A pair of Gothic novelists trade rivalry for love in this swoony, steamy, sapphic Regency by USA Today bestselling author Alexandra Vasti.Celebrated authoress Lady Georgiana Cleeve has achieved fame and fortune. Unfortunately, she’s also acquired an the enigmatic Lady Darling, whose spine-tingling plots appear to be pulled straight from Georgiana’s own manuscripts. What’s a stubborn, steely writer to do? Unmask her rival, of course.But unmasking doesn’t go according to plan—because Lady Darling is actually Cat Lacey, the butler’s daughter and object of Georgiana’s very secret, very embarrassing teenage infatuation.Cat Lacey has spent a decade clawing her family out of poverty. The last thing she needs is to be distracted by the stunning(ly pretentious) Lady Georgiana Cleeve. But Cat can’t seem to escape her infuriatingly beautiful rival—including at the eerie manor where they both plan to set their next books. The plot unexpectedly thickens, however, when the novelists find themselves trapped in the manor together. In between ghostly moans and spectral staff, Cat and Georgiana come face-to-face with real the scorching passion that’s been haunting their rivalry all along.

London, chief city of Airstrip One, the third most populous province of Oceana. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen—cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department—a mid-level worker of the Outer Party called Winston Smith—when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note—a potentially suicidal gesture—she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

In this stunning graphic novel by two-time Ignatz award–winning graphic novelist Ariel Slamet Ries, Oberon must choose between fantasy and reality when he develops the ability to conjure his dreams in real life—including the facsimile of the boy who got away. In the not-too-distant future, most of humanity resides on its last-ditch effort at Meridian, a remote alien planet where you’re more likely to be born superhuman than left-handed.  None of that is important to Oberon Afolayan. Since his mildly public breakdown, his whole life seems to be spiraling out of control—from dropping out of university to breaking up with his boyfriend, it seems like only a karmic inevitability when he wakes up one day with the ability to conjure his dreams in the real world.  Oberon’s newfound powers come with a facsimile of his high school crush, Kon, who mysteriously dropped off the face of the planet almost three years ago and who is a little more infuriating (if not also infuriatingly hot) than Oberon remembers.  Kon makes it his mission to turn Oberon’s life around, and while they struggle to get a handle on his powers and his disastrous personal life (not to mention the appearance of strange nightmare creatures), it turns out this dream version of Kon has secrets of his own—dangerous ones.  Oberon might have more on his plate than he originally thought, but is giving up his dreams—even the one he might have accidentally fallen in love with—the only way to find happiness in reality? 

In this stunning graphic novel by two-time Ignatz award–winning graphic novelist Ariel Slamet Ries, Oberon must choose between fantasy and reality when he develops the ability to conjure his dreams in real life—including the facsimile of the boy who got away. In the not-too-distant future, most of humanity resides on its last-ditch effort at Meridian, a remote alien planet where you’re more likely to be born superhuman than left-handed.  None of that is important to Oberon Afolayan. Since his mildly public breakdown, his whole life seems to be spiraling out of control—from dropping out of university to breaking up with his boyfriend, it seems like only a karmic inevitability when he wakes up one day with the ability to conjure his dreams in the real world.  Oberon’s newfound powers come with a facsimile of his high school crush, Kon, who mysteriously dropped off the face of the planet almost three years ago and who is a little more infuriating (if not also infuriatingly hot) than Oberon remembers.  Kon makes it his mission to turn Oberon’s life around, and while they struggle to get a handle on his powers and his disastrous personal life (not to mention the appearance of strange nightmare creatures), it turns out this dream version of Kon has secrets of his own—dangerous ones.  Oberon might have more on his plate than he originally thought, but is giving up his dreams—even the one he might have accidentally fallen in love with—the only way to find happiness in reality? 

In this vulnerable and enlightening book of life lessons, globally renowned performer Cynthia Erivo draws from her singular experience to show us how to embrace being “too much” and to live up to the fullest iteration of ourselves. It is never too late to build the life you’re seeking. Cynthia Erivo learned the music to Wicked a decade before she needed it, not knowing those same lyrics would change her life. Now she has performed those songs on the world stage, showing us there is always time to keep discovering ourselves. And to illustrate that it’s often the parts of ourselves we are told to bury that make us shine. In a series of powerful, personal vignettes, Cynthia reflects on the ways she has grown as an actor and human and the practices she’s learned over years of performing and reminds us all we are capable of so much more than we think. We all have hopes and dreams that we want to bring across the finish line. We all falter and take missteps. In this book, Cynthia draws from her experiences running marathons, both real and metaphorical, onstage and onscreen, to show how each challenge can help us. She urges readers to lean into the wisdom of their bodies, to understand and strive for a physical and mental balance. Because when we chase our deepest desires, each small step leads us closer to where we want to go.

Henrik Ibsen nació el 20 de marzo de 1828 en Skien, al sur de Cristianía, llamada hoy con su nombre más antiguo: Oslo. Alternó sus residencias en Noruega -su patria-, Alemania, Italia, y desde 1892 ya no se movió de Cristianía, donde murió en 1906. Hasta el final de su vida Ibsen marcó las llagas morales de su pueblo y de la humanidad, sin hacer caso de las voces contrarias. Desenmascaró a sus adversarios en Un enemigo del pueblo (1883); planteó la lucha entre la verdad y la mentira en El pato silvestre (1884), y la de los valores ciertos o aparentes en Casa de muñecas (1879); determinó las causas del tormento fisiológico y espiritual en Espectros (1881); en Hedda Gabler (1890) buceó en el abismo del alma femenina como foco de un problema general; debatió en La dama del mar (1888) el determinismo y el libre albedrío, formulando sugestiones novísimas, y deslumbró con la imaginación envolvente de Peer Gynt (1867), donde resuenan los ecos de las fantásticas leyendas nórdicas.

Cartoonist Zoe Thorogood records 6 months of her own life as it falls apart in a desperate attempt to put it back together again in the only way she knows how. IT’S LONELY AT THE CENTRE OF THE EARTH is an intimate and metanarrative look into the life of a selfish artist who must create for her own survival.