In this unexpected memoir, written in a creative burst of just a few months in 2022, Sam Neill tells the story of how he became one of the world’s most celebrated actors, who has worked with everyone from Meryl Streep to Isabel Adjani, from Jeff Goldblum to Sean Connery, from Steven Spielberg to Jane Campion. By his own account, his career has been a series of unpredictable turns of fortune. Born in 1947 in Northern Ireland, he emigrated to New Zealand at the age of seven. His family settled in Dunedin on the South Island, but young Sam was sent away to boarding school in Christchurch, where he was hopeless at sports and discovered he enjoyed acting. But how did you become an actor in New Zealand in the 1960 and 1970s where there was no film industry? After university he made documentary films while also appearing in occasional amateur productions of Shakespeare. In 1977 he took the lead in Sleeping Dogs, the first feature made in New Zealand in more than a decade, a project that led to a major role in Gillian Armstrong’s celebrated My Brilliant Career. And after that Sam Neill found his way, sometimes by accident, into his own brilliant career. He has worked around the world, an actor who has moved effortlessly from blockbuster to art house to TV, from Dr Alan Grant in the Jurassic Park movies to The Piano and Peaky Blinders. Did I Ever Tell You This? is a joy to read, a marvellous and often very funny book, the work of a natural storyteller who is a superb observer of other people, and who writes with love and warmth about his family. It is also his account of his life outside film, especially in Central Otago where he established Two Paddocks, his vineyard famous for its pinot noir.

In this unexpected memoir, written in a creative burst of just a few months in 2022, Sam Neill tells the story of how he became one of the world’s most celebrated actors, who has worked with everyone from Meryl Streep to Isabel Adjani, from Jeff Goldblum to Sean Connery, from Steven Spielberg to Jane Campion. By his own account, his career has been a series of unpredictable turns of fortune. Born in 1947 in Northern Ireland, he emigrated to New Zealand at the age of seven. His family settled in Dunedin on the South Island, but young Sam was sent away to boarding school in Christchurch, where he was hopeless at sports and discovered he enjoyed acting. But how did you become an actor in New Zealand in the 1960 and 1970s where there was no film industry? After university he made documentary films while also appearing in occasional amateur productions of Shakespeare. In 1977 he took the lead in Sleeping Dogs, the first feature made in New Zealand in more than a decade, a project that led to a major role in Gillian Armstrong’s celebrated My Brilliant Career. And after that Sam Neill found his way, sometimes by accident, into his own brilliant career. He has worked around the world, an actor who has moved effortlessly from blockbuster to art house to TV, from Dr Alan Grant in the Jurassic Park movies to The Piano and Peaky Blinders. Did I Ever Tell You This? is a joy to read, a marvellous and often very funny book, the work of a natural storyteller who is a superb observer of other people, and who writes with love and warmth about his family. It is also his account of his life outside film, especially in Central Otago where he established Two Paddocks, his vineyard famous for its pinot noir.

An incendiary, deeply reported exposé of Johnson & Johnson, one of America’s oldest and most trusted pharmaceutical companies—from award-winning investigative journalist Gardiner Harris One day in 2004, Gardiner Harris, early for a flight, sat down at an airport bar and started talking to the woman on the bar stool beside him. She was a drug sales rep for Johnson & Johnson, and her horrific story about unethical sales practices and the devastating impact they’d had on her family fundamentally changed the nature of how Harris covered the company—and the entire pharmaceutical industry—for The New York Times. His subsequent investigations and ongoing research since that conversation led to new federal laws and ultimately to No More Tears, a blistering exposé of a trusted American institution and the largest healthcare conglomerate in the world. Harris takes us light years away from the company’s image as the child-friendly “baby company” as he uncovers reams of evidence showing decades of deceitful and dangerous corporate practices that have threatened the lives of millions. He covers multiple disasters: lies and cover-ups regarding baby powder’s link to cancer; the surprising dangers of Tylenol; a criminal campaign to sell dangerous anti-psychotics to children; a popular drug for cancer patients that increases the risk of tumor growth. Deceptive marketing efforts that accelerated opioid addictions rival even those of the Sacklers and Purdue Pharma. All told, Johnson & Johnson's products have helped cause drug crises that have contributed to the deaths of as many as two million people and counting. Filled with shocking, infuriating, but utterly necessary revelations, No More Tears is a landmark work of investigative journalism that lays bare the deeply rooted corruption behind the image of babies bathing with a smile.

An incendiary, deeply reported exposé of Johnson & Johnson, one of America’s oldest and most trusted pharmaceutical companies—from award-winning investigative journalist Gardiner Harris One day in 2004, Gardiner Harris, early for a flight, sat down at an airport bar and started talking to the woman on the bar stool beside him. She was a drug sales rep for Johnson & Johnson, and her horrific story about unethical sales practices and the devastating impact they’d had on her family fundamentally changed the nature of how Harris covered the company—and the entire pharmaceutical industry—for The New York Times. His subsequent investigations and ongoing research since that conversation led to new federal laws and ultimately to No More Tears, a blistering exposé of a trusted American institution and the largest healthcare conglomerate in the world. Harris takes us light years away from the company’s image as the child-friendly “baby company” as he uncovers reams of evidence showing decades of deceitful and dangerous corporate practices that have threatened the lives of millions. He covers multiple disasters: lies and cover-ups regarding baby powder’s link to cancer; the surprising dangers of Tylenol; a criminal campaign to sell dangerous anti-psychotics to children; a popular drug for cancer patients that increases the risk of tumor growth. Deceptive marketing efforts that accelerated opioid addictions rival even those of the Sacklers and Purdue Pharma. All told, Johnson & Johnson's products have helped cause drug crises that have contributed to the deaths of as many as two million people and counting. Filled with shocking, infuriating, but utterly necessary revelations, No More Tears is a landmark work of investigative journalism that lays bare the deeply rooted corruption behind the image of babies bathing with a smile.

From the “brilliantly complex” (Jenny Offill) author of The Shame comes an electrifying dive into one man’s fractured psyche as he searches for a new life. Taking place over the course of one day, Helen of Nowhere introduces an intimate cast: an unnamed man at the end of both his career and marriage, a young realtor showing him an idyllic house in the countryside, and Helen, the mystifying former owner whose spectral presence seems to imbue the house’s every grain of wood. Through stories of the remarkable woman, the man is presented with an alternate way of life. But, as evening fades into black, the specifics of how to live it become more than what he bargained for. Philosophically adventurous, strange, and fascinating, Helen of Nowhere examines the structures that form our identity, staring the reader down to ask the haunting question: What is the cost of true happiness?

A savage, hypnotic dive into the lives and deaths of a coven of vampires living in 19th Century Paris, perfect for fans of Silvia Moreno-Garcia, Laura Purcell and Elizabeth Kostova Paris, 1869. The Théâtre Saint-Siméon is the place to be, if you can get in. The black slips of paper that guarantee entry are rare and highly desired, and given only to certain persons. The actors on stage are magnetic and ageless, performing only at midnight and never seen during the day… Arnault and his clan of vampires have survived for as long as they have by observing a rigid set of rules. At night, they perform on stage at the Théâtre Saint-Siméon, picking off just enough people in the audience to survive. But they understand the city, and how to live in it without being noticed. Their peace is shattered first with a visit from Béatrice, a witch who forms a strange connection to Arnault; then with the arrival of Victor de Rouvray and his sister Françoise, vampires from a very different world. And, as Arnault grows closer and closer to the beautiful, enigmatic Victor, he risks becoming distracted from the constant bickering of his immortal friends, from the daily running of the theatre, and worse, from the premonitions of blood, death and starvation that he receives at night. For a terrible change is on the horizon, revolt and revolution are brewing in the streets and soon, the city, and Arnault will never be the same again.

A stirring journey into the soul of a fractured America that confronts the enduring specter of white supremacy in our art, monuments, and public spaces, from a captivating new literary voiceAmid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt offers a hopeful reimagining of the spaces in which we can pay tribute to our nation’s true history.

The Farseer trilogy continues the dramatic tale of piracy, serpents, love and magic. The Vestrit family's liveship, Vivacia, has been taken by the pirate king, Kennit. Held captive on board, Wintrow Vestrit finds himself competing with Kennit for Vivacia's love as the ship slowly acquires her own bloodlust. Leagues away, Althea Vestrit has found a new home aboard the liveship Ophelia, but she lives only to reclaim the Vivacia and with her friend, Brashen, she plans a dangerous rescue. Meanwhile in Bingtown, the fading fortunes of the Vestrit family lead Malta deeper into the magical secrets of the Rain Wild Traders. And just outside Bingtown, Amber dreams of relaunching Paragon, the mad liveship ... Alternate cover for this ISBN can be found here