In the Summer of 1143, two visitors arrive at the gates of the Abbey of Saint Peter and Saint Paul bearing a corpse. But another violent death follows in their wake, and Brother Cadfael is called upon to investigate the connection between these two gory events.

A propulsive and nostalgic coming-of-age novel about the relationship between two teammates on a rural high school basketball team, from the author of I Keep My Exoskeletons to Myself.Star point guard Mack Morris’s senior year of high school begins with twin the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an exhilarating, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out of bounds for their small Pennsylvania town in 2004, and especially, for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnects between her past and her future—and fight for the life she wants for herself, whether or not Liv will be on the court beside her.Written with the lush longing of Andre Aciman’s Call Me By Your Name and the obsessive attention of Jean Kyoung Frazier’s Pizza Girl, and with all the romance and feeling of the beloved 2000 movie Love & Basketball, Crane’s sophomore novel is a voice-driven, literary treatment of the big feelings of first love, intimacy, heartbreak, grief, and of course, sports.

Lyrical, probing, soothing, and wise, Patchwork is a strikingly original debut and a celebration of the remarkable, everyday process of making and of story, of clothing, and of ourselves. “A gorgeous and tender exploration.”—Nina Mingya Powles In Patchwork, a charming and evocative sewist's diary, Maddie Ballard explores the making (and sometimes remaking) of seventeen specific garments over a period of great change in her life—from a jacket lined with the embroidered Cantonese names of her female ancestors, to a dressing gown made as a gift for a dear friend, to an eco-friendly, zero-waste dress.As the wardrobe grows, so too does Maddie. From her first off-kilter dresses and coats to perfectly fitting pants, readers follow along as she learns to navigate the world around her and how she sees herself in it—both as she is and as she hopes to be. Stitch by stitch, word by word, Maddie drafts her own patterns for ways of living. Throughout the diary, delightful illustrations bring Maddie’s creations to life on the page.With a focus on the practical comfort and pleasure provided by sewing in a time of personal renewal, A Sewist’s Diary is a warmhearted celebration of the value of craft in the modern age.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

Three journeys. One road. England, 1348. A gentlewoman is fleeing an odious arranged marriage, a Scottish proctor is returning home to Avignon and a handsome young ploughman in search of adventure is on his way to volunteer with a company of archers. All come together on the road to Calais. Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires. A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire—set against one of the biggest cataclysms of human history.