Veronica and Stoker are practically dying for a new adventure but when their wish is granted, they find themselves up against a secret society and a darkly seductive duo in this landmark historical mystery from beloved New York Times bestselling and Edgar Award–nominated author Deanna Raybourn. When the corpse of an entitled young man is found entirely drained of blood in a carriage next to Highgate Cemetery, Veronica’s interest is piqued. And then a second victim is found, his death made to look like a suicide, and Veronica and her intrepid beau, Stoker, know the hunt is on. The two men share one link: they were both members of a society so secretive that only a singular mention of it can be found anywhere. Thirsty for more clues, Veronica and Stoker hear that a young Roma boy may know more about their first victim, but the only way to the boy is through an old acquaintance of Stoker’s, Lady Julia Brisbane. Lady Julia and her dashing husband, Nicholas, occasionally track down murderers and are only too happy to help. But as it becomes clear the secret society is a dangerous sect looking to entice immortality seekers, Veronica and Stoker find themselves ensnared by a decidedly more sinister couple. The professed leader of the society claims to be a creature of the night; his partner practices witchcraft and they both fancy themselves emissaries of the otherworldly. Just as Veronica and Stoker get closer to learning the true purpose of the society and unraveling this macabre mystery, another body turns up, and they quickly discover they’ve gone from being the hunters to the hunted. . . .

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

"LET THE WICKED BE ASHAMED, AND LET THEM BE SILENT IN THE GRAVE." These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests. Prepared to accept that Edward's death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth. Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.

We can’t choose what we inherit. But can we choose who we become? In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child challenge everything the siblings thought they knew about their lineage and themselves. Can Byron and Benny reclaim their once-close relationship, piece together Eleanor’s true history, and fulfill her final request to “share the black cake when the time is right”? Will their mother’s revelations bring them back together or leave them feeling more lost than ever? Charmaine Wilkerson’s debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

A wondrously unusual memoir about a woman who, in the midst of mourning her divorce, retreats into her shell and renegotiates her relationship to solitude, shame, and connection—from an acclaimed 5 Under 35 National Book Foundation honoree.“We've all heard the one about waking up as a cockroach—but what if a crisis turned you into a clam?”After the dissolution of her marriage, a writer is transformed into a "clam" via typo after her mother keeps texting her to "clam down." The funny if unhelpful command forces her to ask what it means to "clam down" during crises—to retreat, hide, close up, and stay silent. Idiomatically, we are said to "clam up" when we can't speak, and to "come out of our shell" when we reemerge, transformed.In order to understand her path, the clam digs into examples of others who have also "succumbed to shellfish" to embrace lives of reclusiveness and extremity. But this is a story that radiates outward from the kernel of selfhood to family, society, and ecosystem. Finally, the writer must confront her own "clam genealogy" to interview her dad who disappeared for a decade to write a mysterious accounting software called Shell Computing. In learning about his past to better understand his decisions, she learns not only how to forgive him, but also how to move on from her own wounds of abandonment and insecurity.Using a genre-defying structure and written in novelistic prose that draws from art, literature, and natural history, she unfolds a complex story of interspecies connectedness, in which humans learn lessons of adaptation and survival from their mollusk kin. While it makes sense in certain situations to retreat behind fortified walls, the choice to do so also exacts a price. What is the price of building up walls? How can one take them back down when they are no longer necessary?