FROM THE WOMEN'S PRIZE-SHORTLISTED AUTHOR AND ACTIVIST WITH 200,000 FOLLOWERS Amrita Chaturvedi goes by Amy (occasionally A). Amy self-identifies as a communist on Twitter (her bio conveniently omits a cameo on Big Brother and millionaire daddy who runs the show at Delhi High Court). When an AI deepfake porno of her 'forwarded many times' by WhatsApp aunties goes viral, the truth finally catches up to Amy. On her birthday, she is facing a mass stoning in the digital town square that could cancel Kim Kardashian. Her executioners? An unhinged cartel of virgins styling themselves after V for Vendetta — except these anonymous keyboard warriors are on a merciless crusade to eradicate desi jezebels and Make India Hindu Again. A must-read literary provocation about incels, influencers and AK-47s where the online turns offline turns bloody, Fieldwork as a Sex Object is not a novel you read but a novel that reads you. In an age of performance, it invites every one of us to ask ourselves how much we're prepared to put on the line for our principles.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A thrilling and ominously prophetic debut set in a world when Earth and its resources have been pushed to breaking point, giving rise to a revolutionary—and highly controversial—procedure in which two people’s consciousness can be combined to exist in one body. How far would you go to never say goodbye? Laurie is sixty-five and living with Alzheimer’s. Her daughter Amelia, a once fiery and strong-willed activist, can’t bear to see her mother’s mind fade. Faced with the reality of losing her forever, Amelia signs them up to take part in the world’s first experimental merging process for Alzheimer’s patients, in which Laurie’s ailing mind will be transferred into Amelia’s healthy body and their consciousness will be blended as one. Soon Amelia and Laurie join the opaque and mysterious group of other merge teenage Lucas, who plans to merge with his terminally ill brother Noah; Ben, who will merge with his pregnant fiancée Annie; and Jay, whose merging partner is his addict daughter Lara. As they prepare to move to The Village, a luxurious rehabilitation center for those who have merged, they quickly begin to question whether everything is really as it seems. An exhilarating, immersive debut from an astonishing new voice, The Merge is a personal story of love, family, and sacrifice, as well as a thought-provoking examination of the limits of control, resistance, and freedom in our modern world.

A thrilling and ominously prophetic debut set in a world when Earth and its resources have been pushed to breaking point, giving rise to a revolutionary—and highly controversial—procedure in which two people’s consciousness can be combined to exist in one body. How far would you go to never say goodbye? Laurie is sixty-five and living with Alzheimer’s. Her daughter Amelia, a once fiery and strong-willed activist, can’t bear to see her mother’s mind fade. Faced with the reality of losing her forever, Amelia signs them up to take part in the world’s first experimental merging process for Alzheimer’s patients, in which Laurie’s ailing mind will be transferred into Amelia’s healthy body and their consciousness will be blended as one. Soon Amelia and Laurie join the opaque and mysterious group of other merge teenage Lucas, who plans to merge with his terminally ill brother Noah; Ben, who will merge with his pregnant fiancée Annie; and Jay, whose merging partner is his addict daughter Lara. As they prepare to move to The Village, a luxurious rehabilitation center for those who have merged, they quickly begin to question whether everything is really as it seems. An exhilarating, immersive debut from an astonishing new voice, The Merge is a personal story of love, family, and sacrifice, as well as a thought-provoking examination of the limits of control, resistance, and freedom in our modern world.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

From the writer and translator duo of A Magical Girl Retires, a powerful historical novel about labour activism in Japanese-occupied Korea. Set against the backdrop of Japanese-occupied Korea, Capitalists Must Starve follows a sharp-tongued, big-hearted heroine who dares to love, rebel, and carve out space for working-class women in a world determined to silence them. Echoing the unflinching narratives of Alias Grace and the sweeping historical vision of Pachinko, this feminist historical novel balances raw grit with unexpected tenderness and a defiant streak of dark humour. A stirring portrait of resistance from fierce, funny, and full of fight.

The Faggots and Their Friends Between Revolutions is a beloved queer utopian text written by Larry Mitchell with lush illustrations by Ned Asta, published by Calamus Press in 1977. Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today. This new edition will feature essays from performance artist Morgan Bassichis, who adapted the book to music with TM Davy in 2017 for a performance at the New Museum, and activist filmmaker Tourmaline.

In a small unnamed town in the American South, a church congregation arrives to a service and finds a figure asleep on a pew. The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew. As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths. Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

'A modern-day Mrs. Caliban, BLOB is a book that looks at identity and desire in profoundly interesting ways'Kevin Wilson, author of Nothing to See HereA hilarious and moving debut novel about a young woman who decides to turn a sentient blob into her perfect boyfriend... The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Now at twenty-three, after getting dumped and dropping out of college, Vi works as a front desk attendant at a hotel where she refills cucumber water samovars and fends off overtures of friendship from her bubbly blond coworker, Rachel. But when Vi decides to accompany Rachel to a local drag show, her life changes forever. In the alley outside the bar, next to a trash can, is a blob with beady black eyes. Unable to leave it behind, Vi picks up the creature and, in a moment of drunken desperation, takes it home with her. As her pet blob becomes sentient, Vi realizes it obeys her commands and she decides to mold the blob into her ideal partner. She feeds it sugary cereal and a stream of pop culture, and soon the creature transforms into a movie-star handsome white man. But as Vi's desire to be loved unconditionally threatens to spiral out of control, she is forced to confront her lonely childhood, the ex-boyfriend who has unfriended her, and the racial marginalization that has defined her relationships. Ultimately, Vi embarks on a journey of self-discovery and learns that it's impossible to control those you love. Blending the familiar with the fantastical, BLOB tells a witty, heartfelt story of what it means to be human.'An inventive, utterly unique debut'Kimberly King Parsons, author of Black Light