After she encounters a poem about love and friendship etched on the Homomonument in Amsterdam, Hélène Giannecchini is moved to attempt to do justice to a form of relation often subordinated to romance. A friendship is a filiation we choose, one that can reconfigure our understanding of co-existence. It holds love, laughter, dissent and solidarity; it can be a site of political struggle, of reinvention and rest. Thinking back to her own unconventional family formation, she sets out to piece together an alternative genealogy of lives excluded from normative discourses, whose traces may only remain in memory and archival fragments. In searching and sensitive prose, Giannecchini sifts the past to bring marginal existences into communion with each other, preserved through loving acts of witness and made full of meaning by friendship's generative force. Roving from Saint-Just's revolutionary ideal of amity to Donna Gottschalk's photography documenting radical lesbian organizing in 1960s and '70s New York, interspersed with unpublished images acquired magpie-like through chance and circumstance, An Army of Lovers Cannot Fail forms a slantwise account of queer life in the twentieth century, and a moving testament to the liberatory power of friendship.

A sublime and sensual debut novel exploring the nature of queer love and attraction, the transformative power of desire, and the dissonance between self and place, by White Review Fiction Prize shortlisted writer K. Patrick In an elite English boarding school where the girls kiss the marble statue of the famous dead author who used to walk the halls, a butch antipodean outsider arrives to take up the antiquated role of “matron.” Within this landscape of immense privilege, where difference is met with hostility, the matron finds herself unsure of her role, her accent and her body. That is until she meets Mrs. S, the headmaster’s wife, a woman who is her polar opposite—an assured, authoritative paragon of femininity. Over the course of a long, restless summer, their unspoken yearning blooms into an illicit affair of electric intensity. But, as the summer fades, a choice must be made. Seductive, stylish, and disarmingly wry, K. Patrick’s bold and revelatory debut smolders with the heat of summer as it explores the queer experience and the force of forbidden love.

A fearless and urgent chronicle of the tech-authoritarian movement from its early days in San Francisco politics to its current moment on the international stage, exploring the wild and dystopian ambition of the technocrats at its center, and offering a road map to resistance.When Silicon Valley says it is ‘‘moving fast and breaking things,’’ the world interprets the chaos as a necessary cost of innovation. Gil Durán reveals something far more a decades-long campaign to replace elected governments with corporate rule. Drawing on insider political experience and new investigations, Durán traces this ideology from its philosophical roots in The Sovereign Individual by James Dale Davidson and Lord William Rees-Mogg. He introduces its modern apostles—some of Silicon Valley’s biggest names—and shows how the promise of technological liberation has transformed into a global movement for digital feudalism, powered by cryptocurrency, artificial intelligence, and the algorithmic propaganda of social media. The Nerd Reich explains the origins, strategies, and ambitions of Silicon Valley’s war on democracy for the first time. From San Francisco’s weaponized elections and secret billionaire projects to the White House, Durán exposes how the world’s richest men are building a new political order. The Nerd Reich is more than a hidden history, it’s an urgent democracy is being dismantled not by coups or tanks, but by code, capital, and the illusion of innovation. Durán insists there is still time to fight back—if we act now.

Revelations about U.S policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Ghraib prison story in April 2004. Since then, a debate has raged regarding what is and what is not acceptable behavior for the world’s leading democracy. It is within this context that Angela Davis, one of America’s most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics and prison. Davis talks about her own incarceration, as well as her experiences as "enemy of the state," and about having been put on the FBI’s "most wanted" list. She talks about the crucial role that international activism played in her case and the case of many other political prisoners.Throughout these interviews, Davis returns to her critique of a democracy that has been compromised by its racist origins and institutions. Discussing the most recent disclosures about the disavowed "chain of command," and the formal reports by the Red Cross and Human Rights Watch denouncing U.S. violation of human rights and the laws of war in Guantánamo, Afghanistan and Iraq, Davis focuses on the underpinnings of prison regimes in the United States.

From the legendary music producer, a master at helping people connect with the wellsprings of their creativity, comes a beautifully crafted book many years in the making that offers that same deep wisdom to all of us. "A gorgeous and inspiring work of art on creation, creativity, the work of the artist. It will gladden the hearts of writers and artists everywhere, and get them working again with a new sense of meaning and direction. A stunning accomplishment." --Anne Lamott "I set out to write a book about what to do to make a great work of art. Instead, it revealed itself to be a book on how to be." --Rick Rubin Many famed music producers are known for a particular sound that has its day. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable. Over the years, as he has thought deeply about where creativity comes from and where it doesn't, he has learned that being an artist isn't about your specific output, it's about your relationship to the world. Creativity has a place in everyone's life, and everyone can make that place larger. In fact, there are few more important responsibilities. The Creative Act is a beautiful and generous course of study that illuminates the path of the artist as a road we all can follow. It distills the wisdom gleaned from a lifetime's work into a luminous reading experience that puts the power to create moments--and lifetimes--of exhilaration and transcendence within closer reach for all of us.

"Zuleika Dobson is a highly accomplished and superbly written book whose spirit is farcical," said E. M. Forster. "It is a great work—the most consistent achievement of fantasy in our time… so funny and charming, so iridescent yet so profound." Originally published in 1911, Max Beerbohm's sparklingly wicked satire concerns the unlikely events that occur when a femme fatale briefly enters the supremely privileged, all-male domain of Judas College, Oxford. A conjurer by profession, Zuleika Dobson can only love a man who is impervious to her considerable charms: a circumstance that proves fatal, as any number of love-smitten suitors are driven to suicide by the damsel's rejection. Laced with memorable one-liners ("Death cancels all engagements," utters the first casualty) and inspired throughout by Beerbohm's rococo imagination, this lyrical evocation of Edwardian undergraduate life at Oxford has, according to Forster, "a beauty unattainable by serious literature." "I read Zuleika Dobson with pleasure," recalled Bertrand Russell. "It represents the Oxford that the two World Wars have destroyed with a charm that is not likely to be reproduced anywhere in the world for the next thousand years."

From Alice Walker, author of the Pulitzer Prize– and National Book Award–winner The Color Purple, comes Meridian, "a classic novel of both feminism and the Civil Rights movement" ( Ms .). Meridian Hill is a young woman at an Atlanta college attempting to find her place in the 1960s revolution for racial and social equality. She discovers the limits beyond which she will not go for the cause, but despite her decision not to follow the path of some of her peers, she makes significant sacrifices in order to further her beliefs. Working in a campaign to register African American voters, Meridian cares broadly and deeply for the people she visits, and, while her coworkers quit and move to comfortable homes, she continues to work in the deep South despite a paralyzing illness. Meridian's nonviolent methods, though seemingly less radical than the methods of others, prove to be an effective means of furthering her beliefs. "A glowing affirmation of the possibility...of love and forgiveness—between men and women, black and white."— Baltimore Sun

A bold, provocative collection of essays on one of the most urgent questions of our What is authority when everyone has an opinion on everything? Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize–winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1. As a critic, Chu places The Phantom of the Opera within a centuries-old conflict between music and drama; questions the enduring habit of reading Octavia Butler’s science fiction as a parable of slavery; teases out the ideology behind Hillary Clinton’s (fictional) sex life; and charges fellow critics like Maggie Nelson and Zadie Smith with a complacent humanism. Criticism is in a crisis of authority—or rather, that’s what critics have been saying ever since the Enlightenment. In a magisterial new essay, Chu offers a revised intellectual history of this supposed crisis, tracing the surprisingly political contours of criticism from its origins in eighteenth-century aesthetics all the way to its present form in the age of social media. Rather than succumbing to an endless cycle of trumped-up emergencies, Authority makes a compelling case for how to do criticism in light of the genuine crises, from authoritarianism to genocide, that confront us today.

Economists regularly promote Capitalism as the greatest system ever to grace the planet. With the same breath, they implore us to leave the job of understanding the magical powers of the market to the “experts." Despite the efforts of these mainstream commentators to convince us otherwise, many of us have begun to question why this system has produced such vast inequality and wanton disregard for its own environmental destruction. This book offers answers to exactly these questions on their own terms: in the form of a radical economic theory.

What does it mean to be lonely? How do we live, if we're not intimately engaged with another human being? How do we connect with other people? Does technology draw us closer together or trap us behind screens? When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by this most shameful of experiences, she began to explore the lonely city by way of art. Moving fluidly between works and lives -- from Edward Hopper's Nighthawks to Andy Warhol's Time Capsules, from Henry Darger's hoarding to the depredations of the AIDS crisis -- Laing conducts an electric, dazzling investigation into what it means to be alone, illuminating not only the causes of loneliness but also how it might be resisted and redeemed.

Renting is a nightmare...Áine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Áine can't shake the sense that there's something not quite right about the place...It's not just the humourless estate agent and nameless it's the chill that seeps through the draughty windows; the damp spreading from the cellar door; the way the organic fruit and veg never lasts as long as it should. And most of all, it's the upstairs neighbours, whose very existence makes peaceful coexistence very difficult indeed.The longer Áine spends inside the flat - pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her - the less it feels like home. And as Áine fixates on the cracks in the ceiling, it becomes harder to ignore the cracks in her relationship with Elliott...Brilliantly observed and darkly funny, I Want to Go Home But I’m Already There is a ghost story set in the rental crisis. A wonderfully clear-eyed portrait of loneliness, loss and belonging, it examines what it means to feel at home.'A deeply compelling and melancholic modern ghost story ... Examines with piercing precision and wry humour the insidiousness, malignancy, and all-encompassing bleakness of the housing market' SUSANNAH DICKEY, AUTHOR OF COMMON DECENCY'Beautifully written, frequently hilarious, and maddeningly real' SEAMAS O'REILLY, AUTHOR OF DID YE HEAR MAMMY DIED'Very funny and original ... Rife with sharply observed but subtle insights on class and money' RACHEL CONNOLLY, AUTHOR OF LAZY CITY'Róisín Lanigan has been threatening to be the next great Irish writer for ages, so I'm glad she's finally sat down and done it' JOEL GOLBY

A bold, candid, vulnerable, and entertaining memoir of the literary life of Daniel Handler, the writer otherwise known as Lemony Snicket Part memoir, part inspiration for aspiring writers, And Then? And Then? What Else? traces Daniel Handler’s sometimes challenging and often amusing path toward one of the most spectacularly successful writing careers of the twenty-first century. Declaring his love of strange literature, Baudelaire’s The Flowers of Evil in particular, Handler reflects on the life experiences―some of them deeply personal and revealed for the first time―and the cultural influences that shaped his writing, both under his own name and under his pseudonym Lemony Snicket.