A wild, bomb-throwing teenage revenge plot that skewers the cults of consumerism and the body beautiful.Ananda Devi's protagonist is tormented at school because of her weight, and haunted by the sister whom her father believes she devoured in the womb. This, she thinks, is how he accounts for her enormous she is not one but two.Her father is gleefully devoted and plies her with increasingly indulgent feasts; at school her fellow students and even teachers seek to humiliate her with an almost demonic insistence; in the midst of all this she struggles to see who she is beyond the world’s perceptions of her and her size.When she gets an unexpected, heady taste of the other pleasures of the body, she briefly feels the radiant possibility of another kind of life. But the great eye of the mob turns on her once more and she devises one drastic, final, self-destroying way to turn the tables on her persecutors and the whole unjust world.In Hungering, Devi deploys keenly lyrical prose to stage a revenge plot with dark humor that tears apart the hypocrisies around how we talk about bodies, women, beauty, obsession, and consumption, and how society consumes, obsesses over, and vilifies the Other.

“Girls appear and disappear, but so do women. We know this because blood talks to blood.” The town of Larissa, Texas, has secrets. Native girls are going missing, decades-old conflicts are hiding just below the surface, and Emily Howard is speaking to her ancestors. At eleven years old, the peculiar Emily does not fit in. It might be her bizarre fear of doorways, or the strange illnesses that plague her, or the obvious fact that she is not a blood relative of her mother. Regardless, Emily’s arrival to Larissa, Texas, changes the search for the missing children and the way the women of Larissa relate to each other. A story wrought with the griefs of womanhood, the burdens of ancestral trauma, and the realities of indigeneity in the United States, The Divining Season follows as the community of Larissa reels with its profound losses, and Emily discovers where in this tangled world of the living, the dead, and the missing that she fits in.​

Something terrible has happened. In a mysterious apartment filled with ghosts, our unnamed narrator attempts to explain this to her child - how do I talk about this? she wonders. The truth must become something beautiful. We must begin with a fairy tale. And so she begins to construct a beautiful fairy tale for her child - one that begins with a strange baby boy whose nails grow too fast and whose skin smells of soil. As he grows from a boy into a man, a plague seems to follow him everywhere. Tragedy strikes in cycles - and wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. These ghosts call out desperately to our narrator as she tries to explain, in the very real world, exactly what has happened to her. And they all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.A debut novel as emotionally poignant as it is fiercely smart, Sour Cherry is an arresting debut examining toxic masculinity through its chorus of women - deconstructing the idea of what makes someone a monster.

The Crucible meets The Virgin Suicides in this haunting debut about five sisters in a small village in eighteenth century England whose neighbors are convinced they’re turning into dogs. Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbed to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that though the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—they’ve always had plenty to say about them. As the rotating perspectives of five villagers quickly make clear, now is no exception. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it. As relevant today as any time before, The Hounding celebrates the wild breaks from convention we’re all sometimes pulled toward, and wonders if, in a world like this one, it isn’t safer to be a dog than an unusual young girl.

The Crucible meets The Virgin Suicides in this haunting debut about five sisters in a small village in eighteenth century England whose neighbors are convinced they’re turning into dogs. Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbed to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that though the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—they’ve always had plenty to say about them. As the rotating perspectives of five villagers quickly make clear, now is no exception. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it. As relevant today as any time before, The Hounding celebrates the wild breaks from convention we’re all sometimes pulled toward, and wonders if, in a world like this one, it isn’t safer to be a dog than an unusual young girl.

Armed with a terminal diagnosis, a grudge, and a rental car, Hester sets out to fulfill her lifelong dream of killing her father in this brilliantly subversive and bleakly funny novel. When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States. From five-star Midwestern hotels to cultish Southwestern compounds, the two slowly make their way across the country. But will the revelations they make along the way dissuade Hester from her goal? Ragingly singular and surprisingly moving, Bad Nature is a story of stunning detours and twists until its final destination. Part road-trip novel, part revenge tale, part lament of our ongoing ecological crisis, it’s ultimately a deft examination of the indulgence of holding grudges, moral ambivalence, and the eternal possibility of redemption.

Armed with a terminal diagnosis, a grudge, and a rental car, Hester sets out to fulfill her lifelong dream of killing her father in this brilliantly subversive and bleakly funny novel. When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States. From five-star Midwestern hotels to cultish Southwestern compounds, the two slowly make their way across the country. But will the revelations they make along the way dissuade Hester from her goal? Ragingly singular and surprisingly moving, Bad Nature is a story of stunning detours and twists until its final destination. Part road-trip novel, part revenge tale, part lament of our ongoing ecological crisis, it’s ultimately a deft examination of the indulgence of holding grudges, moral ambivalence, and the eternal possibility of redemption.

BESTIARY MEETS THE DANGERS OF SMOKING IN BED IN THIS COLLECTION OF 11 EERIE, UNCANNY, AND SURREAL SHORT STORIES In this debut collection, Puloma Ghosh uses the speculative as a catalyst to push her stories and characters beyond what reality allows. Exploring grief, intimacy, sexuality, and bodily autonomy, Mouth leans into the bizarre and absurd while reaching for the truth. In "Dessication," a teen figure skater with necrophiliac tendencies is convinced the only other Indian girl at the rink is a vampire. A woman returns to Kolkata in “The Fig Tree,” where she is haunted by her deceased mother or a shakchunni, or both. “Nip” bottles up the consuming and addictive nature of infatuation while “Natalya” is a hair-raising autopsy of an ex-lover. And in “Persimmons,” a girl comes to terms with her own community sacrifice. Blurring the lines of conventional reality and giving fangs, talons, and singular sharpness to the otherwise ordinary, awkward, and unmentionable, Mouth’s surrealism is both unique and captivating. Puloma Ghosh reaches into otherworldly spaces while exploring the everyday struggles of isolation, longing, and the aching desires of our flesh.

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings. On a cold, gloomy night, twenty-three-year-old Kyoko stands in the rain with a knife in her hoodie’s pocket. Her target is Daniel, who seduced Kyoko’s mother then callously dropped her, leading to her death. But tonight, there will be repercussions. Following the unsuspecting Daniel home, Kyoko manages to get a rash kidnapping plot off the ground . . . and then nothing goes as planned. The Fetishist is the story of three people—Kyoko, a Japanese American punk-rock singer full of rage and grief; Daniel, a philandering violinist forced to confront the wreckage of his past; and Alma, the love of Daniel’s life, a Korean American cello prodigy long adored for her beauty, passion, and talent, but who spends her final days examining if she was ever, truly, loved. An exuberant, provocative story that confronts race, complicity, visibility, and ideals of femininity, The Fetishist was written before the celebrated author’s untimely death in 2019. Startlingly prescient, as wise and powerful as it is utterly delightful, this novel cements Katherine Min’s legacy as a writer with a singular voice for our times.

Manhunt meets Lord of the Flies in this blistering horror debut following a young trans woman after she arrives at the all-trans girl commune founded by her toxic ex-girlfriend, only to discover that demons, both literal and figurative, haunt her fellow comrades—and she's their next prey! Herculine’s narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story—conversion therapy, a string of shitty low-paying jobs, and even shittier exes—but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she’s ever encountered. Desperate to escape this ancient evil, she flees to rural Indiana, where her ex-girlfriend started an all-trans girl commune in the middle of the woods. The secluded camp, named after 19th-century intersex memoirist Herculine Barbin, is a scrappy operation, but the shared sense of community among the girls is a welcome balm to the narrator’s growing isolation and paranoia. Still, something isn’t quite right at Herculine. Girls stop talking as soon as she enters the room, everyone seems to share a common secret, and the books lining the walls of the library harbor strange cryptograms. Soon what once looked like an escape becomes a trap all its own. While trying to untangle the commune’s many mysteries, the narrator contends with disemboweled pigs, cultlike psychosexual rituals, and the horrors of communal breakfast. And before long, she discovers that her demons have followed her. And this time, they won’t be letting her go.