On February 1, 2003, the nation was stunned to watch the shuttle Columbia disintegrate into a blue-green sky. Despite the numerous new reports surrounding the tragedy, the public remained largely unaware that three men, U.S. astronauts Donald Pettit and Kenneth Bowersox, and Russian flight engineer Nikolai Budarin, remained orbiting the earth. With the launch program suspended indefinitely, these astronauts, who were already near the end of a fourteen-week mission, had suddenly lost their ride home.Out of Orbit is the harrowing, behind-the-scenes chronicle of the efforts of beleaguered Mission Controls in Houston and Moscow who worked frantically against the clock to bring their men safely back to Earth, ultimately settling on a plan that felt, at best, like a long shot. Given that no shuttle could come for them, the astronauts’ only hope for a return flight became a Russian-built Soyuz TMA-1 capsule, latched to the side of the space station—a piece of equipment roughly the equivalent of a “padded box attached to a parachute,” with a troubled history (in 1971 a malfunction in the Soyuz 11 capsule left three Russian astronauts dead) and dated technology. Gripping and faced-paced, Out of Orbit is an adventure in outer space that will keep you on the edge of your seat. In a day and age when space travel is poised to become available to masses, Out of Orbit vividly captures both its hazardous realities and soaring majesty.

Written in Greek by the only Roman emperor who was also a philosopher, without any intention of publication, the Meditations of Marcus Aurelius offer a remarkable series of challenging spiritual reflections and exercises developed as the emperor struggled to understand himself and make sense of the universe. While the Meditations were composed to provide personal consolation and encouragement, Marcus Aurelius also created one of the greatest of all works of philosophy: a timeless collection that has been consulted and admired by statesmen, thinkers and readers throughout the centuries.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

As a devastating war takes the lives of tens thousands of Palestinians in Gaza, and threatens thousands more, it is vital that we understand how we got here - and why. The Gaza Strip is one of the most politically significant and widely-reported-on parts of the world, but misunderstandings about this tiny piece of land and its history abound. Dr Anne Irfan, a lecturer at University College London and an expert in modern Palestinian history, will chart the history of the Gaza Strip through six key events, from the expulsion of 700,000 Palestinians in 1948 – when Gaza was truncated to a ‘strip’ that absorbed large numbers of Palestinian refugees – to the rise of Hamas. She will explain how the Israeli occupation of 1967 gave birth to the intifada, the movement for Palestinian resistance, and how pivotal Britain and the United States were to the politics of Israel-Palestine. Bringing to the forefront the people of Gaza, Irfan will show how Gaza went from being a thriving port town that birthed poets, feminists and revolutionaries to a place known mostly for its poverty and as a battleground for war. In the process, placing the voices of Palestinians at the centre, she will bring clarity to the current crisis, the geopolitics of the region and Western foreign policy. This is an urgent, gripping and accessible introduction to Gazan history that illuminates the events of today, and we cannot afford to ignore it. 

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.   Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.   Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.   At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.   Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.