Kissen’s family were killed by zealots of a fire god. Now, she makes a living killing gods, and enjoys it. That is until she finds a god she cannot kill: Skedi, a god of white lies, has somehow bound himself to a young noble, and they are both on the run from unknown assassins. Joined by a disillusioned knight on a secret quest, they must travel to the ruined city of Blenraden, where the last of the wild gods reside, to each beg a favour. Pursued by demons, and in the midst of burgeoning civil war, they will all face a reckoning – something is rotting at the heart of their world, and only they can be the ones to stop it.

Of all the worlds and life they created, the gods favored their children the most. But with that favor came the fear that their Legacy would one day become too powerful and overthrow them. Devram was created. A realm hidden amongst the stars. The gods gave their Legacy the best of all the worlds, and then they left, a sworn agreement to never return and to never interfere. Forced to a life of servitude, the Fae are required to provide for the Legacy in more ways than one. Every five years, the eligible Fae are gathered for the Selection and assigned to serve in one of the six Kingdoms. To be chosen as the personal Source for a Kingdom Heir is the greatest honor, and for the first time in a millennia, all six Kingdoms have heirs choosing a Source. But their selections could tip the power balance a little too far. Tessalyn Asura was as forgotten as the realm. But when she finds herself the personal Source to the Heir of Endings, she winds up serving in the darkest Kingdom of them all . The secrets within the Arius Kingdom are meant to be learned and kept, but this was never the life she wanted. Fighting not only the fate thrust upon her, but the temptation to lose herself to desire, Tessa will do anything to escape her new destiny. Until she starts to realize maybe their world wasn’t as forgotten as they thought, and maybe she’s the reason why. Rain of Shadows and Endings is book one in The Legacy Series and ends on a cliffhanger. This is new adult dark fantasy romance series and includes elements that may be triggering to some readers.

Bennett Chiston is fed up. After eight years with his fae father in Faerie, being trapped in a small Northern Michigan town with his controlling human mother is pure agony. Magic defined Bennett—it affirmed his identity as a trans man and allowed him true freedom. Too bad Bennett’s father stole his magic and kicked him out of Faerie with zero explanation. Desperate to return, Bennett hunts down Callum Truett, a reclusive magewolf alpha who may be able to restore Bennett’s magic. He doesn’t expect his long-lost childhood best friend Jesse Chen, another alpha wolf shifter, to barge in during the meeting. The tension between the two alphas is impossible to ignore, but it works in Bennett’s favor when Jesse needles Callum into accepting the job. As each magical experiment fails, taciturn Callum keeps Bennett grounded, while cheerful Jesse lifts his spirits. The developing three-way connection turns into powerful attraction, even forcing Jesse and Callum to confront the mutual feelings they’d denied until Bennett arrived. Together, they all fit. Yet Bennett still can’t let go of his desire to leave the mundane realm behind. Everything about it makes him miserable. Everything except Callum and Jesse. When an opportunity to return to Faerie finally appears, Bennett is forced to choose: give up his two gorgeous alphas, or change his definition of home. *** A FAE’S TWO ALPHAS is a 76,000 word M/M/M paranormal romance with a trans man protagonist. The romance is a triad, not a love triangle, and features multiple open door intimate scenes. Happy ending guaranteed.

In this riveting dark fantasy debut, a woman with missing memories fights to survive a war-torn world of necromancy and alchemy—and the man tasked with unearthing the deepest secrets of her past. “What is it you think you’re protecting in that brain of yours? The war is over. Holdfast is dead. The Eternal Flame extinguished. There’s no one left for you to save.” Once a promising alchemist, Helena Marino is now a prisoner—of war and of her own mind. Her Resistance friends and allies have been brutally murdered, her abilities suppressed, and the world she knew destroyed. In the aftermath of a long war, Paladia’s new ruling class of corrupt guild families and depraved necromancers, whose vile, undead creatures helped bring about their victory, holds Helena captive. According to Resistance records, she was a healer of little importance within their ranks. But Helena has inexplicable memory loss of the months leading up to her capture, making her enemies wonder: Is she truly as insignificant as she appears, or are her lost memories hiding some vital piece of the Resistance’s final gambit? To uncover the memories buried deep within her mind, Helena is sent to the High Reeve, one of the most powerful and ruthless necromancers in this new world. Trapped on his crumbling estate, Helena’s fight—to protect her lost history and to preserve the last remaining shreds of her former self—is just beginning. For her prison and captor have secrets of their own . . . secrets Helena must unearth, whatever the cost.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.