A haunting novel spanning several generations, The Seed Keeper follows a Dakota family's struggle to preserve their way of life, and their sacrifices to protect what matters most. Rosalie Iron Wing has grown up in the woods with her father, Ray, a former science teacher who tells her stories of plants, of the stars, of the origins of the Dakota people. Until, one morning, Ray doesn't return from checking his traps. Told she has no family, Rosalie is sent to live with a foster family in nearby Mankato--where the reserved, bookish teenager meets rebellious Gaby Makespeace, in a friendship that transcends the damaged legacies they've inherited. On a winter's day many years later, Rosalie returns to her childhood home. A widow and mother, she has spent the previous two decades on her white husband's farm, finding solace in her garden even as the farm is threatened first by drought and then by a predatory chemical company. Now, grieving, Rosalie begins to confront the past, on a search for family, identity, and a community where she can finally belong. In the process, she learns what it means to be descended from women with souls of iron--women who have protected their families, their traditions, and a precious cache of seeds through generations of hardship and loss, through war and the insidious trauma of boarding schools. Weaving together the voices of four indelible women, The Seed Keeper is a beautifully told story of reawakening, of remembering our original relationship to the seeds and, through them, to our ancestors.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

Autobiografía del algodón dota de un nuevo y extraordinario significante al territorio de la frontera norte de México, que aquí se erige majestuoso sobre el movimiento nómada y la ruta de los recuerdos. - Yásnaya Elena Aguilar. Indagar sobre el origen personal es abrir una puerta a muchas preguntas a silencios y respuestas impensadas que aveces terminan por ser un revés de la memoria. En autobiografía del algodón, Cristina Rivera Garza sigue con curiosidad y asombro los pasos de aquellos hombres y mujeres que habitan su pasado familiar, obreros, campesinos que trabajaron la tierra que ahora conforma la frontera entre Tamaulipas y Texas, una región que alcanzó un alto nivel económico, social y cultural gracias al sistema de siembra del algodón. Es así que esta novela es, además de íntima, un reencuentro con el territorio. O un desencuentro, debido a la migración, deportación, expulsión y repatriación de aquellos campesinos algodoneros, que tras el fracaso del sistema, dejaron libre su espacio, antes símbolo de progreso, hoy ocupado por la llamada guerra contra el narco.

A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British. Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is: a) a vivid portrait of an extended family b) a moving story of sisterhood c) a playful ode to the 80s d) a murder mystery (of sorts) e) an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence Or maybe it’s really: f) all of the above.

A wildly inventive story collection from legendary film director Pedro AlmodóvarThe Last Dream brings together for the first time twelve unpublished stories from Almodóvar’s personal archive, written between the late sixties and the present day. Both a tantalising glimpse into Almodóvar’s creative mind and a masterclass in how to tell a story, this intimate and mischievous collection reflects Almodóvar’s obsessions and many of the themes of his cinematic work, spanning genres from autofiction to comedy, parody, pastiche and gothic. The title story, ‘The Last Dream’, is a beautiful chronicle of the death of Almodóvar’s mother, and other stories a love story between Jesus and Barabbas; a cult film director out in search of painkillers on a bank holiday weekend; the primary version of the film Bad Education; and a gothic tale of a repentant vampire among monks.In his introduction, Almodóvar ‘I’ve been asked to write my autobiography more than once, and I’ve always refused; it’s also been suggested that I let someone else write my biography, but I have always felt somewhat resistant to the idea of a book entirely about me as an individual. I’ve never kept a diary, and whenever I’ve tried, I’ve never made it to page two; in a sense, then, this book represents something of a paradox. It might be best described as a fragmentary autobiography, incomplete and a little cryptic.’A celebration of the relationship between life and art, fiction and reality from an artist unafraid to write about our most intimate moments, these stories explore desire, mortality, loneliness and the pain and glory of artistic creation, laced with playful humour and a deep love of literature and culture.Translated by Frank Wynne

A young Indigenous woman and her dragon fight for the independence of their homeland in this epic sequel to the bestselling and multi-award-winning To Shape a Dragon's Breath, "a remarkable novel that is bound to be a staple of fantasy shelves for years to come" (BuzzFeed).Anequs has not only survived her first year at Kuiper's Academy but exceeded all of her professors' admittedly low expectations—and passed all her courses with honors. Now, she and her dragon, Kasaqua, are headed home for the summer, along with Theod, the only other Native student at the Academy.But what should have been a relaxing break takes a darker turn. Thanks to Anequs's notoriety, there is an Anglish presence on Masquapaug for the first time a presence which Anequs hates. Anequs will always fight for what she believes in, however, and what she believes in is her people's right to self-govern and live as they have for generations, without the restrictive yoke of Anglish rules and social customs. And fight she will—even if it means lighting a spark which may flare into civil war.

Your granddaughters are lost, Candelaria. Bianca, the brainy archaeologist, had to forfeit her life's work in Guatemala after her advisor seduced and deserted her. Paola, missing for over a decade, resurfaces in Boston as a brainwashed wellness cultist named Zoe. And Candy, the youngest, is a recovering addict who finds herself pregnant by a man she's not even sure ever existed. None of this concerns you of course, until a cataclysmic earthquake hits Boston. Now you must traverse the crumbling city to reach the Watertown Mall Old Country Buffet—for a reason you still cannot disclose—battling strange entities and your own strange past to save your granddaughters and possibly the world. Author of Dreaming of You Melissa Lozada-Oliva delivers an unsettling, raucous debut novel written with tongue-in-cheek humor and sharp cultural criticism that unearths one troubled family’s legacy, feasting on diasporic identity politics and examining the limits of bodily autonomy and the dangers of wanting to belong at any cost. A sweeping, mystical novel following three generations of women as they grapple with muddled pasts and predetermined futures, Candelaria is a story of love that eats us alive.