Jeanne Wakatsuki was seven years old in 1942 when her family was uprooted from their home and sent to live at Manzanar internment camp--with 10,000 other Japanese Americans. Along with searchlight towers and armed guards, Manzanar ludicrously featured cheerleaders, Boy Scouts, sock hops, baton twirling lessons and a dance band called the Jive Bombers who would play any popular song except the nation's #1 "Don't Fence Me In."Farewell to Manzanar is the true story of one spirited Japanese-American family's attempt to survive the indignities of forced detention . . . and of a native-born American child who discovered what it was like to grow up behind barbed wire in the United States.

Fille d'immigrants coréens, Casey Han a été élevée dans le Queens dans le respect des traditions et des valeurs de ses parents. Propriétaires d’un pressing, ils ont travaillé dur pour payer les meilleures études à leur fille et lui permettre une belle carrière professionnelle. Mais à 22 ans, Casey, diplômée de Princeton, a pris les goûts de luxe et les manières de ses camarades et ne rêve que d’une vie glamour à Manhattan. À la suite d’une dispute au sujet de son avenir, son père la met à porte. Casey décide alors de se débrouiller toute seule, loin des jugements de la communauté soudée de ses parents. Mais elle découvre bientôt que son diplôme en économie de Princeton ne suffit pas à la débarrasser de la dette de sa carte de crédit et d'un petit ami toxique... Lorsqu'une rencontre fortuite avec un vieil ami lui offre une nouvelle opportunité, elle est déterminée à entrer dans ce monde étincelant de privilèges, de pouvoir et de richesse, mais à quel prix ? Née à Séoul, Min Jin Lee a immigré aux États-Unis avec sa famille à l’âge de sept ans. Elle publie en 2007 son premier roman La famille Han. Pachinko, son deuxième roman, finaliste du National Book Award en 2017, s’est immédiatement hissé au rang de best-seller international et est resté plus d’un an en tête des ventes du New York Times. Il a été traduit dans 30 langues et adapté en série télévisée. En lire moins

Expanding upon the 2017 Radio 4 series 'Britain's Black Past', this book presents those stories and analyses through the lens of a recovered past. Even those who may be familiar with some of the materials will find much that they had not previously known, and will be introduced to people, places, and stories brought to light by new research. In a time of international racial unrest and migration, it is important not to lose sight of similar situations that took place in an earlier time. In chapters written by scholars, artists, and independent researchers, readers will learn of an early musician, the sales of slaves in Scotland, the grave - now a shrine - of a black enslaved boy left to die in Morecombe Bay, of a country estate owned by a mixed-race slave owner, and of the two strikingly different people who lived in a Bristol house that is now a museum. Black sailors, political activists, memoirists, appear in these pages, but the book also re-examines living history, in the form of modern plays, television programmes, and genealogical sleuthing. Through them, Britain's Black Past is not only presented anew, but shown to be very much alive in our own time.

In Black and British, award-winning historian and broadcaster David Olusoga offers readers a rich and revealing exploration of the extraordinarily long relationship between the British Isles and the people of Africa. Drawing on new genetic and genealogical research, original records, expert testimony and contemporary interviews, Black and British reaches back to Roman Britain, the medieval imagination and Shakespeare's Othello. It reveals that behind the South Sea Bubble was Britain's global slave-trading empire and that much of the great industrial boom of the nineteenth century was built on American slavery. It shows that Black Britons fought at Trafalgar and in the trenches of the First World War. Black British history can be read in stately homes, street names, statues and memorials across Britain and is woven into the cultural and economic histories of the nation.

From New York Times bestselling author Kelly Andrew comes the first in a darkly romantic duology that explores disability, obsession, and the twisted limits of loyalty. Shea Parker has lived her entire life in the shadow of the Gravewood, an impassable forest that's cut off her town from the rest of the world. With resources limited and supplies scarce, Shea is forced to carefully ration her hearing aid batteries. When her stash runs out, she'll be left in the silence. Desperate, Shea turns to the only person who can help -- Oliver Lysander, the volatile leader of a vampiric gang that rules the Gravewood. The arrangement between Shea and Lysander starts off simply enough. She gives him her blood. He tracks down batteries. They don't cross any lines. They don't make it personal. But when Shea's best friend is lured into the Gravewood, her disappearance brings her older brother home from the frontlines. Asher Thorley is willing to do whatever it takes to find his sister, even if it means holding Shea's ugliest secrets over her head. Ever an opportunist, Lysander renegotiates the terms of their deal. If Asher takes out Lysander's vampire rival, Lysander will help him find his sister. And if Shea agrees to Turn, Lysander will give her a cure for her ailing mother. For the first time ever, Shea finds herself leaving home. Swallowed up in the dreamlike dark of the Gravewood and traveling in the company of killers, it isn't long before she risks becoming one herself.

Fille d'immigrants coréens, Casey Han a été élevée dans le Queens dans le respect des traditions et des valeurs de ses parents. Propriétaires d’un pressing, ils ont travaillé dur pour payer les meilleures études à leur fille et lui permettre une belle carrière professionnelle. Mais à 22 ans, Casey, diplômée de Princeton, a pris les goûts de luxe et les manières de ses camarades et ne rêve que d’une vie glamour à Manhattan. À la suite d’une dispute au sujet de son avenir, son père la met à porte. Casey décide alors de se débrouiller toute seule, loin des jugements de la communauté soudée de ses parents. Mais elle découvre bientôt que son diplôme en économie de Princeton ne suffit pas à la débarrasser de la dette de sa carte de crédit et d'un petit ami toxique... Lorsqu'une rencontre fortuite avec un vieil ami lui offre une nouvelle opportunité, elle est déterminée à entrer dans ce monde étincelant de privilèges, de pouvoir et de richesse, mais à quel prix ? Née à Séoul, Min Jin Lee a immigré aux États-Unis avec sa famille à l’âge de sept ans. Elle publie en 2007 son premier roman La famille Han. Pachinko, son deuxième roman, finaliste du National Book Award en 2017, s’est immédiatement hissé au rang de best-seller international et est resté plus d’un an en tête des ventes du New York Times. Il a été traduit dans 30 langues et adapté en série télévisée. En lire moins

New York Times BestsellerA #1 LA Times BestsellerA USA Today BestsellerOne of NPR's "Favorite Books of 2019"With "virtuosic vulnerability" (The Atlantic), the iconic bassist and Red Hot Chili peppers co-founder pens a love letter to a youth spent wild in Los Angeles in his raw and riveting coming-of-age memoir, now in paperback.In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and 80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers. Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time.

“Thank you for your interest in our school, but we regret to inform you that…” you’re not special. You’re too average. You’re too boring. Well, in that case, she’ll have to show them just how interesting she can be. Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart. What shocks her even more is that Laura Kim, a classmate at Columbia, got in. Elizabeth can’t figure out how this could have happened. Why was Laura accepted? What makes her so interesting? At first, she follows her because she’s just curious. What Laura orders for lunch. Where Laura shops. What Laura’s hobbies are. All of these things must contribute to her overall package, what makes her an acceptable person to Harvard. But still, Elizabeth just can’t see it. The only thing she sees is that Laura has taken her spot. A spot that she knows she deserves after working so hard. A spot that she’ll simply have to take back. Layered and subversive, this novel brings to light how, in the face of societal expectations and self-inflicted pressures, a person can unlock the darkest parts of themselves and show how far they’re willing to go to achieve their vision of success.

“I had experienced absolute freedom—I had felt that my body was without boundaries, limitless; that pain didn’t matter, that nothing mattered at all—and it intoxicated me.” In 2010, more than 750,000 people stood in line at Marina Abramović’s MoMA retrospective for the chance to sit across from her and communicate with her nonverbally in an unprecedented durational performance that lasted more than 700 hours. This celebration of nearly fifty years of groundbreaking performance art demonstrated once again that Marina Abramović is truly a force of nature. The child of Communist war-hero parents under Tito’s regime in postwar Yugoslavia, she was raised with a relentless work ethic. Even as she was beginning to build an international artistic career, Marina lived at home under her mother’s abusive control, strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity, her desire to connect with people, or her distinctly Balkan sense of humor—all of which informs her art and her life. The beating heart of Walk Through Walls is an operatic love story—a twelve-year collaboration with fellow performance artist Ulay, much of which was spent penniless in a van traveling across Europe—a relationship that began to unravel and came to a dramatic end atop the Great Wall of China. Marina’s story, by turns moving, epic, and dryly funny, informs an incomparable artistic career that involves pushing her body past the limits of fear, pain, exhaustion, and danger in an uncompromising quest for emotional and spiritual transformation. A remarkable work of performance in its own right, Walk Through Walls is a vivid and powerful rendering of the unparalleled life of an extraordinary artist.