Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother' s love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood. As time passes, Marianne struggles to adjust, fixated on her mother' s disappearance and the secrets she' s sure her father is keeping from her. Discovering a medieval poem called Pearl and trusting in its promise of consolation, Marianne sets out to make a visual illustration of it, a task that she returns to over and over but somehow never manages to complete. Tormented by an unmarked gravestone in an abandoned chapel and the tidal pull of the river, her childhood home begins to crumble as the past leads her down a path of self-destruction. But can art heal Marianne? And will her own future as a mother help her find peace?

From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

In the beginning was the Word. And the Word was: "Hey, you!" For Brutha the novice is the Chosen One. He wants peace and justice and brotherly love. He also wants the Inquisition to stop torturing him now, please...

Polly Perks joins the Discworld army to find her brother Paul. "Ozzer" cuts off her blonde braids, dons male garb, belches, scratches, and masters macho habits - aided by well-placed pair of socks. The legendary and seemingly ageless Sergeant Jackrum accepts her plus a vampire, troll, zombie, religious fanatic, and two close "friends". The best man for the job may be a woman.

In the beginning was the Word. And the Word was: "Hey, you!" For Brutha the novice is the Chosen One. He wants peace and justice and brotherly love. He also wants the Inquisition to stop torturing him now, please...

Kinga is a woman who is just trying to make it through the week. To move things along, there's a Kinga for every day: on Mondays, you can catch Kinga A deleting food delivery apps and urging the others to get their stamina up, while Kinga E is happy to spend Fridays soaking, wine-drunk, in the bath until her toes prune. Kingas A-G, perhaps unsurprisingly, live a varied life - between them is a professional matchmaker, a scent-crazed perfumer and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic. It's an arrangement that's not without its fair share of admin, grudges and half-truths. But when Kinga A discovers a man tied up in their apartment - a man none of them have confessed to knowing - the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

An out-of-work actor accepts the role of a lifetime—sitting soundlessly in a lecture theater, zipped into a large leather bag—to aid a professor’s psychological experiment. What could possibly go wrong?In Luke Kennard’s audacious new novel, a penniless and out-of-work actor picks up a job working for Dr. Blend, a university professor who is conducting a psychological experiment. How will Dr. Blend’s students react to someone zipped into an oversized bag, sitting at the back of the lecture hall over a series of Fall lectures? The role, eagerly accepted, soon has unexpected consequences. A professor of post-humanism develops research questions of her own—in particular, can you love someone secreted away inside a black bag?—and the actor’s childhood friend forms a vision for monetizing this new situation . . . A warped campus novel, an investigation into the crisis of masculinity, and an off-kilter love story, Black Bag is a firework of a blazingly funny and profoundly humane.

From the prize-winning author of The Giant Dark comes a beautiful exploration of the ties that bind us and the scars they leave when they break. Aliyah and Ava arrive in England from opposite corners of the world with dreams built upon Emily Brontë, Brideshead Revisited and Richard Curtis films. Instead, in the shadow of their historic, fairytale campus, they get the sense that they don't belong. The two form a Vita-and-Virginia-like bond, building a world full of stories that they write together. For a time, they are inseparable in their identity as 'strange girls'. When the end of university looms, they will have to return to the world where a devotion like this seems impossible to maintain. Years later, Aliyah has everything Ava wants - a room of her own and a publishing deal - and, worse, the thing Ava was certain neither of them had ever wanted: a sensible doctor husband. Arriving back in London for a mutual friend's hen party, Ava is desperate to unpack the truth of what she really meant to Aliyah. Was what they had - whatever you call it - real? And what will become of the stories they tell themselves about one another?

An explosive, jaw-dropping debut about a woman who loses her job as an oil company CEO after she’s filmed having sex with a tree in her sleep, a calamity that unravels her mind, spiraling her through history until she’s united with a centuries-old coven of ecstatically revolutionary women. “You’re holding a torpedo of a book in your hand. Take a seat and get comfortable. This novel’s energy, humor, and rebel spirit will awaken your mind and change your way of thinking.” —Olga Tokarczuk, 2018 Nobel Prize Winner, Man Booker International Prize Winner, finalist for the National Book AwardAnna Frenza hates the tyrannical tree huggers and the idiotic eco-warriors—after all, she’s the CEO of Poland’s biggest oil company. But then she finds herself in a trance, sleepwalking into the woods and making love to a tree, manically—all caught on camera. Her career ends and, in the fallout, she discovers her husband’s disturbing secret. Her mind splinters until she is no longer Anna Frenza, CEO. Now—whether by delusion or possession of spirit—she lives in the Duchy of Nysa, a medieval province ruled by the Catholic Church.From her psychiatric bed, Anna falls in with Mathilde Spalt, leader of the Earthen Ones—a congregation of women who live in the woods and reject all patriarchy, instead engaging in ecstatic, sensuous worship of Mother Earth. Through Mathilde, Anna learns to love the forest, preaching and practicing the emancipatory rituals of the Earthen Ones . . . until the Church decides to fell the forest and all the women within it.Bold and entirely unexpected, The Hexes of the Deadwood Forest is a collective rebellion and a collective orgasm, the death knell to the elevation of the erect. Take hold of your seat; patriarchy is coming to an end.