For a decade, award-winning New York Times journalist Amy Chozick chronicled Hillary Clinton’s pursuit of the presidency. Chozick’s front-row seat, initially covering Clinton’s imploding 2008 campaign, and then her assignment to “The Hillary Beat” ahead of the 2016 election, took her to 48 states and set off a nearly ten-years-long journey in which the formative years of her twenties and thirties became – both personally and professionally – intrinsically intertwined to Clinton’s presidential ambitions.Chozick’s candor and clear-eyed perspective—from her seat on the Hillary bus and reporting from inside the campaign’s Brooklyn headquarters, to her run-ins with Donald J. Trump and her globetrotting with Bill Clinton— provide fresh intrigue and insights into the story we thought we all knew. This is the real story of what happened, with the kind of dishy, inside details that repeatedly surprise and enlighten.But Chasing Hillary is also a rollicking, irreverent, refreshingly honest personal story of how the would-be first woman president looms over Chozick’s life. And, as she gets married, attempts to infiltrate the upper echelons of political journalism and inquires about freezing her eggs so she can have children after the 2016 campaign, Chozick dives deeper into decisions Clinton made at similar points in her life. In the process, Chozick came to see Clinton not as an unknowable enigma and political animal but as a complex person, full of contradictions and forged in the political battles and media storms that had long predated Chozick’s years of coverage. Trailing Clinton through all of the highs and lows of the most noxious and wildly dramatic presidential election in American history, Chozick comes to understand what drove Clinton, how she accomplished what no woman had before, and why she ultimately failed. Poignant, illuminating, laugh-out-loud funny, Chasing Hillary is a campaign book like never before that reads like a fast-moving political novel.

From a New York Times bestselling author comes a gripping debut that defies all expectations—a story of feverish obsession, new motherhood, and a friendship pushed to the edgeEmily is unmoored as a new mother in Manhattan—exhausted, broke, and slipping away from her well-meaning husband. She becomes fixated on finding the one person who ever truly understood her college roommate Daisy who vanished years ago after dancing at a seedy strip club off campus.In her desperate search for Daisy, Emily tumbles from new-mom message boards into a world of porn, secrets, and a high-end escort service for global billionaires, hitting one dead end after another—until the unthinkable Daisy suddenly reappears.Daisy infuses Emily’s life with newfound purpose and community as the two launch a new mothers’ group in a vacant luxury skyscraper (matcha on tap, vibrators on offer). But the joy of their reunion soon fades, revealing deep cracks in their friendship. Is Daisy the key to Emily’s happiness—or is she unraveling her world? And where has Daisy really been all these years?

Independent Publisher Book Awards, Silver Medalfor Anthology National Indie Excellence Awards, Finalist in the Anthology Category International Latino Book Awards, Gold Medal for Best Fiction (Multi-Author) International Latino Book Awards, Honorable Mention, Best Nonfiction (Multi-Author) A powerful collection of contemporary voices Showcasing a variety of voices shaped in and by a place that has been for them a crossroads and a land of contradictions, Home in Florida presents a selection of the best literature of displacement and uprootedness by some of the most talented contemporary Latinx writers who have called Florida home. Featuring fiction, nonfiction, and poetry by Richard Blanco, Jaquira Díaz, Patricia Engel, Jennine Capó Crucet, Reinaldo Arenas, Judith Ortiz Cofer, and many others, this collection of renowned and award-winning contributors includes several who are celebrated in their countries of origin but have not yet been discovered by readers in the United States. The writers in this volume—first- , second- , and third-generation immigrants to Florida from Cuba, Mexico, Honduras, Perú, Argentina, Chile, and other countries—reflect the diversity of Latinx experiences across the state. Editor Anjanette Delgado characterizes the work in this collection as literature of uprootedness, literatura del desarraigo, a Spanish literary tradition and a term used by Reinaldo Arenas. With the heart-changing, here-and-there perspective of attempting life in environments not their own, these writers portray many different responses to displacement, each occupying their own unique place on what Delgado calls a spectrum of belonging. Together, these writers explore what exactly makes Florida home for those struggling between memory and presence. In these works, as it is for many people seeking to make a new life in the United States, Florida is the place where the uprooted stop to catch their breath long enough to wonder, “What if I stayed? What if here could one day be my home?” DanielReschinga | Ana Menéndez | Frances Negrón Muntaner | Hernán Vera Álvarez | LizBalmaseda | Ariel Francisco | Andreina Fernandez | Amina Lolita Gautier PhD | JennineCapó-Crucet | Dainerys Machado Vento | Carlos Harrison | Legna RodríguezIglesias | Judith Ortiz Cofer | Chantel Acevedo | Guillermo Rosales | AchyObejas | Alex Segura | Patricia Engel | Anjanette Delgado | Mia Leonin | CarlosPintado | Nilsa Ada Rivera | Natalie Scenters-Zapico | Pedro Medina León | CaridadMoro-Gronlier | Aracelis González Asendorf | Michael García-Juelle | JaquiraDíaz | José Ignacio Chascas-Valenzuela | Raúl Dopico | Javier Lentino | YaddyraPeralta 

From a New York Times bestselling author comes a gripping debut that defies all expectations—a story of feverish obsession, new motherhood, and a friendship pushed to the edgeEmily is unmoored as a new mother in Manhattan—exhausted, broke, and slipping away from her well-meaning husband. She becomes fixated on finding the one person who ever truly understood her college roommate Daisy who vanished years ago after dancing at a seedy strip club off campus.In her desperate search for Daisy, Emily tumbles from new-mom message boards into a world of porn, secrets, and a high-end escort service for global billionaires, hitting one dead end after another—until the unthinkable Daisy suddenly reappears.Daisy infuses Emily’s life with newfound purpose and community as the two launch a new mothers’ group in a vacant luxury skyscraper (matcha on tap, vibrators on offer). But the joy of their reunion soon fades, revealing deep cracks in their friendship. Is Daisy the key to Emily’s happiness—or is she unraveling her world? And where has Daisy really been all these years?

A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.