Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.

The Sunday Times bestselling author of Beautiful Ugly is back with a psychological masterpiece that will leave you questioning everything you know about love, identity, and revenge.Eden Fox, an artist on the brink of her big break, sets off for a run before her first exhibition. When she returns to the home she recently moved into, Spyglass, an enchanting old house in Hope Falls, nothing is as it should be. Her key doesn’t fit. A woman, eerily similar to her, answers the door. And her husband insists that the stranger is his wife.One house. One husband. Two women. Someone is lying.Six months earlier, a reclusive Londoner called Birdy, reeling from a life-changing diagnosis, inherits Spyglass. This unexpected gift from a long-lost grandmother brings her to the pretty seaside village of Hope Falls. But then Birdy stumbles upon a shadowy London clinic that claims to be able to predict a person's date of death, including her own. Secrets start to unravel, and as the line between truth and lies blurs, Birdy feels compelled to right some old wrongs.My Husband’s Wife is a tangled web of deception, obsession, and mystery that will keep you guessing until the last page. Prepare yourself for the ultimate mind-bending marriage thriller and step inside Spyglass – if you dare – to experience a story where nothing is as it seems.

The Spellshop is the romantasy debut by #1 New York Times bestselling author Sarah Beth Durst–a lush cottagecore tale full of stolen spellbooks, unexpected friendships, sweet jams, and even sweeter love. Join Kiela the librarian and her assistant, Caz the sentient spider plant, as they navigate the low stakes market of illegal spellmaking and the high risk business of starting over. Kiela has always had trouble dealing with people. Thankfully, as librarian at the Great Library of Alyssium, she hasn’t had to. She and her assistant, Caz, a magically sentient spider plant, have spent the last eleven years sequestered among the empire’s most precious spellbooks, preserving their magic for the city’s elite. But when a revolution begins and the library goes up in flames, she and Caz save as many books as they can carry and flee to a faraway island Kiela was sure she’d never return to: her childhood home. Kiela hopes to lay low in the overgrown and rundown cottage her late parents left her and figure out a way to survive without drawing the attention of either the empire or the revolutionaries. Much to her dismay, in addition to a nosy—and very handsome—neighbor, she finds the town neglected and in a state of disrepair. The empire, for all its magic and power, has been neglecting for years the people who depend on magical intervention to maintain healthy livestock and crops. Not only that, but the very magic that should be helping them has been creating destructive storms that have taken a toll on the island. Due to her past role at the library, Kiela feels partially responsible for this, and now she’s determined to find a way to make things right: by opening the island’s first-ever secret spellshop. Her plan comes with risks—the consequence of sharing magic with commoners is death. And as Kiela comes to make a place for herself among the kind and quirky townspeople of her former home, she realizes that in order to make a life for herself, she must learn to break down the walls she has built up so high. Like a Hallmark rom-com full of mythical creatures and fueled by cinnamon rolls and magic, Sarah Beth Durst’s The Spellshop will heal your heart and feed your soul.

A powerful reimagining of the story of Ganga, goddess of the river, and her doomed mortal son, from Vaishnavi Patel, author of the instant New York Times bestseller Kaikeyi . A mother and a son. A goddess and a prince. A curse and an oath. A river whose course will change the fate of the world. Ganga, joyful goddess of the river, serves as caretaker to the mischievous godlings who roam her banks. But when their antics incur the wrath of a powerful sage, Ganga is cursed to become mortal, bound to her human form until she fulfills the obligations of the curse. Though she knows nothing of mortal life, Ganga weds King Shantanu and becomes a queen, determined to regain her freedom no matter the cost. But in a cruel turn of fate, just as she is freed of her binding, she is forced to leave her infant son behind. Her son, prince Devavrata, unwittingly carries the legacy of Ganga’s curse. And when he makes an oath that he will never claim his father’s throne, he sets in motion a chain of events that will end in a terrible and tragic war. As the years unfold, Ganga and Devavrata are drawn together again and again, each confluence another step on a path that has been written in the stars, in this deeply moving and masterful tale of duty, destiny, and the unwavering bond between mother and son.

I have killed several people (some brutally, others calmly) and yet I currently languish in jail for a murder I did not commit. When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing. When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge, and sets about to kill every member of his family. Readers have a front row seat as Grace picks off the family one by one – and the result is as and gruesome as it is entertaining in this wickedly dark romp about class, family, love… and murder. But then Grace is imprisoned for a murder she didn’t commit. Outrageously funny, compulsive and subversive, perfect for fans of Killing Eve and My Sister, the Serial Killer.

This is a book about self-sabotage. Why we do it, when we do it, and how to stop doing it—for good. Coexisting but conflicting needs create self-sabotaging behaviors. This is why we resist efforts to change, often until they feel completely futile. But by extracting crucial insight from our most damaging habits, building emotional intelligence by better understanding our brains and bodies, releasing past experiences at a cellular level, and learning to act as our highest potential future selves, we can step out of our own way and into our potential. For centuries, the mountain has been used as a metaphor for the big challenges we face, especially ones that seem impossible to overcome. To scale our mountains, we actually have to do the deep internal work of excavating trauma, building resilience, and adjusting how we show up for the climb. In the end, it is not the mountain we master, but ourselves.