Um dos maiores marcos da ficção gótica vitoriana E se aquela sombra no canto do quarto fosse mais que uma sombra? E se ela se afeiçoasse a você, passando a desejar não apenas o seu sangue, mas algo... além? Em um castelo isolado nas profundezas da Estíria, Laura leva uma vida solitária, tendo apenas seu pai doente como companhia. Até que, numa noite de luar, uma carruagem aparece carregando uma convidada inesperada – a bela Carmilla. Considerada um dos pontos altos da narrativa vampírica mundial, essa novela exerceu uma influência notável em obras posteriores, a ponto de sentirmos seus ecos tanto em outras obras-primas literárias, comoDrácula, e recebeu uma abundante lista de adaptações audiovisuais e em quadrinhos. Edição inclui o contoO Juiz Harbottle(Joseph Sheridan Le Fanu, 1872): narrativa epistolar sobre um juiz severo que se vê atormentado por aparições fantasmagóricas em seus últimos anos de vida. Inclui prefácio e posfácio de Carlos Primati, minibiografia do autor desenvolvida por Renata Philippov e ilustrações de Caroline Murta.

In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.

A spiritual companion to Strange Pictures and a bestselling horror phenomenon in Japan —mysterious spaces, trap doors, windowless children's rooms . . . something is wrong with this house. Can you solve the "mystery" of its floor plan? A writer fascinated by the macabre is approached by an acquaintance who is considering purchasing a second-hand house in Tokyo. With its bright and spacious interior, the home seems perfect. But looking closer, the building’s floor plan reveals a mysterious "dead space” hidden between the walls. Seeking a second opinion, the writer shares the floor plan with an architect friend only to discover more “strange spaces” dotted across the house. What are these mysterious “strange spaces” and why do they exist—are they really there, or is there something off with the floor plan? Who is the home’s former resident who suddenly disappeared? The freelance writer and his architect friend can’t resist the challenge of solving the riddle of these puzzling floor plans . . . and the terrifying plot behind it all.

A spiritual companion to Strange Pictures and a bestselling horror phenomenon in Japan —mysterious spaces, trap doors, windowless children's rooms . . . something is wrong with this house. Can you solve the "mystery" of its floor plan? A writer fascinated by the macabre is approached by an acquaintance who is considering purchasing a second-hand house in Tokyo. With its bright and spacious interior, the home seems perfect. But looking closer, the building’s floor plan reveals a mysterious "dead space” hidden between the walls. Seeking a second opinion, the writer shares the floor plan with an architect friend only to discover more “strange spaces” dotted across the house. What are these mysterious “strange spaces” and why do they exist—are they really there, or is there something off with the floor plan? Who is the home’s former resident who suddenly disappeared? The freelance writer and his architect friend can’t resist the challenge of solving the riddle of these puzzling floor plans . . . and the terrifying plot behind it all.

Alex Armstrong has changed everything about herself—her name, her appearance, her backstory. She’s no longer the terrified teenager a rapt audience saw on television, emerging in handcuffs from the quiet suburban home the night her family was massacred. That girl, Alexandra Quinlan, nicknamed Empty Eyes by the media, was accused of the killings, fought to clear her name, and later took the stand during her highly publicized defamation lawsuit that captured the attention of the nation. It’s been ten years since, and Alex hasn’t stopped searching for answers about the night her family was killed, even as she continues to hide her real identity from true crime fanatics and grasping reporters still desperate to locate her. As a legal investigator, she works tirelessly to secure justice for others, too. People like Matthew Claymore, who’s under suspicion in the disappearance of his girlfriend, a student journalist named Laura McAllister. Laura was about to break a major story about rape and cover-ups on her college campus. Alex believes Matthew is innocent, and unearths stunning revelations about the university’s faculty, fraternity members, and powerful parents willing to do anything to protect their children. Most shocking of all—as Alex digs into Laura’s disappearance, she realizes there are unexpected connections to the murder of her own family. For as different as the crimes may seem, they each hinge on one sinister truth: no one is quite who they seem to be . . .

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.

The newest Palahniuk novel concerns Madison, a thirteen year old girl who finds herself in Hell, unsure of why she will be there for all eternity, but tries to make the best of it. The author described the novel as "if The Shawshank Redemption had a baby by The Lovely Bones and it was raised by Judy Blume." And "it's kind of like The Breakfast Club set in Hell."

A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World. In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions — demons of the past be damned. But at what cost?  Horror Movie is an obsessive, psychologically chilling, and suspenseful twist on the “cursed film” that breathlessly builds to an unforgettable, mind-bending conclusion.

A wildly inventive spin on the supernatural thriller, about a woman working as a nanny for a young boy with strange and disturbing secrets. Mallory Quinn is fresh out of rehab when she takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body. Then, Teddy’s artwork becomes increasingly sinister, and his stick figures quickly evolve into lifelike sketches well beyond the ability of any five-year-old. Mallory begins to wonder if these are glimpses of a long-unsolved murder, perhaps relayed by a supernatural force. Knowing just how crazy it all sounds, Mallory nevertheless sets out to decipher the images and save Teddy before it’s too late.