Simón López Trujillo’s “mind-blowing” (Gabriela Cabezón Cámara) debut takes readers into a dry and degraded, fire-prone landscape where humanity has encroached a step too far into the natural world, and a deadly fungus mounts its own resistance . . . In the disorienting, devastatingly tense world of López Trujillo, a eucalyptus farm worker named Pedro starts coughing. Several of his coworkers die of a strange fungal disease, which has jumped to humans for the first time, but Pedro, miraculously, awakes. His survival fascinates a foreign mycologist, as well as a local priest, who dubs his mysterious mutterings to be the words of a prophet. Meanwhile Pedro's kids are left to fend for themselves: the young Cata, whose creepy art projects are getting harder and harder to decipher, and Patricio, who wasn't ready to be thrust into the role of father. Their competing efforts to reckon with Pedro’s condition eventually meet in a horrifying climax that readers will never forget. For readers of Jeff Vandermeer and Samanta Schweblin, López Trujillo is a next-generation Bolaño with a fresh, speculative edge and a mind that's always one step ahead of us.

From a New Yorker staff writer and PEN Award winner, a blend of memoir, history, and reportage on one of the most complex and least understood states in America. “In Alabama, we exist at the border of blessing and disaster….” Alexis Okeowo grew up in Montgomery, Alabama—the former seat of the Confederacy—as the daughter of Nigerian immigrants. Here, she weaves her family’s story with her state’s, from Alabama’s forced removal of the Creek Nation, making room for enslaved West Africans, to present-day legislative battles for “evolution disclaimers” in biology textbooks. She immerses us in a landscape today dominated not by cotton fields but by auto plants and Amazon warehouses. Defying stereotypes at every turn, Okeowo shows how people can love their home while still acknowledging its sins. In this perspective-shifting work that is both an intimate memoir and a journalistic triumph, Okeowo investigates her life, other Alabamians’ lives, and the state’s lesser-known histories, to examine why Alabama has been the stage for the most extreme results of the American experiment.

A memoir from “the most important chef in America” ( San Francisco Chronicle ) and chef of Tatiana, the New York Times #1 Restaurant in New York City 2023. “Kwame Onwuachi’s story shines a light on food and culture not just in American restaurants or African American communities but around the world.” —Questlove By the time he was twenty-seven years old, Kwame Onwuachi had opened—and closed—one of the most talked about restaurants in America. He had sold drugs in New York and been shipped off to rural Nigeria to “learn respect.” He had launched his own catering company with twenty thousand dollars made from selling candy on the subway and starred on Top Chef . Through it all, Onwuachi’s love of food and cooking remained a constant, even when, as a young chef, he was forced to grapple with just how unwelcoming the food world can be for people of color. In this inspirational memoir about the intersection of race, fame, and food, he shares the remarkable story of his culinary coming-of-age; a powerful, heartfelt, and shockingly honest account of chasing your dreams—even when they don’t turn out as you expected.

From the author of Queen Sugar, a piercing examination of friendship and loyalty as two best friends find themselves at odds over their beliefs on race, identity and allyship, especially when it comes to their teenage childrenBabs and Nora became friends thanks to their kids. Now, the desire to protect their children might tear them apart.Babs and Nora have spent a decade’s worth of morning walks sharing family secrets, local drama, and advice—everything from tips on lingerie choices to Babs’s suggestions to Nora, a white woman, on how to raise Nathan, her adopted Black son.But their worlds are turned upside down when the cops are called on their kids while they’re home alone, leading to a traumatic police encounter for Nathan. In the aftermath, Babs and Nora find themselves divided as never before, and Nathan looks for refuge with Babs and her family, where, unlike in his own home, race, identity, and culture are always up for discussion. Babs can see that Nathan is a young Black man without community trying to find himself. Torn between respecting Nora’s boundaries and embodying the values so important to her own family, Babs will make a choice that will shape their lives forever.Set in a tight-knit enclave in the Bay Area, Good People is an eye-opening exploration of friendship and privilege, race and community, and what it means to truly be a good friend and ally.

The bestselling Indigenous dark fiction anthology returns with a new selection of even more daring and sinister stories. From monsters to mutilation, Never Whistle at Night is back for revenge.They’re baaaaaaaaaack! As any savvy horror fan the monster never truly dies. The team that brought you the bestselling dark fiction anthology Never Whistle at Night has risen, hungry, from the grave to summon more dark delicacies for your delectation. In these twenty-one brand-new, groundbreaking, gruesome stories—authored by both established and newly unearthed Indigenous talent—the contributors are fully embracing both supernatural horrors and the everyday horror of living under colonialist rule.  Featuring stories of unspeakable yet satisfying terror, from twisted psychological tales to gore-filled monster hunts, this new selection of sinister stories will sate your darkest appetites and leave you slavering for more. Never Whistle at Night, Part Back for Blood is a further celebration of Indigenous survival and the enduring tradition of transforming adversity into art.

A magical theater atop a cobblestone path alters what a couple knows about themselves—and each other—in this scintillating debut brimming with nostalgia and life-affirming wonder. At the end of a fog-covered alley, glitters a glamorous cinema. It’s nearly impossible to find. When Ellie and her fiancé, Drake, stumble upon it during a late-night walk, they’re shocked to discover what’s playing inside the red-velvet their formative memories. Drake fears what the cinema might reveal, but eventually gives in when Ellie insists they return for more viewings. She’s haunted by a night from her past that she doesn’t fully remember. This is her opportunity to piece the story back together. But as the memories displayed on screen inch closer to the present, they realize they’re both keeping secrets from each other. With their wedding on the horizon, Ellie and Drake must decide if seeing their pasts changes their plans for a future together. Filled with warmth, hope, and a dash of magic, The Second Chance Cinema is both an enchanting escape and a thought-provoking examination of how our memories shape who we are.

A Lynchian, absurdist debut novel for fans of Alexandra Tanner and Emma Cline about two disaffected young women and the local homeless man they become obsessed with. The Bowl is a strange place: surrounded by abandoned almond orchards filled with feral children and neighboring towns that keep burning down, the polluted, riverside city has a decades-old web of serial killers and missing people. Our unnamed narrator, a bookseller at a used bookstore, and her roommate September, a waitress at a cowgirl-themed breasturant, spend their days avoiding their deadbeat boyfriends, commuting to class on the raccoon-infested ‘rat bus,’ and hanging out at wine bars with their friend Claudia Thursday. But after September has an encounter with a local homeless man named Burnside, she becomes terrified that he’s stalking her. Soon, the entire town has turned on Burnside, convinced that he is responsible for the violence, precarity, and wildfires that surround them. Burnside builds a dreamlike yet utterly propulsive tapestry of brilliant, flawed, and dangerous characters. A commentary on victimhood and safety, both real and imagined, the precarity of late-stage capitalism and climate disaster, and a portrait of a community in a world seemingly right next to our own, Burnside is a singular, epic, and wonderfully strange debut.

A memoir from “the most important chef in America” ( San Francisco Chronicle ) and chef of Tatiana, the New York Times #1 Restaurant in New York City 2023. “Kwame Onwuachi’s story shines a light on food and culture not just in American restaurants or African American communities but around the world.” —Questlove By the time he was twenty-seven years old, Kwame Onwuachi had opened—and closed—one of the most talked about restaurants in America. He had sold drugs in New York and been shipped off to rural Nigeria to “learn respect.” He had launched his own catering company with twenty thousand dollars made from selling candy on the subway and starred on Top Chef . Through it all, Onwuachi’s love of food and cooking remained a constant, even when, as a young chef, he was forced to grapple with just how unwelcoming the food world can be for people of color. In this inspirational memoir about the intersection of race, fame, and food, he shares the remarkable story of his culinary coming-of-age; a powerful, heartfelt, and shockingly honest account of chasing your dreams—even when they don’t turn out as you expected.

A rollicking work of lyricism and humor, about one family’s tumble into the unknown, from the Pulitzer Prize finalist and bestselling author of North Woods Miles Krzelewski is a devoted husband, a doting father beloved for his outlandish bedtime stories, and the proud owner of a truffle-hunting dog in a land with no truffles. He is also a bit lost, twelve years late with his PhD on Russian folktales, and increasingly haunted by a sense that he's become a disappointment to his family. So when his wife Kate accepts a visiting professorship at a prestigious college in the far away forests of Vermont, he decides that this will be his year to finally move forward with his life. But Miles is a man of many enthusiasms, one who possesses, in Kate’s words, “a great capacity to fall in with anyone, anywhere.” And no sooner does he arrive than he finds himself entangled with a cast of characters as colorful as any of his folktales, from a ghostly tree surgeon to a scythe-mad biochemist, a Shakespearean temptress and a photographer of snowflakes obsessed with chronicling, on thousands of index cards, the world’s delusions in a “Inventory of Wrong Ideas.” The new friends, the enchanted woods, the sure, no PhD, but all good fun. Until Miles stumbles upon a bizarre—perhaps ridiculous—local legend, which, he soon suspects, might not be just a legend after all. Joyous, absurd, and life-affirming, Country People is a luminous exploration of marriage and parenthood, the nature of belief and the power of stories, and the ways in which we find connection in an increasingly fragmented world.