National Magazine Award winner and author of the New York Times Notable Demon Camp, Jen Percy returns with a devastating exploration of womanhood and survival in this groundbreaking work of narrative nonfiction.What does it mean to endure as a woman? Percy, who has written extensively on trauma responses and PTSD, revisits these subjects using her personal experience, including sexual assault, to examine a broader social and cultural history of trauma. Beginning with her childhood in rural Oregon, Percy dissects the moments that shaped her girlhood. She learns from her mother, who teaches her wilderness survival strategies (and who eventually joins a cult), and she interrogates the biological basis for “freezing,” or tonic immobility, that is instinctual for humans in moments of physical danger. Percy’s writing chronicles women venturing into fantasies, cults, and hypnosis in order to cope with suffering and abuse.This is a book about women forced to play dead, and others fighting for their lives. It follows women in bunkers preparing for the apocalypse when the apocalypse might be embodied by the person darkening their door and women imprisoned for killing their attackers, all in an effort to better understand how people get stuck in inescapable circumstances—of domestic abuse, sexual assault, and vigilantism. Percy depicts the thrilling grit it takes to escape such evil and overcome moments of paralysis when women are so often conditioned by the myth of “fight or flight.”In electrifying prose, reminiscent of Joan Didion and Robert Kolker, Percy combines personal and cultural history, psychology, and reportage to deliver an astonishing examination of the malignant forces women face in the everyday, and the depths forged by the American character to confront them.

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

Gideon the Ninth meets Moby Dick in USA Today bestselling author Alexis Hall's science fiction debut, Hell's Heart!Earth is a ruin, and the scattered remnants of humanity scavenge what they can from the stars under the watchful auspices of a grab-bag of collectives, corporations, and churches which are all that remains of what we once called society. Having long exhausted any conventional sources of energy, life in the solar system is now sustained by a volatile, hallucinogenic substance called spermaceti, which is harvested from the brains of vast cetacean-like Leviathans that swim the atmospheric currents of Jupiter.Finding herself with no money and little to occupy her groundside, the narrator (“I”) takes a commission aboard the hunter-barque Pequod as it sets out in pursuit of precious spermaceti. Once aboard, however, she finds herself pulled inexorably into the orbit of the barque’s captain, a charismatic but fanatically driven woman who the narrator names only as “A”. As the Pequod plunges ever deeper into the turbulent, monster-haunted atmosphere of the gas giant, the narrator begins to lose herself in the eerie word of Leviathan-hunting and the captain’s increasingly insistent delusions; the only thing that might keep her grounded is the bond she develops with Q, a woman from the wreck of Old Earth whose skin is marked with holographic light and who remembers things otherwise lost.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

It can take time to feel proud of who you are. Violet Kane is perfect. At least, that’s what people are supposed to think. She has the perfect career, the perfect presentation, and, until recently, she was engaged to the perfect man. To everyone around her, she's perfectly happy. But pretending to be happy is difficult when you're breaking apart at the seams. Be it with eighty-hour work weeks, nicotine dependency, or dark thoughts of just ending it all… Violet has used nearly every tool available to maintain her performance. If only Violet could trust someone to take that desperate control away. To let her turn off. Something is hunting Reyna Alvarez, and though she knows what it is, it doesn’t make it any easier to deal with. When she contacts the Court of Chains for help, she is confined to a secluded forest cabin for her protection. But hiding and submitting isn't in the nature of a Pride fiend. So when a beautiful, stressed-out, high-strung woman appears at her cozy prison, Reyna proposes a practical arrangement. If Violet Kane were around—on her knees, no less—isolation might even be fun. A Little Sin is a lesbian romance that depicts the highs and lows of coming out later in life and learning to live for yourself rather than someone else’s expectations.

The untimely death of a student at a girls’ boarding school turns out to be the first in a haunting series of escalating supernatural events. A thrilling debut novel about teenage repression, queer desire, and the everyday horror of coming of age. In 1928, Emily Locke’s final year at the isolated Briarley School for Girls is derailed when Violet, the school’s brightest star (and a cunning beauty for whom Emily would do anything), falls to her death on her eighteenth birthday. Emily and her buttoned-up rival Evelyn are, for once, in agreement: Violet’s death was no accident. There’s an obvious culprit, the French schoolmistress with whom Violet was getting a little too close—they only need to prove it. Desperate for answers, Emily and her classmates turn to spiritualism, hoping for a glimpse of wisdom from the great beyond. To their shock, Violet’s spirit appears, choosing pious Evelyn as her unlikely medium. And Violet has a warning for them: the danger has just begun. Something deadly is infecting Briarley. It starts with rotten food and curdled milk, but quickly grows more threatening. As the body count rises and the students race to save themselves, Emily must confront the fatal forces poisoning the school. Emily’s fight for survival forces her to reevaluate everything she knows: about Violet, Evelyn, Briarley, and, ultimately, herself. Avery Curran channels the indelible ambience and intrigue of the classic boarding school novel while turning the beloved genre on its head in this visceral, exuberant debut.

"Delicious, insane, intoxicating." —Maya Deane, author of Wrath Goddess Sing A riotous trans enemies-to-lovers romantasy that roars off the page—in which a magical girl-gone-bad and a renegade mech pilot must find a way to stay on a date forever... ...even if it means destroying the world. Don't you want to help them? An extraordinary meld of adventure, rom-com, and experimental fiction, Violet Allen’s unstoppable debut is the cosmic thrill ride of a lifetime. Give in, succumb (you know you want to) to Plastic, Prism, Void.

Bram Stoker Award–nominee and USA Today bestseller Johanna van Veen unveils a sapphic folk-horror tour de force—perfect for fans of The VVitch and The Salt Grows Heavy. A skull's grin is eternal… The year is 1635. Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint. It is said that if you reunite the saint's skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic's power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost. At the journey's end, they'll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

In this electrifying near-future thriller, five strangers guard government secrets, but only four can be trusted. In the 21st century, information is king. But computers can be hacked and files can be broken into - so a unique government initiative has been born. Five ordinary people have been selected to become Minders - the latest weapon in thwarting cyberterrorism. Transformed by a revolutionary medical procedure, the country's most classified information has been taken offline and turned into genetic code implanted inside their heads. Together, the five know every secret - the truth behind every government lie, conspiracy theory and cover up. In return, they're given the chance to leave their problems behind and a blank slate to start their lives anew. But not everyone should be trusted, especially when they each have secrets of their own they'll do anything to protect...

In this electrifying near-future thriller, five strangers guard government secrets, but only four can be trusted. In the 21st century, information is king. But computers can be hacked and files can be broken into - so a unique government initiative has been born. Five ordinary people have been selected to become Minders - the latest weapon in thwarting cyberterrorism. Transformed by a revolutionary medical procedure, the country's most classified information has been taken offline and turned into genetic code implanted inside their heads. Together, the five know every secret - the truth behind every government lie, conspiracy theory and cover up. In return, they're given the chance to leave their problems behind and a blank slate to start their lives anew. But not everyone should be trusted, especially when they each have secrets of their own they'll do anything to protect...

Connie can’t wait to have all her daughters back home for the holidays. It’s not just the excitement of the girls being together under one roof; uni student Fran is bringing a new boyfriend to stay. The empty nest will once again be full of friends, family and young love. Yet from the moment she sees Zac, Connie feels a deep unease. Zac reminds her of the worst mistake she has ever a man whose charm and good looks nearly destroyed her marriage. Then, Fran announces she’s pregnant. Reeling from Fran’s news and terrified that her past might threaten her family’s future, Connie desperately tries to navigate a path forward. But there’s a much greater menace looming, because she’s not the only one who has something to hide. Someone in the house has another devastating secret. A deception which will put everyone Connie loves in shocking danger, and one of them will pay the ultimate price. Number One bestseller Adele Parks returns with an explosive and deeply emotional family drama which explores the lengths a parent will go to protect a child; for there’s nothing stronger than a woman whose family is under threat.

Connie can’t wait to have all her daughters back home for the holidays. It’s not just the excitement of the girls being together under one roof; uni student Fran is bringing a new boyfriend to stay. The empty nest will once again be full of friends, family and young love. Yet from the moment she sees Zac, Connie feels a deep unease. Zac reminds her of the worst mistake she has ever a man whose charm and good looks nearly destroyed her marriage. Then, Fran announces she’s pregnant. Reeling from Fran’s news and terrified that her past might threaten her family’s future, Connie desperately tries to navigate a path forward. But there’s a much greater menace looming, because she’s not the only one who has something to hide. Someone in the house has another devastating secret. A deception which will put everyone Connie loves in shocking danger, and one of them will pay the ultimate price. Number One bestseller Adele Parks returns with an explosive and deeply emotional family drama which explores the lengths a parent will go to protect a child; for there’s nothing stronger than a woman whose family is under threat.

In the second installment of C.L. Clark's Magic of the Lost trilogy, soldier Touraine and princess Luca must return to Balladaire to reclaim Luca's throne and to face the consequences of dismantling an empire. The rebels have won, and the empire is withdrawing from Qazal. But undoing the tangled web that binds the two nations won't be easy, and Touraine and Luca will face their greatest challenge yet. Luca needs to oust her uncle from the Balladairan throne once and for all and take her rightful place as Queen. But he won't let go of power so easily. When he calls for a "Trial of Competence" and Luca's allies start disappearing from her side, she will have to prove her might. And she knows someone who can help... Touraine has found a home in the newly free country of Qazal. However, she soon realizes that leading a country and leading a revolution are two very different tasks. And, even more importantly, if Luca won't keep her promises, the Qazali could end up right back where they started. Together, the two women must overcome their enemies, their history, and their heartbreak in order to secure Luca's power and Touraine's freedom.

Alternate Cover edition for ISBN 9780316542753 Touraine is a soldier. Stolen as a child and raised to kill and die for the empire, her only loyalty is to her fellow conscripts. But now, her company has been sent back to her homeland to stop a rebellion, and the ties of blood may be stronger than she thought. Luca needs a turncoat. Someone desperate enough to tiptoe the bayonet's edge between treason and orders. Someone who can sway the rebels toward peace, while Luca focuses on what really matters: getting her uncle off her throne. Through assassinations and massacres, in bedrooms and war rooms, Touraine and Luca will haggle over the price of a nation. But some things aren't for sale.

Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation. Palestine is a microcosm of the on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured—the perpetrators are coddled while the victims are blamed and placed on trial. Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation. How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple dignity for the Palestinian.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

St. Medard's Bay, Alabama is famous for three things: the deadly hurricanes that regularly sweep into town, the Rosalie Inn, a century-old hotel that's survived every one of those storms, and Lo Bailey, the local girl infamously accused of the murder of her lover, political scion Landon Fitzroy, during Hurricane Marie in 1984. When Geneva Corliss, the current owner of the Rosalie Inn, hears a writer is coming to town to research the crime that put St. Medard's Bay on the map, she's less interested in solving a whodunnit than in how a successful true crime book might help the struggling inn's bottom line. But to her surprise, August Fletcher doesn't come to St. Medard's Bay alone. With him is none other than Lo Bailey herself. Lo says she's returned to her hometown to clear her name once and for all, but the closer Geneva gets to both Lo and August, the more she wonders if Lo is actually back to settle old scores. As the summer heats up and another monster storm begins twisting its way towards St. Medard's Bay, Geneva learns that some people can be just as destructive--and as deadly--as any hurricane, and that the truth of what happened to Landon Fitzroy may not be the only secret Lo is keeping...