From New York Times bestselling author of the Empire of the Vampire and Empire of the Damned, Jay Kristoff, comes the epic conclusion to the #1 internationally bestselling series.From holy cup comes holy light;The faithful hand sets world aright.And in the Seven Martyrs’ sight,Mere man shall end this endless night.Gabriel de León has lost his family, his faith, and his last hope of ending the endless night—the Holy Grail, Dior. With no desire left but vengeance, he and a band of loyal brothers journey into the war-torn heart of the Augustin Empire to claim the life of the Forever King.Unbeknownst to the Last Silversaint, the Grail still lives—speeding towards Augustin’s besieged capital in the frail hope of ending Daysdeath forever. But deadly treachery awaits within the halls of power, and the Forever King’s legions march ever closer. Gabriel and Dior will be drawn into a final battle that will shape the very fate of the Empire, but as the sun sets for what may be the last time, there will be no-one left for them to trust.Not even each other.

A grim and gothic new tale from author Alix E. Harrow about a small town haunted by secrets that can't stay buried and the sinister house that sits at the crossroads of it all. Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland--and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot. Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home. As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire choice to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares. If Opal wants a home, she’ll have to fight for it.

Welcome to North Falls—a small town where everyone knows everyone. Or so they think. Until the night of the fireworks. When two teenage girls vanish, and the town ignites. For Officer Emmy Clifton, it’s personal. She turned away when her best friend's daughter needed help—and now she must bring her home. But as Emmy combs through the puzzle the girls left behind, she realizes she never really knew them. Nobody did. Every teenage girl has secrets. But who would kill for them? And what else is the town hiding?

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

This is an alternate cover edition of ISBN 9780451529305. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

How Victorian male doctors used false science to argue that women were unfit for anything but motherhood—and the brilliant doctor who defied themAfter Elizabeth Blackwell became the first woman to graduate from medical school, more women demanded a chance to study medicine. Barred entrance to universities like Harvard, women built their own first-rate medical schools and hospitals. Their success spurred a chilling backlash from elite, white male physicians who were obsessed with eugenics and the propagation of the white race. Distorting Darwin’s evolution theory, these haughty physicians proclaimed in bestselling books that women should never be allowed to attend college or enter a profession because their menstrual cycles made them perpetually sick. Motherhood was their constitution and duty.Into the midst of this turmoil marched tiny, dynamic Mary Putnam Jacobi, daughter of New York publisher George Palmer Putnam and the first woman to be accepted into the world-renowned Sorbonne medical school in Paris. As one of the best-educated doctors in the world, she returned to New York for the fight of her life. Aided by other prominent women physicians and suffragists, Jacobi conducted the first-ever data-backed, scientific research on women's reproductive biology. The results of her studies shook the foundations of medical science and higher education. Full of larger than life characters and cinematically written, The Cure for Women documents the birth of a sexist science still haunting us today as the fight for control of women’s bodies and lives continues.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.