In 2024, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others. When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.

From the bestselling author of ALMOND, The Devil Wears Prada meets The Office in this witty, humane, and ultimately transformative story of a group of young workers who rebel against the status quo. Jihye is an ordinary woman who has never been extraordinary. In her administrative job at the Academy, she silently tolerates office politics and the absurdities of Korean bureaucracy. Forever only one misplaced email away from career catastrophe, she effectively becomes a master of the silent eye-roll and the tactical coffee run. But all her efforts to endure her superiors and the semi-hostile work environment they create are upended when a new intern, Gyuok Lee, arrives. Like a pacifist version of V in V for Vendetta, Gyuok recruits a trio of office allies to carry out plans for minor revenge. Together, these four “rebels” commit tiny protests against those in more powerful positions through spraying graffiti, throwing eggs, and writing anonymous exposés. But as their attacks increase, the initial joy they felt at the release becomes something more and Jihye and the others will discover the beauty of friendship and the extraordinary power of unity against adversity. 

From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption, asking readers to question what it means to stop surviving and start living. Leigh is the last of the Wildes. She knows this because she watched them all die. Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives. While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal. But the past isn't so easily buried. No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption, asking readers to question what it means to stop surviving and start living. Leigh is the last of the Wildes. She knows this because she watched them all die. Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives. While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal. But the past isn't so easily buried. No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."