legacy I carry. But here's the I have no control. I'm bluffing my way through every encounter, trying to keep everyone from realizing that I'm not the one pulling the dragon's strings.And then there's Blake Drakharrow. I thought he was on my side, that I might even be able to trust him. But he betrayed me. Now I'm his only blood source. How messed up is that? In a place like Bloodwing, where power and survival are everything, this bond may well be the death of us both. Unless I can find a way to end it.In this world of vampires, dragons, and lies, there are no happy endings. Just legends–and the darkness it takes to make them.Set in a richly crafted world of vampire courts and dragon lore, On Wings of Blood blends dark academia, a brooding bully with Draco Malfoy energy, forbidden romance, heart-pounding enemies-to-lovers tension, banter, and dangerous intrigue. A full list of Trigger Warnings may be found in the book's interior.

What do you get if you mix Harry Potter with Fourth Wing, Zodiac Academy, a dash of Arthurian legend, and lots and lots of vampires? Bloodwing Academy. I didn't sign up for this. A half-fae in a school of highblood vampires? That's a recipe for torment. I'm Medra Pendragon—last of the dragon riders, or so they tell me. Funny thing is, there are no dragons left. Not a single one. But somehow, that hasn't stopped the vampires from deciding I'm worth capturing. Now I'm stuck at Bloodwing Academy, where the highbloods run everything and blightborn like me? We're just blood in their veins, pawns in their games. But that's not even the worst part. Enter Blake Drakharrow. Cold, arrogant, and way too gorgeous for his own good. He's been tormenting me since the moment we met, and now, thanks to some ancient ritual, we're betrothed. He acts like he owns me, but I'm not going down without a fight. Bloodwing isn't just a school—it's a battlefield. Highbloods fight for power, and if you're weak? You're dead. Between deadly competitions, lies that could get me executed, and a dragon-shaped secret looming over my head, all I have to do is survive. Easy, right? Except I'm starting to think the real danger isn't the academy—it's what I'm becoming in this twisted game of power. And Blake? He might just be the one who pushes me over the edge. They think they can control me. They think they can use me. But they have no idea what they've awakened. Bestselling epic fantasy author Briar Boleyn returns with a new series perfect for fans of hate to love romance, heart-pounding action, and dark magic. On Wings of Blood is a dark academia fantasy romance featuring a bully villain with Draco Malfoy energy who (eventually) gets the girl, all the tension and banter, and a tantalizingly dangerous blend of court and school intrigue all set in an intricately crafted world with unique vampire and dragon lore. Bloodwing Academy may have crossover characters from the world of Blood of a Fae, but can be read completely independently. If you're a fan of original mythology, unique world-building, and character-driven romantasy books such as Crowns of Nyaxia, From Blood and Ash, and A Court of Thorns and Roses, you won't want to miss out on this riveting new saga.

The long-awaited, profoundly moving, and unforgettable new novel from PEN Award–winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day. From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried.... Sissy, born 1961: Sissy’s relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy’s ear, and in one especially terrifying moment, maybe even saves Sissy’s life. Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an “Indian school” far from their home, Blanche refuses to be cowed by the school’s abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.   Cora, born 1888: Though she was born into the brutal legacy of the “Indian Wars,” Cora isn’t afraid of the white men who remove her to a school across the country to be “civilized.” When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost... A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

What do you get if you mix Harry Potter with Fourth Wing, Zodiac Academy, a dash of Arthurian legend, and lots and lots of vampires? Bloodwing Academy. I didn't sign up for this. A half-fae in a school of highblood vampires? That's a recipe for torment. I'm Medra Pendragon—last of the dragon riders, or so they tell me. Funny thing is, there are no dragons left. Not a single one. But somehow, that hasn't stopped the vampires from deciding I'm worth capturing. Now I'm stuck at Bloodwing Academy, where the highbloods run everything and blightborn like me? We're just blood in their veins, pawns in their games. But that's not even the worst part. Enter Blake Drakharrow. Cold, arrogant, and way too gorgeous for his own good. He's been tormenting me since the moment we met, and now, thanks to some ancient ritual, we're betrothed. He acts like he owns me, but I'm not going down without a fight. Bloodwing isn't just a school—it's a battlefield. Highbloods fight for power, and if you're weak? You're dead. Between deadly competitions, lies that could get me executed, and a dragon-shaped secret looming over my head, all I have to do is survive. Easy, right? Except I'm starting to think the real danger isn't the academy—it's what I'm becoming in this twisted game of power. And Blake? He might just be the one who pushes me over the edge. They think they can control me. They think they can use me. But they have no idea what they've awakened. Bestselling epic fantasy author Briar Boleyn returns with a new series perfect for fans of hate to love romance, heart-pounding action, and dark magic. On Wings of Blood is a dark academia fantasy romance featuring a bully villain with Draco Malfoy energy who (eventually) gets the girl, all the tension and banter, and a tantalizingly dangerous blend of court and school intrigue all set in an intricately crafted world with unique vampire and dragon lore. Bloodwing Academy may have crossover characters from the world of Blood of a Fae, but can be read completely independently. If you're a fan of original mythology, unique world-building, and character-driven romantasy books such as Crowns of Nyaxia, From Blood and Ash, and A Court of Thorns and Roses, you won't want to miss out on this riveting new saga.

The second book in the dangerously romantic, dark academia blockbuster Immortal Dark series, sees Kidan and Susenyos face their biggest fears.PRAISE FOR IMMORTAL 'Entirely irresistible ... You won't be able to look away' Chloe Gong, No.1 New York Times bestselling author of These Violent Delights'A completely original, deliciously dark take on vampires' Sarah Underwood, New York Times bestselling author of Lies We Sing to the Sea'A deliciously dark story teeming with morally grey characters you can't help but root for' Gabi Burton, author of Sunday Times bestselling Sing Me to Sleep

The sequel is finally here! Shane and Ilya’s story, first seen in Heated Rivalry, continues in this long-awaited hockey romance from Rachel Reid. To the world they are rivals, but to each other they are everything. Ten years. That’s how long Shane Hollander and Ilya Rozanov have been seeing each other. How long they’ve been keeping their relationship a secret. From friends, from family…from the league. If Shane wants to stay at the top of his game, what he and Ilya share has to remain secret. He loves Ilya, but what if going public ruins everything? Ilya is sick of secrets. Shane has gotten so good at hiding his feelings, sometimes Ilya questions if they even exist. The closeness, the intimacy, even the risk that would come with being open about their relationship…Ilya wants it all. It’s time for them to decide what’s most important—hockey or love. It’s time to make a call. Game Changers Book 1: Game Changer Book 2: Heated Rivalry Book 3: Tough Guy Book 4: Common Goal Book 5: Role Model Book 6: The Long Game

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for. At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

MAOMAO REAPS THE REWARDS OF HER FEATS! After putting on a successful and sensual(?) show of food tasting at the garden banquet, Maomao is the talk of the palace! But she soon discovers that notoriety isn't the only thing the party has granted her! Her collection of hairpins from the event brings the young herbalist a brief window of freedom beyond the palace walls, as she returns to the pleasure district for the first time in ten months! But while reunions with her father and her friends await, so too does another mystery...

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for. At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy  Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.     The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.    Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.