Established in 2025, the purpose of the new organization was simple: To advocate for the world's future generations and to protect all living creatures, present and future. It soon became known as the Ministry for the Future, and this is its story. From legendary science fiction author Kim Stanley Robinson comes a vision of climate change unlike any ever imagined. Told entirely through fictional eye-witness accounts, The Ministry for the Future is a masterpiece of the imagination, the story of how climate change will affect us all over the decades to come. Its setting is not a desolate, post-apocalyptic world, but a future that is almost upon us—and in which we might just overcome the extraordinary challenges we face. It is a novel both immediate and impactful, desperate and hopeful in equal measure, and it is one of the most powerful and original books on climate change ever written.

A wildly irreverent take on the coming-of-age story that turns a search for belonging into a riotous satire of identity politics Starting at a prestigious private Australian girls’ school, fifteen-year-old Ziggy Klein is confronted with an alienating social hierarchy that hurls her into the arms of her grade’s most radical feminists. Tormented by a burgeoning collection of dark, sexual fantasies, and a biological essentialist mother, Ziggy sets off on a journey of self-discovery that moves from the Sydney drag scene to the extremist underbelly of the Internet.  As PC culture collides with her friends’ morphing ideology and her parents’ kinky sex life, Ziggy’s understanding of gender, race, and class begins to warp. Ostracized at school, she seeks refuge in Donna Haraway’s seminal feminist text, A Cyborg Manifesto, and discovers an indisputable alternative identity. Or so she thinks. A controversial Indian guru, a transgender drag queen, and her own Holocaust-surviving grandmother propel Ziggy through a series of misidentifications, culminating in a date-rape revenge plot so confused, it just might work.  Uproariously funny, but written with extraordinary acuity about the intersections of gender, sexual politics, race, and technology, Inappropriation is literary satire at its best. With a deft finger on the pulse of the zeitgeist, Lexi Freiman debuts on the scene as a brilliant and fearless new talent.

Love After the End is a new young adult anthology edited by Joshua Whitehead (Lambda Literary Award winner, Jonny Appleseed) featuring short stories by Indigenous authors with Two-Spirit & Queer heroes, in utopian and dystopian settings. This is a sequel to the popular anthology, Love Beyond Body Space and Time (2019 AILA Youth Honor Book), and features several of the same authors returning, along with new voices!

A song peeled itself from Tabea’s mind, accompanying the universe’s performance. It was overflowing with discords, chaotic and seemingly random, but all together created a melody, one that felt familiar, as though it was knotting together the fibers of the universe, the same way her powers did. The powers that made her a Space Witch. Global warming has long since forced humanity to expand out into the universe, colonize other planets and encounter other sentient space-faring species, some benign, some hostile. This also brought the discovery of Space Witches – beings capable of controlling technology and energy with their minds. Due to an accident Tabea becomes the first human with such abilities which, though she keeps them secret, paints a target on her back. After a pirate attack, Tabea is separated from her ship and crew, finding herself instead in the custody of the Penyales—a species known to be hostile toward humans. But against all expectations, they ask for Tabea’s help, offering in return to find Tabea’s friends. They can’t lie—but can they be trusted?

Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.

From a powerful new voice on racial justice, an eye-opening account of growing up Black, Christian, and female in middle-class white America. Austin Channing Brown's first encounter with a racialized America came at age 7, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools, organizations, and churches, Austin writes, "I had to learn what it means to love blackness," a journey that led to a lifetime spent navigating America's racial divide as a writer, speaker and expert who helps organizations practice genuine inclusion. In a time when nearly all institutions (schools, churches, universities, businesses) claim to value "diversity" in their mission statements, I'm Still Here is a powerful account of how and why our actions so often fall short of our words. Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice, in stories that bear witness to the complexity of America's social fabric--from Black Cleveland neighborhoods to private schools in the middle-class suburbs, from prison walls to the boardrooms at majority-white organizations. For readers who have engaged with America's legacy on race through the writing of Ta-Nehisi Coates and Michael Eric Dyson, I'm Still Here is an illuminating look at how white, middle-class, Evangelicalism has participated in an era of rising racial hostility, inviting the reader to confront apathy, recognize God's ongoing work in the world, and discover how blackness--if we let it--can save us all.

With a steady boyfriend, the position of Student Council President, and a chance to go to an Ivy League college, high school life is just fine for Holland Jaeger. At least, it seems to be. But when Cece Goddard comes to school, everything changes. Cece and Holland have undeniable feelings for each other, but how will others react to their developing relationship?

The mid-seventies: at an all-boys Catholic school in Melbourne, Timothy Conigrave falls wildly and sweetly in love with the captain of the football team. So begins a relationship that weathers disapproval, separation and, ultimately death. With honesty and insight Holding the Man explores the highs and lows of any partnership, and the strength of heart both men have to find when they test positive to HIV. This is a book as refreshing and uplifting as it is moving; a funny and sad and celebratory account of growing up gay.