’Tis the season! The Crown meets When Harry Met Sally and Bridget Jones’s Diary, in the latest heartwarming historical novel from Hazel Gaynor and Heather Webb, bestselling authors of Meet Me in Monaco and Three Words for Goodbye. December 1952. While the young Queen Elizabeth II finds her feet as the new monarch, she must also find the right words to continue in the tradition of her late father and grandfather’s beloved Christmas Day radio broadcast. But even traditions must move with the times, and the Queen faces a postwar Britain hungry for change.  As preparations begin for the royal Christmas at Sandringham House in Norfolk, two old friends—Jack Devereux and Olive Carter—find themselves reunited for the festivities. A single mother, typist at the BBC, and aspiring reporter, Olive leaps at the opportunity to cover the holiday celebration, despite self-doubts. When a chance encounter with the Queen presents an exciting opportunity, Olive begins to believe her luck might change.  Jack, a grief-stricken widowed chef originally from New Orleans, accepts a last-minute chance to cook in the royal kitchens at Sandringham. When he bumps into a long-lost friend, an old spark is reignited. Despite personal and professional heartache, Jack and Olive’s paths continue to cross over the following five Christmas seasons and they find themselves growing ever closer. Yet Olive carries the burden of a heavy secret.  Christmas Day, December 1957. As the nation eagerly awaits the Queen’s first televised Christmas speech, Olive decides to reveal the shocking truth of her secret, which threatens to tear her and Jack apart forever. Unless Christmas has one last gift to deliver… 

Two extraordinary Indigenous stories set five generations apart. When Mulanyin meets the beautiful Nita in Edenglassie, their saltwater people still outnumber the British. As colonial unrest peaks, Mulanyin dreams of taking his bride home to Yugambeh Country, but his plans for independence collide with white justice. Two centuries later, fiery activist Winona meets Dr Johnny. Together they care for obstinate centenarian Granny Eddie, and sparks fly, but not always in the right direction. What nobody knows is how far the legacies of the past will reach into their modern lives. In this brilliant epic novel, Melissa Lucashenko torches Queensland' s colonial myths, while reimagining an Australian future.

A memoir-in-essays on transness, dad rock, and the music that saves us. When Wilco’s 2007 album Sky Blue Sky was infamously criticized as “dad rock,” Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad’s glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock’s emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward. In taut, searing essays rendered in propulsive and unguarded prose, Stratis delves into the emotional core of bands like Wilco and The National, telling her story through the dad rock that accompanied her along the way. She found footing in Michael Stipe’s allusions to queer longing, Radiohead’s embrace of unknowability, and Bruce Springsteen’s very trans desire to “change my clothes my hair my face”—and she found in artists like Neko Case and Sharon Van Etten that the label transcends gender. A love letter to the music that saves us and a tribute to dads like Stratis’s own who embody the tenderness at the genre’s heart, The Dad Rock That Made Me a Woman rejoices in music unafraid to bare its soul.

From the bestselling author of Funny You Should Ask comes an inspiring romance novel about honoring the past, living in the present, and loving for the future. In her small Montana hometown, Lauren Parker has assumed a few different roles: teenage hellraiser; sister of superstar Gabe Parker; and most recently, tragically widowed single mother. She’s never cared much about labels or what people thought about her, but dealing with her grief has slowly revealed that she’s become adrift in her own life. Then she meets the devilishly handsome actor Ben Walsh on the set of her brother’s new movie. They have instant chemistry, and Lauren realizes that it has been far too long since someone has really and truly seen her. Her rebellious spirit spurs her to dive headfirst into her desire, but when a sexy encounter becomes something more, Lauren finds herself balancing old roles and new possibilities. There’s still plenty to contend with: small-town rumors, the complications of Ben’s fame, and her daughter’s unpredictable moods. An unexpected fling seemed simple at the time—so when did everything with Ben get so complicated? And is there enough room in her life for the woman Lauren wants to be? Alternating between Lauren’s past with Spencer and her present with Ben, Totally and Completely Fine illuminates what it means to find a life-changing love and be true to oneself in the process.

In this darkly humorous memoir-in-essays, singer-songwriter Lola Kirke untangles an extraordinary upbringing in a family of eccentric, messy artists and how a girl from the big city went a little bit country.Born into a dynastic creative family, Lola Kirke grew up around people who maintained glamorous veneers while turbulence rocked their inner worlds. The youngest daughter of a British rock star and socialite designer, Lola and her siblings (including actress Jemima and celebrity doula Domino), spent their childhoods in a sprawling West Village brownstone, which, thanks to the eclectic stylings of its matriarch, became the talk of the City, and was visited by the likes of Courtney Love and David Bowie. But behind the enviable exterior of wealth and coolness, was a family in disarray. Her parents’ marriage was characterized by addiction and affairs. Her sisters’ youths marked by their own stints in rehab, and oriented around a relentless pursuit of beauty idealized by their mother. To make sense of all the madness, young Lola turned to chocolate, masturbation, marijuana, and last but not least, the distant sounds of country music, where singers like Patsy Cline, Loretta Lynn, and Gram Parsons helped her see that the worst things in life are fine if you can make them rhyme. That women can be complicated. And that men sometimes beg for forgiveness. But before heading south to make music herself, Lola went west to Los Angeles, landing with a career-launching role in Gone Girl that led to starring alongside Greta Gerwig in Mistress America and Gael Garcia Bernal for four seasons on the Golden Globe–winning Mozart in the Jungle. But increasingly dubious of an artistic life lived in only one lane, Lola eventually left LA for Nashville, reconciling the future she was building with the chaotic past she was recalling by writing her own country songs. After a lifetime of trying to fit in with her family and stand out in the world, she finally realized what she really needed was just to be herself—contradictions and all. Darkly funny, high spirited, and just a little bit country, this is the story of a young woman trying to be someone else while secretly learning to become herself, as well as the story of a family that, in Lola’s own words, puts the “fun” in dysfunctional.

Inspired by the mapping of Ireland in the mid-nineteenth century, Land, the new novel from the author of Hamnet, is at once intimate and a portrait of a family navigating a legacy of upheaval and loss with love and hope. On a windswept peninsula stretching out into the Atlantic, Tomás and his reluctant son, Liam, are working for the great Ordnance Survey project to map the whole of Ireland. The year is 1865, and in a country not long since ravaged and emptied by the Great Hunger, the task is not an easy one. Tomás, however, is determined that his maps will be a record of the disaster. The British soldiers in charge are due to arrive any day, expecting the work to be completed, but Tomás is unexpectedly sent off course by an unsettling encounter in a copse. His life, and those of his family, will never be the same again. Liam is terrified by the sudden change in his taciturn father. What was it that caused such cracks to open in Tomás and how is Liam, aged only ten, going to finish the mapping, and get them both home? Land is a novel about separation and reunion, tragedy and recovery, colonisation and rebellion. It is a story of buried treasure, overlapping lives, ancient woodland, persistent ghosts, a particularly loyal dog, and how, when it comes to both land and history, nothing ever goes away. As spellbinding and various as the landscape that inspired it, Land is, above all, a story of survival, for our times, and for all time.

CEO seeks dating coach Critically acclaimed and reader-favorite author Susan Lee’s hilarious adult debut is a shimmering and joyful look at the magnificent—and sometimes suffocating—weight of family, the ways we limit ourselves, and the irresistible power of love. Julia Song, CEO of Starlight Cosmetics, is at the height of her career. Then why does she feel like such a failure? Maybe because she’s thirty and single, with a terrible track record at dating. And in the eyes of her Korean family, that is just unacceptable. It never really bothered her—that is until her beloved grandmother drops the bomb that she is sick and her dying wish is for Julia to get married. Impossible. So in a moment of weakness, Julia asks her family for help. Set her up on three dates to help her find The One. But it will never work—Julia is undateable. If only there was a coach for that… Tae Kim knows about the weight of familial expectation. He’s currently unemployed, living in his parents’ basement to care for his ill father. Sure, he’s become somewhat of a fix-it man for the Korean community around town, but that’s not a real job. And the pressure to get his life together is getting to be too much. So when the Julia Song—his childhood crush—asks for his help, it may be just the distraction he needs. He’ll do whatever it takes, even coach her for these three dates. Problem is, the more time they spend together and the closer they get, the more Tae wonders if anyone is good enough for Julia…including him.

A moving story of father-son reconciliation told by a charismatic Aboriginal star. When his father was given a diagnosis of terminal cancer, Winnipeg broadcaster and musician Wab Kinew decided to spend a year reconnecting with the accomplished but distant aboriginal man who’d raised him. The Reason You Walk spans that 2012 year, chronicling painful moments in the past and celebrating renewed hopes and dreams for the future. As Kinew revisits his own childhood in Winnipeg and on a reserve in Northern Ontario, he learns more about his father's traumatic childhood at residential school. An intriguing doubleness marks The Reason You Walk, itself a reference to an Anishinaabe ceremonial song. Born to an Anishinaabe father and a non-native mother, he has a foot in both cultures. He is a Sundancer, an academic, a former rapper, a hereditary chief and an urban activist. His father, Tobasonakwut, was both a beloved traditional chief and a respected elected leader who engaged directly with Ottawa. Internally divided, his father embraced both traditional native religion and Catholicism, the religion that was inculcated into him at the residential school where he was physically and sexually abused. In a grand gesture of reconciliation, Kinew's father invited the Roman Catholic bishop of Winnipeg to a Sundance ceremony in which he adopted him as his brother. Kinew writes affectingly of his own struggles in his twenties to find the right path, eventually giving up a self-destructive lifestyle to passionately pursue music and martial arts. From his unique vantage point, he offers an inside view of what it means to be an educated Aboriginal living in a country that is just beginning to wake up to its aboriginal history and living presence. Invoking hope, healing and forgiveness, The Reason You Walk is a poignant story of a towering but damaged father and his son as they embark on a journey to repair their family bond. By turns lighthearted and solemn, Kinew gives us an inspiring vision for family and cross-cultural reconciliation, and for a wider conversation about the future of aboriginal peoples.

Through the unforgettable stories of five Atlanta families, this landmark work of journalism exposes a new and troubling trend—the dramatic rise of the “working homeless” in cities across AmericaThe working homeless. In a country where hard work and determination are supposed to lead to success, there is something scandalous about this phrase. But skyrocketing rents, low wages, and a lack of tenant rights have produced a startling People with full-time jobs cannot keep a roof over their head, especially in America’s booming cities, where rapid growth is leading to catastrophic displacement. These families are being forced into homelessness not by a failing economy but a thriving one.In this gripping and deeply reported book, Brian Goldstone plunges readers into the lives of five Atlanta families struggling to remain housed in a gentrifying, increasingly unequal city. Maurice and Natalia make a fresh start in the country’s “Black Mecca” after being priced out of DC. Kara dreams of starting her own cleaning business while mopping floors at a public hospital. Britt scores a coveted housing voucher. Michelle is in school to become a social worker. Celeste toils at her warehouse job while undergoing treatment for ovarian cancer. Each of them aspires to provide a decent life for their children—and each of them, one by one, joins the ranks of the nation’s working homeless.Through intimate, novelistic portraits, Goldstone reveals the human cost of this crisis, following parents and their kids as they go to sleep in cars, or in squalid extended-stay hotel rooms, and head out to their jobs and schools the next morning. These are the nation’s hidden homeless—omitted from official statistics, and proof that overflowing shelters and street encampments are only the most visible manifestation of a far more pervasive problem.By turns heartbreaking and urgent, There Is No Place for Us illuminates the true magnitude, causes, and consequences of the new American homelessness—and shows that it won’t be solved until housing is treated as a fundamental human right.