A new work of philosophical suspense. Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.” Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

A searing and strikingly intimate debut set in the wake of the 2008 financial crisis, about a newly married lesbian couple who move into a flipped foreclosure, unaware that the former homeowners are still living in the attic. Months after the housing bubble bursts, newlywed Chicagoans Emma and Rachel move into a charming little house in a conservative Indiana college town, hoping for a fresh start after a painful miscarriage. As Rachel immerses herself in her new role as a tenure-track professor and bestselling novelist, adjunct Emma struggles in the shadow of her wife’s success. Desperate to build something of her own, Emma secretly pursues IVF, even as Rachel insists they wait to have children. The house, initially a symbol of new beginnings, becomes a refuge for Emma from the town she’s convinced is set against her—until strange occurrences make her question whether she and her wife are truly alone. They aren’t. Charlotte and Dirk, the former homeowners, are secretly living in the attic above Emma and Rachel’s attached garage. Dispossessed by the recession and anxious about her husband’s declining health, Charlotte listens to the interlopers below, and her resentment steadily grows. What starts as small acts of defiance—missing food, flipped breakers in the fuse box, subtle scratches in the furniture—soon becomes sabotage. But when her campaign to drive out the couple goes too far, Charlotte’s and Emma’s stories converge in an explosive climax that will reveal the lengths people will go to reclaim what they’ve lost.

When two estranged sisters inherit a home possessed by the horrors of its dark past, they must work together to survive in this viscerally chilling Southern gothic novel from the critically acclaimed author of This Cursed House.Do not go into the attic, the note warned.But that’s exactly what sisters Mickie and Delilah do when they inherit a distant relative’s house in Savannah, Georgia. They intend to sell the property, divide the proceeds, and go their separate ways once and for all. But 724 Hartford Street has other plans. As the sisters realize there is far more to this house and its history than meets the eye, past wounds begin to fester and spill into the present in eerie ways. Tensions also flare between the sisters and the sleepy little Savannah community, many members of which suspect more than they are willing to share about what has occurred inside at this address.When Delilah’s behavior turns first strange and then alarming, it becomes apparent that selling the home is no longer an option. And Mickie must fight to save her sister from the house, which is holding on to its own dark past—or they will both succumb to that which hungers inside its walls.These Walls Remember is Southern gothic literature at its finest, by an author whose evocative, penetrating writing and use of hauntings to unflinchingly depict historical trauma gets right under the skin and explores the many ways loss, grief, and remembrance manifest themselves in the home as well as in the people who live inside it.

Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking. To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they’ll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination. A traditional haunted house story in a thoroughly contemporary setting, Horrorstör is designed to retain its luster and natural appearance for a lifetime of use. Pleasingly proportioned with generous French flaps and a softcover binding, Horrorstör delivers the psychological terror you need in the elegant package you deserve. Designed by Andie Reid, cover photography by Christine Ferrara.

New York Times best-selling author William R. Forstchen now brings us a story which can be all too terrifyingly real ... a story in which one man struggles to save his family and his small North Carolina town after America loses a war, in one second, a war that will send America back to the Dark Ages ... A war based upon a weapon, an Electro Magnetic Pulse (EMP). A weapon that may already be in the hands of our enemies. Months before publication, One Second After has already been cited on the floor of Congress as a book all Americans should read, a book already being discussed in the corridors of the Pentagon as a truly realistic look at a weapon and its awesome power to destroy the entire United States, literally within one second. It is a weapon that the Wall Street Journal warns could shatter America. In the tradition of On the Beach, Fail Safe, and Testament, this book, set in a typical American town, is a dire warning of what might be our future ... and our end.

New York Times best-selling author William R. Forstchen now brings us a story which can be all too terrifyingly real ... a story in which one man struggles to save his family and his small North Carolina town after America loses a war, in one second, a war that will send America back to the Dark Ages ... A war based upon a weapon, an Electro Magnetic Pulse (EMP). A weapon that may already be in the hands of our enemies. Months before publication, One Second After has already been cited on the floor of Congress as a book all Americans should read, a book already being discussed in the corridors of the Pentagon as a truly realistic look at a weapon and its awesome power to destroy the entire United States, literally within one second. It is a weapon that the Wall Street Journal warns could shatter America. In the tradition of On the Beach, Fail Safe, and Testament, this book, set in a typical American town, is a dire warning of what might be our future ... and our end.

molka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videos Dahye can't believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune. But then a shocking revelation threatens: the couple has been caught on a spycam amid Korea's growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface. Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark secret: he has been spying on the women at work with his own hidden cameras. As Dahye's life begins to unravel, she unknowingly becomes the sole target of Junyoung's perverse obsession. When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood...

A heartrending story about a young mother’s fight to keep her daughter, and the winds of fortune that tear them apart by the New York Times bestselling author of The Nature of Fragile Things and The Last Year of the War. California, 1938—When she loses her parents in an accident, sixteen-year-old Rosanne is taken in by the owners of the vineyard where she has lived her whole life as the vinedresser’s daughter. She moves into Celine and Truman Calvert’s spacious house with a secret, however—Rosie sees colors when she hears sound. She promised her mother she’d never reveal her little-understood ability to anyone, but the weight of her isolation and grief prove too much for her. Driven by her loneliness she not only breaks the vow to her mother, but in a desperate moment lets down her guard and ends up pregnant. Banished by the Calverts, Rosanne believes she is bound for a home for unwed mothers, and having lost her family she treasures her pregnancy as the chance for a future one. But she soon finds out she is not going to a home of any kind, but to a place far worse than anything she could have imagined. Austria, 1947—After witnessing firsthand Adolf Hitler’s brutal pursuit of hereditary purity—especially with regard to “different children”—Helen Calvert, Truman's sister, is ready to return to America for good. But when she arrives at her brother’s peaceful vineyard after decades working abroad, she is shocked to learn what really happened nine years earlier to the vinedresser’s daughter, a girl whom Helen had long ago befriended. In her determination to find Rosanne, Helen discovers that while the war had been won in Europe, there are still terrifying battles to be fought at home.

A 2026 IndieReader Discovery Award Winner — True Crime | 2026 Eric Hoffer Finalist | 2026 Next Generation Indie Book Award Finalist | 2026 Indies Today Finalist WONDERLAND: MEMOIR OF A BLACK MARKET ADOPTION is the story of one bartered baby who refused to be erased. Some adoptees spend their lives wondering about their origins. Patricia Knight Meyer spent hers wondering how she came to be trafficked on the black market. Handed over along a Texas hospital curb in 1970, no judge, no paperwork, no legal record of any kind, Patricia grew up celebrating a made-up birthday. Her parents, blackmailed by the attorney they hired to skirt the adoption system, faced an impossible choice: go to the police or pay up. They paid $30,000 to keep their paperless baby. Navigating her mother's violent alcoholism and caring for her disabled 600-pound father, Patricia spent her childhood trying to save her saviors, unaware of the lifelong threat that haunted them: at any moment, someone could come back for their child. Never legally adopted, Patricia used a fraudulent birth certificate for 47 years. Part detective story, part searing family portrait, part historical reckoning, WONDERLAND exposes what happens when maternal desperation meets need and greed, when falsified documents, dark family secrets, and systemic abuses can no longer sustain one woman's relentless search for truth. A tumble down the rabbit hole of America's baby trade, Patricia delivers a haunting reckoning with Baby Scoop Era exploitation that asks: as reproductive rights disappear, are we ready for Baby Scoop 2.0?