A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.

A queer retelling of Satan's fall that's part cozy coming of age and part fast-paced tragedy, with a little love story in between – In an eternal paradise, the most beautiful angel, Lucifer, struggles with shame, identity, and timidity, with little more than the desire to worship his creator. It isn't until the strongest angel, Michael, comes into his life that Lucifer learns to love himself. Along the way, their friendship begins to bloom into something else. Maybe the first romance in the history of everything. But this God is a jealous one, and maybe paradise is not paradise.

A queer retelling of Satan's fall that's part cozy coming of age and part fast-paced tragedy, with a little love story in between – In an eternal paradise, the most beautiful angel, Lucifer, struggles with shame, identity, and timidity, with little more than the desire to worship his creator. It isn't until the strongest angel, Michael, comes into his life that Lucifer learns to love himself. Along the way, their friendship begins to bloom into something else. Maybe the first romance in the history of everything. But this God is a jealous one, and maybe paradise is not paradise.

A woman’s mysterious death puts her husband and son on a collision course with her demonic family. A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality. For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar’s father go to protect his child? And can anyone escape their fate? Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina’s military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America’s most original novelists, “a mesmerizing writer,” says Dave Eggers, “who demands to be read.”

Guthrie was a good place to be from, but it wasn’t a great place to live, not when you were like Adam, in all the ways Adam was like Adam. Adam Binder hasn’t spoken to his brother in years, not since Bobby had him committed to a psych ward for hearing voices. When a murderous spirit possesses Bobby’s wife and disrupts the perfect life he’s built away from Oklahoma, he’s forced to ask for his little brother’s help. Adam is happy to escape the trailer park and get the chance to say I told you so, but he arrives in Denver to find the local magicians dead. It isn’t long before Adam is the spirit’s next target. To survive the confrontation, he’ll have to risk bargaining with powers he’d rather avoid, including his first love, the elf who broke his heart. The Binder brothers don’t realize that they’re unwitting pawns in a game played by immortals. Death herself wants the spirit’s head, and she’s willing to destroy their family to reap it.

Guthrie was a good place to be from, but it wasn’t a great place to live, not when you were like Adam, in all the ways Adam was like Adam. Adam Binder hasn’t spoken to his brother in years, not since Bobby had him committed to a psych ward for hearing voices. When a murderous spirit possesses Bobby’s wife and disrupts the perfect life he’s built away from Oklahoma, he’s forced to ask for his little brother’s help. Adam is happy to escape the trailer park and get the chance to say I told you so, but he arrives in Denver to find the local magicians dead. It isn’t long before Adam is the spirit’s next target. To survive the confrontation, he’ll have to risk bargaining with powers he’d rather avoid, including his first love, the elf who broke his heart. The Binder brothers don’t realize that they’re unwitting pawns in a game played by immortals. Death herself wants the spirit’s head, and she’s willing to destroy their family to reap it.

A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out , Candyman , and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out , Candyman , and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

A man confronts himself and an unknown listener with his desire to murder an old man. In this classic psychological thriller, the reader will find many more questions than answers. Even though this is one of Poe's shortest stories, nevertheless it has become one of his most highest regarded works. It is a profound and, at times, ambiguous investigation of the paranoia that may lie within the depths of one man's mind...