On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

In Just Kids, Patti Smith's first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work--from her influential 1975 album Horses to her visual art and poetry.

Esther Perel takes on tough questions, grappling with the obstacles and anxieties that arise when our quest for secure love conflicts with our pursuit of passion. She invites us to explore the paradoxical union of domesticity and sexual desire, and explains what it takes to bring lust home. In her 20 years of clinical experience, Perel has treated hundreds of couples whose home lives are empty of passion. They describe relationships that are open and loving, yet sexually dull. What is going on? In this explosively original book, Perel explains that our cultural penchant for equality, togetherness, and absolute candor is antithetical to erotic desire for both men and women. Sexual excitement doesn't always play by the rules of good citizenship. It is politically incorrect. It thrives on power plays, unfair advantages, and the space between self and other. More exciting, playful, even poetic sex is possible, but first we must kick egalitarian ideals and emotional housekeeping out of our bedrooms. While Mating in Captivity shows why the domestic realm can feel like a cage, Perel's take on bedroom dynamics promises to liberate, enchant, and provoke. Flinging the doors open on erotic life and domesticity, she invites us to put the "X" back in sex. ©2006 Esther Perel (P)2006 HarperCollins Publishers

Six months after their Aogiri Tree Operation, the CCG continues their investigation of the Gourmet and the Binge Eater. Kaneki and his colleagues search for Rize’s true identity brings them face-to-face with the mysterious Madame A.

Ghouls live among us, the same as normal people in every way-except their craving for human flesh. Ken Kaneki is an ordinary college student until a violent encounter turns him into the first half-human half-ghoul hybrid. Trapped between two worlds, he must survive Ghoul turf wars, learn more about Ghoul society and master his new powers. The newly awakened Kaneki unleashes his monstrous strength to protect his friend Touka and finds himself irrevocably changed. Kaneki sets out on his own, determined to find out the truth behind what's happening to him--and what the Aogiri Tree organization actually is.

Ghouls live among us, the same as normal people in every way-except their craving for human flesh. Ken Kaneki is an ordinary college student until a violent encounter turns him into the first half-human half-ghoul hybrid. Trapped between two worlds, he must survive Ghoul turf wars, learn more about Ghoul society and master his new powers. The newly awakened Kaneki unleashes his monstrous strength to protect his friend Touka and finds himself irrevocably changed. Kaneki sets out on his own, determined to find out the truth behind what's happening to him--and what the Aogiri Tree organization actually is.

Ghouls live among us, the same as normal people in every way-except their craving for human flesh. Ken Kaneki is an ordinary college student until a violent encounter turns him into the first half-human half-ghoul hybrid. Trapped between two worlds, he must survive Ghoul turf wars, learn more about Ghoul society and master his new powers. Kaneki is captured and then tortured by Yamori, one of Aogiri Tree organization's most sadistic members. To survive the interrogation, Kaneki will have to finally surrender to the Ghoul inside him, but if he does, it will change him permanently and push him even further away from being human.

Ghouls live among us, the same as normal people in every way—except their craving for human flesh. Ken Kaneki is an ordinary college student until a violent encounter turns him into the first half-human half-ghoul hybrid. Trapped between two worlds, he must survive Ghoul turf wars, learn more about Ghoul society and master his new powers. Things heat up in the Ward Eleven as the CCG investigates the high rate of Investigator deaths. Kaneki has an explosive run-in with Aogiri Tree, the Ghoul Gang, run by a Ghoul known only as the Sekigan King.

Ghouls live among us, the same as normal people in every way—except their craving for human flesh. Ken Kaneki is an ordinary college student until a violent encounter turns him into the first half-human half-ghoul hybrid. Trapped between two worlds, he must survive Ghoul turf wars, learn more about Ghoul society and master his new powers. Things heat up in the Ward Eleven as the CCG investigates the high rate of Investigator deaths. Kaneki has an explosive run-in with Aogiri Tree, the Ghoul Gang, run by a Ghoul known only as the Sekigan King.

Ghouls live among us, the same as normal people in every way—except their craving for human flesh. Ken Kaneki is an ordinary college student until a violent encounter turns him into the first half-human half-ghoul hybrid. Trapped between two worlds, he must survive Ghoul turf wars, learn more about Ghoul society and master his new powers. Kaneki, Nishio, and Touka struggle to work together to rescue their human friend Kimi while Ghoul Investigator deaths skyrocket in Wards 9 through 12. When reinforcements are called in on both sides, the stakes are suddenly higher than ever.

Kaneki meets Shu Tsukiyama, known as The Gourmet for his interesting and sadistic tastes. And Kaneki learns more about what happened to Rize and what it means to be a One-Eyed Ghoul.

Kaneki is still trying to get used to his new life when Commission of Counter Ghoul agents Mado and Amon start sniffing around for Hinami. Kaneki and Touka are going to have to get them off her tail and fast. No easy task now that Kaneki’s got to bring humans and Ghouls to a rapid truce at the same time.

Unable to discard his humanity but equally unable to suppress his Ghoul hunger, Ken finds salvation in the kindness of friendly Ghouls who teach him how to pass as human and eat flesh humanely. But recent upheavals in Ghoul society attract the police like wolves to prey, and they don’t discriminate between conscientious and monstrous Ghouls.

À Tokyo, sévissent des goules, monstres cannibales se dissimulant parmi les humains pour mieux s’en nourrir. Étudiant timide, Ken Kaneki est plus intéressé par la jolie fille qui partage ses goûts pour la lecture que par ces affaires sordides, jusqu’au jour où il se fait attaquer par l’une de ces fameuses créatures. Mortellement blessé, il survit grâce à la greffe des organes de son agresseur… Remis de son opération, il réalise peu à peu qu’il est devenu incapable de se nourrir comme avant et commence à ressentir un appétit suspect envers ses congénères. C’est le début d’une descente aux enfers pour Kaneki, devenu malgré lui un hybride mi-humain, mi-goule.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture. This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.