A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia's death and the conviction of the school's athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie. But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn't as much of an outsider at Granby as she'd thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case.

John Green, the #1 bestselling author of The Anthropocene Reviewed and a passionate advocate for global healthcare reform, tells a deeply human story illuminating the fight against the world’s deadliest disease. Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is a disease of poverty that walks the trails of injustice and inequity we blazed for it. In 2019, John Green met Henry, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone while traveling with Partners in Health. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal and dynamic advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, treatable infectious disease to also be the deadliest, killing 1.5 million people every year. In Everything is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world and how our choices will shape the future of tuberculosis.

“You’re not from here? Where are you from?”“Your future. I know you, Jude. And I know you want control over the time traveling. I can fix it.”College freshman Silas Turner is a scientific anomaly. Thrown back in time uncontrollably, he’s forced into his pre-transition body for hours to days at a time, reliving random events in his past. Why? Every cell in his astrophysics major brain is straining to figure it out. But the “time trips” just keep on coming, disrupting Silas’s life, and he’s certain he’s a one-of-a-kind phenomenon—until brash, guitar-playing Jude Forrester barges into his life, exhibiting the same symptoms.He claims a future version of Silas visited him, and that, according to future-Silas, they’re meant to help each other stop the time trips. If working together can really lead to finding a cure, Silas can handle Jude’s tortured-artist attitude; Jude can humor Silas’s nerdy obsession with the stars. As they get closer to a solution, they grow closer to each other. But Jude is still grieving an old connection that broke his heart, and he can’t help but wonder if changing the past might save himself and Silas a lot of heartache. Amidst cataclysmic consequences, Silas and Jude must face the cosmic circumstances that brought them together if they hope to protect their timeline—and the future they seem destined to share.

“You’re not from here? Where are you from?”“Your future. I know you, Jude. And I know you want control over the time traveling. I can fix it.”College freshman Silas Turner is a scientific anomaly. Thrown back in time uncontrollably, he’s forced into his pre-transition body for hours to days at a time, reliving random events in his past. Why? Every cell in his astrophysics major brain is straining to figure it out. But the “time trips” just keep on coming, disrupting Silas’s life, and he’s certain he’s a one-of-a-kind phenomenon—until brash, guitar-playing Jude Forrester barges into his life, exhibiting the same symptoms.He claims a future version of Silas visited him, and that, according to future-Silas, they’re meant to help each other stop the time trips. If working together can really lead to finding a cure, Silas can handle Jude’s tortured-artist attitude; Jude can humor Silas’s nerdy obsession with the stars. As they get closer to a solution, they grow closer to each other. But Jude is still grieving an old connection that broke his heart, and he can’t help but wonder if changing the past might save himself and Silas a lot of heartache. Amidst cataclysmic consequences, Silas and Jude must face the cosmic circumstances that brought them together if they hope to protect their timeline—and the future they seem destined to share.

Discover tools and techniques for managing emotions, reactions, and behavior in this friendly, evidence-based book designed especially to help and support struggling, overstressed parents. As the millennial generation moves into their parenting years, posting on social media about milestones, memories, and good times is almost second nature. Families can seem “perfect,” and some parenting methods are heralded as “the best.” However, behind closed doors, many parents and caregivers struggle greatly no matter what method or combination of parenting methods they use. There are points where it seems like you’ve tried everything. Maybe it even feels hopeless. That’s where A Parent’s Guide to Self-Regulation comes in. This book will demystify the concepts of dysregulation and parental self-regulation, and will normalize prioritizing these skills for parents, before bringing the concepts into parenting children. With this book’s step-by-step framework, you will learn how to mitigate tough parenting moments, develop self-regulatory skills, and read real accounts from other parents. From addressing societal myths about dysregulated parenthood to tips on re-parenting yourself for better regulation and everything in-between, this book will serve as both a friendly companion and a source of solid, evidence-based advice. A Parent’s Guide to Self-Regulation is written by Dr. Amber Thornton, a clinical psychologist and mother of two, who knows what it feels like to struggle with dysregulation and self-regulation as a parent.

In this honest and stunning novel, James Baldwin has given America a moving story of love in the face of injustice. Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

Hemingway's memories of his life as an unknown writer living in Paris in the twenties are deeply personal, warmly affectionate, and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.