"What kind of guy is unlucky enough to get bitten... and survive?" As the sole survivor of a vampire attack, En wakes up to find that his hair has gone white as snow... and, worse, that he's developed a craving of his own for blood. Fortunately, the vampire health and welfare organization FANGS is there to help with the transition, and the handsome Ichii steps up as his guardian and mentor. Swept up into a confusing and lonely new world where everyone seems to be hankering for a taste of his "virgin" blood, En must navigate the FANGS pairing system, an arrangement that sets up compatible vampires as mutual feeding partners... and partners in all other ways as well. But what happens when En panics and declares that he'll be paired with Ichii? And what does brooding, rough-around-the-edges Ichii make of his spunky, outgoing new charge?

A Black sheriff. A serial killer. A small town ready to combust. Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, Charon has had only two murders. After years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface. Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. Those festering secrets are now out in the open and ready to tear the town apart. As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon. With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history. Powerful and unforgettable, All the Sinners Bleed confirms S. A. Cosby as “one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction” (The Washington Post).

The award-winning author of The Resisters returns with an engrossing, blisteringly funny-sad autobiographical novel tracing a tumultuous mother-daughter relationship.My mother had died, but still I heard her voice. . . Gish’s mother—Loo Shu-hsin—is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary, before announcing her intention to pursue a Ph.D. in America. It is 1947, and with the forces of Communist revolution on the horizon, she leaves—never to return.Lonely and adrift in Manhattan, Aggie begins dating Chao-Pei, an engineering student also from Shanghai. While news of their country and their families grows increasingly dire, they set out to make a new life marriage, a number one son, a small house in the suburbs. By the time Gish is born, her parents’ marriage is unraveling, and her mother, struggling to understand her strong-willed American daughter, is repeating the refrain that punctuated her own “Bad bad girl! You don’t know how to talk!”  Bad Bad Girl is a novel about a mother and a daughter forced to reckon with each other across decades of curiosity and ambition, elation and disappointment, intense intimacy and misunderstanding. Spanning continents and generations, this is a rich, heartbreaking portrait of two fierce women locked in a complicated lifelong embrace.

Grace M. Cho grew up as the daughter of a white American merchant marine and the Korean bar hostess he met abroad. They were one of few immigrants in a xenophobic small town during the Cold War, where identity was politicized by everyday details—language, cultural references, memories, and food. When Grace was fifteen, her dynamic mother experienced the onset of schizophrenia, a condition that would continue and evolve for the rest of her life. Part food memoir, part sociological investigation, Tastes Like War is a hybrid text about a daughter’s search through intimate and global history for the roots of her mother’s schizophrenia. In her mother’s final years, Grace learned to cook dishes from her parent’s childhood in order to invite the past into the present, and to hold space for her mother’s multiple voices at the table. And through careful listening over these shared meals, Grace discovered not only the things that broke the brilliant, complicated woman who raised her—but also the things that kept her alive.

When a pair of detectives from the Mississippi Bureau of Investigation arrive in Money, Mississippi, to investigate a series of brutal murders, they find at each crime scene an unexpected second body: that of a man who resembles Emmett Till. After meeting resistance from the local sheriff, his deputy, the coroner, and a string of racist white townsfolk, the MBI detectives suspect these are killings of retribution. Then they discover eerily similar murders taking place in rapid succession all over the country. The past, it seems, refuses to be buried. The uprising has begun. In this provocative page-turner that takes direct aim at racism and police violence, Percival Everett offers a devastating critique of white supremacy and confronts the legacy of lynching in the United States.

Natsuo Kirino's novel tells a story of random violence in the staid Tokyo suburbs, as a young mother who works a night shift making boxed lunches brutally strangles her deadbeat husband and then seeks the help of her co-workers to dispose of the body and cover up her crime. The ringleader of this cover-up, Masako Katori, emerges as the emotional heart of Out and as one of the shrewdest, most clear-eyed creations in recent fiction. Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action. The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

A publishing event: Bestselling author Ken Liu selects his award-winning science fiction and fantasy tales for a groundbreaking collection—including a brand-new piece exclusive to this volume. With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie. This mesmerizing collection features all of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon award finalists), “All the Flavors” (Nebula award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards). A must-have for every science fiction and fantasy fan, this beautiful book is an anthology to savor.

FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that confronts historical traumas and exposes the fragility of human life.”—from the Nobel Prize citation “Unforgettable . . . a disquietingly beautiful novel about the impossibility of waking up from the nightmare of history.”—Hernan Diaz Han Kang’s most revelatory book since The Vegetarian, We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter of Korean history. One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness that awaits her at her friend's house. Blurring the boundaries between dream and reality, We Do Not Part powerfully illuminates a forgotten chapter in Korean history, buried for decades—bringing to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable violence—and a celebration of life, however fragile it might be.

A beautiful reclamation of a pioneering South Asian actress captures her glittering, complicated life and lasting impact on Hollywood. Merle Oberon attained Hollywood immortality with a nomination for a Best Leading Actress Oscar for her role in the 1936 film The Dark Angel. It was the first time a performer of color had received an acting nomination at the Academy Awards, but because Oberon concealed her South Asian identity throughout her lifetime and “passed” for white, very few people knew it. In Love, Queenie, the first biography in more than forty years of the India-born actress, Mayukh Sen draws on family interviews and previously untapped archival research to animate the Wuthering Heights star’s hard-won journey to fame. From an upbringing in poverty, she rose to the highest echelons of the film-world elite during Hollywood’s racially exclusionary Golden Age. A major biography of an often-overlooked talent, Love, Queenie empathetically captures one woman’s story while illuminating truths on race, gender, and power that still resonate today.

A modern-day dark academia speculative fantasy with a twist, perfect for fans of Babel and A Deadly Education. Warren University has long stood amongst the ivy elite, built on the bones—and forbidden magic—of its most prized BIPOC students…hiding the rot of a secret society that will do anything to keep their own powers burning bright, no matter the cost to those lost along the way.

A geeky overachiever determined to save the world through science and a troublemaking chosen one lashing out against her destiny meet and fall in love in a magical coffeeshop as their two very different universes begin to collide in Coffeeshop in an Alternate Universe, C.B. Lee's fun, sapphic, cozy fantasy YA romance. When Brenda’s internet goes out right before an important scholarship deadline, she stumbles right into Kat’s family’s coffeeshop. Brenda is swept away by cool, confident Kat, who actually cares about Brenda’s 19-step plan to save the world through science. Meanwhile, Kat can’t stop thinking about Brenda, who is smart, passionate, and doesn’t seem to care that Kat is the prophesized Chosen One. The only problem? Kat and Brenda are from different universes. Like need-to-find-a-portal-to-go-on-a-second-date different universes. As their universes collide and things spiral out of control, can a girl who is determined to save the world find love with a girl determined to outrun her destiny?