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âïžâïžâïž.75 (rounded up)
I struggled with this one, even switching between the audio and ebook. I enjoyed it overall, but I just felt confused for most of the story. The writing style made it hard to follow, and I wish I had known sooner that some people have been recommending a different reading order to avoid big jumps between timelines. I probably wouldâve had an easier time following along.
There were some parts that hit emotionally, but I never felt fully invested. Maybe 1000+ page books just arenât for me, because I found myself wanting to read something else during the last 50%. I was curious enough about the events and the ending to continue.
I appreciate the work the author put into this, but the writing didnât feel particularly special, and I didnât connect with any of the characters. The world-building was good, but I was lost with a lot of the terminology and felt like I spent more time Googling than actually reading. Iâm glad I finished but I really thought this was going to be another 5 star read for meâčïž
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Problematic Summer Romance
Ali Hazelwood
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Alchemised
SenLinYu SenLinYu
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Alchemised
SenLinYu SenLinYu
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infinity commented on a post
Pre-read:
I've read a lot of positive reviews of this book, and since it's just what I need, I believe I'm ready to read it right now. I assure you that I have plenty of tissues on hand because I know this story is somewhat heartbreaking.
I sincerely hope the story lives up to the hype. Who is reading this book? Or did anyone read this book? Warnings?
infinity commented on BooksErgoSum's review of Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1)
I hated this book for (mostly) one reason: its terrible autism rep.
Arguably, this entire book is about autism. Emily Wilde is the 1909 version of a high-masking autistic woman. Her hyperfixation (faeries) drives the plot. Her hyperfixation journal is literally the text. And her trouble with social cues is the backbone of the storyâs tension, the romance plot, and her character growth.
As a high masking woman who also has a hyperfixation journal? I loved her. I saw myself in her.
đ But thereâs another 1909 autistic character in this book: the changeling child.
The sad truth about changeling faerie lore is that those were just human kids with disabilities like autism. So it was a CHOICE to make the changeling child a villain. It was all about âfixingâ him, unburdening his parents, and⊠literal child abuse đ”âđ«
And F all the way off with that. Because, as someone with a 7 year old nonverbal autistic daughter with eerie pattern recognition and a fae-like love of mischief, I just know some biatch named Emily wouldâve been telling me sheâs a changeling and to leave her under a tree if this was 1909 đ€
So hereâs my argument: if a book has good autism rep for socially acceptable autistic characters but bad autism rep for the truly marginalized types of autism in our society, then itâs actually terrible autism rep.
And the rest of the book didnât save it for me. Because: âȘïž as much as I liked the overwrought navel-gazing of Emilyâs journal, especially the interesting limitation it placed on the storytelling⊠we annoyingly dropped this limitation whenever we needed to. âȘïž as much as I liked that our love interest was kind of a shithead (lol)⊠chemistry and romance plot, where? âȘïž as much as I liked an anthropology of faeries, the story read 1940s Karl Popper science demarcation criteria back into 1900s science (đ) and didnât recon with how racist social anthropology was in 1909 (her own university, Cambridge, was particularly bad đ„Ž)
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