Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

Josephine Haven’s outbursts are infamous at the House of Industry, the secretive school for children who can wield Radiance, an electricity-like magic. She’s tried to follow the rules, but her fiery nature is at odds with the core tenant of the House: never form attachments to others. How is she meant to feel nothing when her classmates are maddening? No one is surprised when upon graduation, Josephine is banished to the Mission farthest from Sterling City. In Frostbrook, she must work under the authority of standoffish Julian, the former golden boy of the House of Industry. Rather than being helpful, he seems determined to watch her fail. And then there’s Ezra, the flirtatious stranger who’s a little too curious about how the Mission operates. But there are bigger problems than two frustrating, secretive boys. A deadly disease is spreading across the countryside. When Josephine pulls on threads she shouldn’t, she discovers that the Wasting is a consequence of the powerful magic she’s been spreading across the land. Horrified, Josephine resolves to expose the corruption at the heart of everything she’s ever known. With no remaining allegiance to the House, she gives in to intoxicating feelings and discovers that relationships are even messier than she imagined. Alongside unexpected allies Julian and Ezra, Josephine must return to Sterling City and take down the House of Industry before the damage caused by Radiance becomes irreversible.

Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

Join Aang and Katara’s daughter, Kya, in The Legend of Korra: Kya and the Secret of the Sand, as she embarks on a journey of self-discovery and uncovers secrets at the edges of the Earth Kingdom. While helping Korra recover in the Southern Water Tribe, Kya shares a story from her youth of a time when she was lost and disconnected from herself, far from home in the Si Wong Desert… Young and untested, Kya leaves her family to seek her purpose in the wider world. Hoping to test herself and help struggling communities, she heads to the Si Wong Desert, where scarce resources and fractured communities are making the fringes of the Earth Kingdom increasingly unstable. Kya, arriving in the community of Liyuan to teach healing and help the struggling community defend itself from bandits, finds that the wounds left from decades of conflict run deep, and may be harder to heal than she first thought. Written by Eisner-nominated graphic novelist Kiku Hughes (Displacement) with artist Alex Monik (The Legend of Korra: Patterns in Time, Legend of Korra: Mystery of Penquan Island) in collaboration with Avatar: The Last Airbender and The Legend of Korra co-creators Michael Dante DiMartino and Bryan Konietzko!

Join Aang and Katara’s daughter, Kya, in The Legend of Korra: Kya and the Secret of the Sand, as she embarks on a journey of self-discovery and uncovers secrets at the edges of the Earth Kingdom. While helping Korra recover in the Southern Water Tribe, Kya shares a story from her youth of a time when she was lost and disconnected from herself, far from home in the Si Wong Desert… Young and untested, Kya leaves her family to seek her purpose in the wider world. Hoping to test herself and help struggling communities, she heads to the Si Wong Desert, where scarce resources and fractured communities are making the fringes of the Earth Kingdom increasingly unstable. Kya, arriving in the community of Liyuan to teach healing and help the struggling community defend itself from bandits, finds that the wounds left from decades of conflict run deep, and may be harder to heal than she first thought. Written by Eisner-nominated graphic novelist Kiku Hughes (Displacement) with artist Alex Monik (The Legend of Korra: Patterns in Time, Legend of Korra: Mystery of Penquan Island) in collaboration with Avatar: The Last Airbender and The Legend of Korra co-creators Michael Dante DiMartino and Bryan Konietzko!

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

A whip-smart adventure fantasy packed with reality-bending magic, and sapphic romance, The Last Hour Between Worlds is the brilliant launch of a new series from David Gemmell Award-nominated author Melissa Caruso. In the Deep Echoes, no one can save you. Star investigator Kembral Thorne has a few hours away from her newborn, and she just wants to relax and enjoy the year-turning party. But when people start dropping dead, she’s got to get to work. Especially when she finds that mysterious forces are plunging the whole party down through layers of reality and into nightmare. One layer down: It’s no big deal. Stay alert, and you’ll be fine. Two, three layers down: Natural laws are negotiable, and things get very strange. Four layers down: There are creatures with eyes in their teeth and walls that drip blood. Most people who fall this far never return. Luckily, Kem isn’t most people. But as cosmic powers align and the hour grows late, she’ll have to work with her awfully compelling nemesis, notorious cat burglar Rika Nonesuch, for a chance to save her city—though not her night off.