Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

After the success of Zane Grey’s first novel, Betty Zane , first published in 1903, Grey gave up his dental practice in New York City to concentrate on writing the westerns that would make him as rich and famous as a movie star. But ancestral pride, not money, was the impetus for Betty Zane . It was based on family stories about his great-grandfather, Colonel Ebenezer Zane, who had defended Fort Henry during the American Revolution. West Virginians remember that the colonel’s young daughter, Betty, saved the fort during a British-Indian onslaught in 1782—the last battle of the Revolutionary War. Her act of courage gives focus to this rousing novel, replete with other historical figures like the ferocious Lewis Wetzel, the notorious renegade Simon Girty, and the Seneca chief Cornplanter. Betty Zane, the headstrong heroine, moves in an authentic atmosphere of danger and romance.

The Blackthorn & Grim series continues as a mysterious creature holds an enchanted and imperiled ancient Ireland in thrall. Disillusioned healer Blackthorn and her companion, Grim, have settled in Dalriada to wait out the seven years of Blackthorn’s bond to her fey mentor, hoping to avoid any dire challenges. But trouble has a way of seeking out Blackthorn and Grim. Lady Geiléis, a noblewoman from the northern border, has asked for the prince of Dalriada’s help in expelling a howling creature from an old tower on her land—one surrounded by an impenetrable hedge of thorns. Casting a blight over the entire district, and impossible to drive out by ordinary means, it threatens both the safety and the sanity of all who live nearby. With no ready solutions to offer, the prince consults Blackthorn and Grim. As Blackthorn and Grim begin to put the pieces of this puzzle together, it’s apparent that a powerful adversary is working behind the scenes. Their quest is about to become a life and death struggle—a conflict in which even the closest of friends can find themselves on opposite sides.

The mysterious Tuxedo Mask has revealed his identity, forcing Usagi to come to terms with her growing affections for the masked vigilante, all the while defending the people of Earth from renewed attacks by the sinister “enemy”. Everything threatens to overwhelm even Sailor Moon when suddenly a new Sailor Guardian appears. Could this new Guardian be the Moon Princess the Sailor Guardians are sworn to protect?

Length: 3 hrs and 16 mins The complete second BBC Radio 4 series written and presented by Sir David Attenborough, featuring all 20 episodes about some of the strangest insects and creatures from around the world. One of the nation’s most popular presenters examines 20 marvels of the natural world from his extraordinary and pioneering experiences. How did Sir David track down a giant earthworm? Why does he respect rats? What was the first bribe in nature? Why do well known foods often have two names? ©2011 David Attenborough (P)2011 AudioGO Ltd

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality—and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity. Everything you know about sex and asexuality is (probably) wrong. The notion that everyone wants sex—and that we all have to have it—is false. It's intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that's not queer enough, seen through a lens of perceived lack of pleasure, connection, joy, maturity, and even humanity. In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the "A" in LGBTQIA+, affirming that to be asexual is to be queer—despite the gatekeeping and denial that often says otherwise. With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience—and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.