A frozen wilderness.A killer in the skies.When aspiring travel writer Chloé Campbell is invited aboard a luxury airship flying to the North Pole, she thinks she’s bagged the opportunity of a lifetime.But she hasn’t had long to admire the dazzling icy views before a fellow passenger is found dead in their cabin.Trapped at the top of the world, the group agrees a tragic accident has occurred. But as the hours tick by, fear turns to doubt.It seems everyone’s a suspect.And it isn’t long before the passengers begin to turn on each other . . .

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents. Raised in a conservative and emotionally volatile Palestinian family in Brooklyn, Yara thought she would finally feel free when she married a charming entrepreneur who took her to the suburbs. She’s gotten to follow her dreams, completing an undergraduate degree in Art and landing a good job at the local college. As a traditional wife, she also raises their two school-aged daughters, takes care of the house, and has dinner ready when her husband gets home. With her family balanced with her professional ambitions, Yara knows that her life is infinitely more rewarding than her own mother’s. So why doesn’t it feel like enough? After her dream of chaperoning a student trip to Europe evaporates and she responds to a colleague’s racist provocation, Yara is put on probation at work and must attend mandatory counseling to keep her position. Her mother blames a family curse for the trouble she’s facing, and while Yara doesn’t really believe in old superstitions, she still finds herself growing increasingly uneasy with her mother’s warning and the possibility of falling victim to the same mistakes. Shaken to the core by these indictments of her life, Yara finds her carefully constructed world beginning to implode. To save herself, Yara must reckon with the reality that the difficulties of the childhood she thought she left behind have very real—and damaging—implications not just on her own future but that of her daughters.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women. As time winds its way through their lives, the Ramsays face, alone and simultaneously, the greatest of human challenges and its greatest triumph—the human capacity for change.

When Henry Roth published Call It Sleep, his first novel, in 1934, it was greeted with critical acclaim. But in that dark Depression year, books were hard to sell, and the novel quickly dropped out of sight, as did its twenty-eight-year-old author. Only with its paperback publication in 1964 did the novel receive the recognition it deserves. Call It Sleep was the first paperback ever to be reviewed on the front page of The New York Times Book Review, and it proceeded to sell millions of copies both in the United States and around the world. Call It Sleep is the magnificent story of David Schearl, the “dangerously imaginative” child coming of age in the slums of New York.

Great Expectations charts the progress of Pip from childhood through often painful experiences to adulthood, as he moves from the Kent marshes to busy, commercial London, encountering a variety of extraordinary characters ranging from Magwitch, the escaped convict, to Miss Havisham, locked up with her unhappy past and living with her ward, the arrogant, beautiful Estella. Pip must discover his true self, and his own set of values and priorities. Whether such values allow one to prosper in the complex world of early Victorian England is the major question posed by Great Expectations, one of Dickens's most fascinating, and disturbing, novels. This edition includes the original, discarded ending, Dickens's brief working notes, and the serial instalments and chapter divisions in different editions. It also uses the definitive Clarendon text.

A frozen wilderness.A killer in the skies.When aspiring travel writer Chloé Campbell is invited aboard a luxury airship flying to the North Pole, she thinks she’s bagged the opportunity of a lifetime.But she hasn’t had long to admire the dazzling icy views before a fellow passenger is found dead in their cabin.Trapped at the top of the world, the group agrees a tragic accident has occurred. But as the hours tick by, fear turns to doubt.It seems everyone’s a suspect.And it isn’t long before the passengers begin to turn on each other . . .

A dazzling new series from bestselling historical fiction author Deborah Challinor, exploring the fascinating world of Victorian funeral customs and featuring Sydney's first female undertaker. Tatiana Caldwell's childhood in London is idyllic and filled with the love of doting parents. But when they die in quick succession, she's left heartbroken and destitute, and at seventeen emigrates to Sydney in 1864, determined to build a new, financially secure life for herself. After an apprenticeship as an undertaker's assistant with Crowe Funeral Services, Tatty marries owner Titus Crowe. Titus himself soon dies and Tatty inherits the business and becomes Sydney's only female undertaker. But then rival funeral director Elias Nuttall, intent on acquiring Crowe Funeral Services, publicly accuses Tatty of deliberately poisoning Titus. She must find a way to stop him before he ruins her, and embarks on exposing Nuttall's own gruesome secrets, a mission that takes her from the cemetery at midnight, to house-breaking, to Sydney's criminal court, to the lunatic asylum. Black Silk and Sympathy is a riveting and realistic story of Sydney in the 1860s, of death laid out in front rooms, of funeral processions and mortuary trains, and of survival, reinvention and determination.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents. Raised in a conservative and emotionally volatile Palestinian family in Brooklyn, Yara thought she would finally feel free when she married a charming entrepreneur who took her to the suburbs. She’s gotten to follow her dreams, completing an undergraduate degree in Art and landing a good job at the local college. As a traditional wife, she also raises their two school-aged daughters, takes care of the house, and has dinner ready when her husband gets home. With her family balanced with her professional ambitions, Yara knows that her life is infinitely more rewarding than her own mother’s. So why doesn’t it feel like enough? After her dream of chaperoning a student trip to Europe evaporates and she responds to a colleague’s racist provocation, Yara is put on probation at work and must attend mandatory counseling to keep her position. Her mother blames a family curse for the trouble she’s facing, and while Yara doesn’t really believe in old superstitions, she still finds herself growing increasingly uneasy with her mother’s warning and the possibility of falling victim to the same mistakes. Shaken to the core by these indictments of her life, Yara finds her carefully constructed world beginning to implode. To save herself, Yara must reckon with the reality that the difficulties of the childhood she thought she left behind have very real—and damaging—implications not just on her own future but that of her daughters.