The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city -or face the possibility he could be exactly who he seems…

OVER HALF A MILLION COPIES SOLD A must-have resource for anyone who lives or works with young kids, with an introduction by Adele Faber, coauthor of How to Talk So Kids Will Listen & Listen So Kids Will Talk , the international mega-bestseller The Boston Globe dubbed “The Parenting Bible.” For over thirty-five years, parents have turned to How to Talk So Kids Will Listen & Listen So Kids Will Talk for its respectful and effective solutions to the unending challenges of raising children. Now, in response to growing demand, Adele’s daughter, Joanna Faber, along with Julie King, tailor How to Talk’s powerful communication skills to children ages two to seven. Faber and King, each a parenting expert in her own right, share their wisdom accumulated over years of conducting How To Talk workshops with parents and a broad variety of professionals. With a lively combination of storytelling, cartoons, and fly-on-the-wall discussions from their workshops, they provide concrete tools and tips that will transform your relationship with the young kids in your life. What do you do with a little kid who…won’t brush her teeth…screams in his car seat…pinches the baby...refuses to eat vegetables…throws books in the library...runs rampant in the supermarket? Organized according to common challenges and conflicts, this book is an essential emergency first-aid manual of communication strategies, including a chapter that addresses the special needs of children with sensory processing and autism spectrum disorders. This user-friendly guide will empower parents and caregivers of young children to forge rewarding, joyful relationships with terrible two-year-olds, truculent three-year-olds, ferocious four-year-olds, foolhardy five-year-olds, self-centered six-year-olds, and the occasional semi-civilized seven-year-old. And, it will help little kids grow into self-reliant big kids who are cooperative and connected to their parents, teachers, siblings, and peers.

Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation. But toxic masculinity punishes those fundamental emotions, and it’s so deeply ingrained in our society that it’s hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women. A brave and astonishing work, The Will to Change is designed to help men reclaim the best part of themselves.

In 1863 Jules Verne, famed author of 20,000 Leagues Under the Sea and Journey to the Center of the Earth, wrote a novel that his literary agent deemed too far fetched to be published. More than one hundred years later, his great-grandson found the handwritten, never-before published manuscript in a safe. That manuscript was Paris in the Twentieth Century, and astonishingly prophetic view into the future by one of the most renowned science fiction writers of our time. . . . Praise for Paris in the Twentieth Century “Jules Verne was the Michael Crichton of the 19th century.” — The New York Times “For anyone interested in the history of speculative fiction . . . this book is an absolute necessity.” —Ray Bradbury “Verne's Paris is a bustling, overcrowded metropolis teeming with starving homeless and ‘vehicles that passed on paved roads and moved without horses.’ Years before they would be invented, Verne has imagined elevators and faxmachines. It was a vision Verne's editor flatly rejected. Contemporary readers know better.” — People “An excellent extrapolation, founded on 19th-century technical novelties, of a future culture.” — The Washington Post Book World “Verne published nearly seventy books, many of them now considered classics. But this little jewel catches him just reaching stride as a writer of science fiction, a genre that he, of course, helped put on the literary map.” — The Denver Post

Music is magic in this novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song. Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. In a world of everyday miracles, Perry might not have a talent for magic, but he does know Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry realizes trouble is afoot. Nine songs of power have escaped from the piano that maintains the city’s beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing, and the Haint of All Haints is awake. Nola’s time might be coming to an end.