One of the great masterpieces of Russian literature, the Red Cavalry cycle retains today the shocking freshness that made Babel's reputation when the stories were first published in the 1920s. Using his own experiences as a journalist and propagandist with the Red Army during the war against Poland, Babel brings to life an astonishing cast of characters from the exuberant, violent era of early Soviet history: commissars and colonels, Cossacks and peasants, and among them the bespectacled, Jewish writer/intellectual, observing it all and trying to establish his role in the new Russia. Drawn from the acclaimed, award-winning Complete Works of Isaac Babel, this volume includes all of the Red Cavalry cycle; Babel's 1920 diary, from which the material for the fiction was drawn; and his preliminary sketches for the stories—the whole constituting a fascinating picture of a great writer turning life into art.

Hannah Arendt's definitive work on totalitarianism and an essential component of any study of twentieth-century political history The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.

The Gulag—the vast array of Soviet concentration camps—was a system of repression and punishment whose rationalized evil and institutionalized inhumanity were rivaled only by the Holocaust. The Gulag entered the world's historical consciousness in 1972, with the publication of Alexander Solzhenitsyn's epic oral history of the Soviet camps, The Gulag Archipelago. Since the collapse of the Soviet Union, dozens of memoirs and new studies covering aspects of that system have been published in Russia and the West. Using these new resources as well as her own original historical research, Anne Applebaum has now undertaken, for the first time, a fully documented history of the Soviet camp system, from its origins in the Russian Revolution to its collapse in the era of glasnost. It is an epic feat of investigation and moral reckoning that places the Gulag where it belongs: at the center of our understanding of the troubled history of the twentieth century. Anne Applebaum first lays out the chronological history of the camps and the logic behind their creation, enlargement, and maintenance. The Gulag was first put in place in 1918 after the Russian Revolution. In 1929, Stalin personally decided to expand the camp system, both to use forced labor to accelerate Soviet industrialization and to exploit the natural resources of the country's barely habitable far northern regions. By the end of the 1930s, labor camps could be found in all twelve of the Soviet Union's time zones. The system continued to expand throughout the war years, reaching its height only in the early 1950s. From 1929 until the death of Stalin in 1953, some 18 million people passed through this massive system. Of these 18 million, it is estimated that 4.5 million never returned. But the Gulag was not just an economic institution. It also became, over time, a country within a country, almost a separate civilization, with its own laws, customs, literature, folklore, slang, and morality. Topic by topic, Anne Applebaum also examines how life was lived within this shadow country: how prisoners worked, how they ate, where they lived, how they died, how they survived. She examines their guards and their jailers, the horrors of transportation in empty cattle cars, the strange nature of Soviet arrests and trials, the impact of World War II, the relations between different national and religious groups, and the escapes, as well as the extraordinary rebellions that took place in the 1950s. She concludes by examining the disturbing question why the Gulag has remained relatively obscure, in the historical memory of both the former Soviet Union and the West. Gulag: A History will immediately be recognized as a landmark work of historical scholarship and an indelible contribution to the complex, ongoing, necessary quest for truth.

Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Her life story is told in the documentary film And Still I Rise, as seen on PBS’s American Masters. Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.

The bestselling Turkish classic of love and longing in a changing world, available in English for the first time.'It is, perhaps, easier to dismiss a man whose face gives no indication of an inner life. And what a pity that is: a dash of curiosity is all it takes to stumble upon treasures we never expected.' A shy young man leaves his home in rural Turkey to learn a trade in 1920s Berlin. The city's crowded streets, thriving arts scene, passionate politics and seedy cabarets provide the backdrop for a chance meeting with a woman, which will haunt him for the rest of his life. Emotionally powerful, intensely atmospheric and touchingly profound, Madonna in a Fur Coat is an unforgettable novel about new beginnings and the unfathomable nature of the human soul.'Passionate but clear . . . Ali's success [is in ] his ability to describe the emergence of a feeling, seemingly straightforward from the outside but swinging back and forth between opposite extremes at its core, revealing the tensions that accompanies such rise and fall.' Atilla Özkirimli, writer and literary historian

In this extraordinary book, an acclaimed young war reporter chronicles a dangerous journey on the smuggler's road to Europe, accompanying his friend, an Afghan refugee, in search of a better future. In 2016, a young Afghan driver and translator named Omar makes the heart-wrenching choice to flee his war-torn country, saying goodbye to Laila, the love of his life, without knowing when they might be reunited again. He is one of millions of refugees who leave their homes that year. Matthieu Aikins, a journalist living in Kabul, decides to follow his friend. In order to do so, he must leave his own passport and identity behind to go underground on the refugee trail with Omar. Their odyssey across land and sea from Afghanistan to Europe brings them face to face with the people at heart of the migration crisis: smugglers, cops, activists, and the men, women and children fleeing war in search of a better life. As setbacks and dangers mount for the two friends, Matthieu is also drawn into the escape plans of Omar's entire family, including Maryam, the matriarch who has fought ferociously for her children's survival. Harrowing yet hopeful, this exceptional work brings into sharp focus one of the most contentious issues of our times. The Naked Don't Fear the Water is a tale of love and friendship across borders, and an inquiry into our shared journey in a divided world.

A highly-acclaimed masterwork of fiction from Mircea Cărtărescu, author of Blinding: an existence (and eventually a cosmos) created by forking paths. Based on Cărtărescu's own role as a high school teacher, Solenoid begins with the mundane details of a diarist's life and quickly spirals into a philosophical account of life, history, philosophy, and mathematics. One character asks another: when you rush into the burning building, will you save the newborn or the artwork? On a broad scale, the novel’s investigations of other universes, dimensions, and timelines reconcile the realms of life and art. The novel is grounded in the reality of late 1970s/early 1980s Communist Romania, including long lines for groceries, the absurdities of the education system, and the misery of family life. The text includes sequences in a tuberculosis sanatorium, an encounter with an anti-death protest movement, a society of dream investigators, and an extended visit to the minuscule world of dust mites living on a microscope slide. Combining fiction with autobiography and history― the scientists Nicolae Tesla and George Boole, for example, appear alongside the Voynich manuscript―Solenoid ruminates on the exchanges possible between the alternate dimensions of life and art, as various, monstrous dimensions erupt within the Communist present.