Am I making it worse? I think I'm making it worse. Everyone's favorite lethal SecUnit is back. Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast. Yeah, this plan is... not going to work.

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Rivers have acted as cradles for civilization and agents of disaster; a river may be a barrier or a highway, it can support trade and sediment, culture and conflict. This Very Short Introduction is a celebration of rivers in all their diversity. Geographer Nick Middleton covers a wide and eclectic range of river-based themes, from physical geography to mythology, to industrial history and literary criticism. Offering a truly global look at rivers, with examples from all continents, including Egypt, India, and Bangladesh, Middleton considers the role that rivers have played in human history from settlements and trade to warfare, and also looks at the human impact upon rivers by the construction of dams and cutting of channels.

Olivia Dunne, a studious minister's daughter who dreams of being an archaeologist, never thought that the drama of World War II would affect her quiet life in Denver. An exhilarating flirtation reshapes her life, though, and she finds herself banished to a rural Colorado outpost, married to a man she hardly knows. Overwhelmed by loneliness, Olivia tentatively tries to establish a new life, finding much-needed friendship and solace in two Japanese American sisters who are living at a nearby internment camp. When Olivia unwittingly becomes an accomplice to a crime and is faced with betrayal, she finally confronts her own desires. Beautifully written and filled with memorable characters, Creel's novel is a powerful exploration of the nature of trust and love.

DETERMINED LADY Tough-minded Jessica Trent's sole intention is to free her nitwit brother from the destructive influence of Sebastian Ballister, the notorious Marquess of Dain. She never expects to desire the arrogant, amoral cad. And when Dain's reciprocal passion places them in a scandalously compromising, and public, position, Jessica is left with no choice but to seek satisfaction... LORD OF SCOUNDRELS Damn the minx for tempting him, kissing him... and then forcing him to salvage her reputation! Lord Dain can't wait to put the infuriating bluestocking in her place—and in some amorous position. And if that means marriage, so be it!—though Sebastian is less than certain he can continue to remain aloof... and steel his heart to the sensuous, headstrong lady's considerable charms.

From the Booker Prize finalist author of The Island of Missing Trees, an enchanting new tale about three characters living along two rivers, all under the shadow of one of the greatest epic poems of all time. “Make place for Elif Shafak on your bookshelf… you won’t regret it.” (Arundhati Roy) In the ancient city of Nineveh, on the bank of the River Tigris, King Ashurbanipal of Mesopotamia, erudite but ruthless, built a great library that would crumble with the end of his reign. From its ruins, however, emerged a poem, the Epic of Gilgamesh, that would infuse the existence of two rivers and bind together three lives. In 1840 London, Arthur is born beside the stinking, sewage-filled River Thames. With an abusive, alcoholic father and a mentally ill mother, Arthur’s only chance of escaping destitution is his brilliant memory. When his gift earns him a spot as an apprentice at a leading publisher, Arthur’s world opens up far beyond the slums, and one book in particular catches his interest: Nineveh and Its Remains. In 2014 Turkey, Narin, a ten-year-old Yazidi girl, is diagnosed with a rare disorder that will soon cause her to go deaf. Before that happens, her grandmother is determined to baptize her in a sacred Iraqi temple. But with the rising presence of ISIS and the destruction of the family’s ancestral lands along the Tigris, Narin is running out of time. In 2018 London, the newly divorced Zaleekah, a hydrologist, moves into a houseboat on the Thames to escape her husband. Orphaned and raised by her wealthy uncle, Zaleekah had made the decision to take her own life in one month, until a curious book about her homeland changes everything. A dazzling feat of storytelling, There Are Rivers in the Sky entwines these outsiders with a single drop of water, a drop which remanifests across the centuries. Both a source of life and harbinger of death, rivers—the Tigris and the Thames—transcend history, transcend fate: “Water remembers. It is humans who forget.”

“Lakes is my favorite kind of natural meticulously researched, timely, comprehensive, and written with imagination and verve.”—Jerry Dennis, author of The Living Great Lakes   Lakes might be the most misunderstood bodies of water on earth. And while they may seem commonplace, without lakes our world would never be the same. In this revealing look at these lifegiving treasures, John Richard Saylor shows us just how deep our connection to still waters run.     Lakes is an illuminating tour through the most fascinating lakes around the world. Whether it’s Lake Vostok, located more than two miles beneath the surface of Antarctica, whose water was last exposed to the atmosphere perhaps a million years ago; Lake Baikal in southern Siberia, the world’s deepest and oldest lake formed by a rift in the earth’s crust; or Lake Nyos, the so-called Killer Lake that exploded in 1986, resulting in hundreds of deaths, Saylor reveals to us the wonder that exists in lakes found throughout the world. Along the way we learn all the many forms that lakes take—how they come to be and how they feed and support ecosystems—and what happens when lakes vanish.   

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

It calls itself Murderbot, but only when no one can hear. It worries about the fragile human crew who've grown to trust it, but only where no one can see. It tells itself that they're only a professional obligation, but when they're captured and an old friend from the past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.