A historical fantasy set during the Spanish Golden Age In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family's social position. What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain's king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England's heretic queen—and Pérez will stop at nothing to regain the king's favor. Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition's wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

Alaska, 1920: a brutal place to homestead, and especially tough for recent arrivals Jack and Mabel. Childless, they are drifting apart - he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone - but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods. She hunts with a red fox at her side, skims lightly across the snow, and somehow survives alone in the Alaskan wilderness. As Jack and Mabel struggle to understand this child who could have stepped from the pages of a fairy tale, they come to love her as their own daughter. But in this beautiful, violent place, things are rarely as they appear, and what they eventually learn about Faina will transform all of them.

A chilling literary horror novel about a young couple who purchase and live in a haunted house. Jac Jemc’s The Grip of It tells the eerie story of a young couple haunted by their new home. Julie and James settle into a house in a small town outside the city where they met. The move—prompted by James’s penchant for gambling, his inability to keep his impulses in check—is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh. But this house, which sits between ocean and forest, has plans for the unsuspecting couple. As Julie and James try to settle into their home and their relationship, the house and its surrounding terrain become the locus of increasingly strange happenings. The architecture—claustrophobic, riddled with hidden rooms within rooms—becomes unrecognizable, decaying before their eyes. Stains are animated on the wall—contracting, expanding—and map themselves onto Julie’s body in the form of bruises; mold spores taint the water that James pours from the sink. Together the couple embark on a panicked search for the source of their mutual torment, a journey that mires them in the history of their peculiar neighbors and the mysterious residents who lived in the house before Julia and James. Written in creepy, potent prose, The Grip of It is an enthralling, psychologically intense novel that deals in questions of home: how we make it and how it in turn makes us, mapping itself onto bodies and the relationships we cherish.

Virginia Woolf’s pioneering novel about a time-traveling sixteenth-century nobleman who wakes up in the body of a woman, with a new foreword by Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl“A brilliant book that teaches you so much about identity and love—all these fundamental questions that we ask ourselves.” —Emma Corrin“I read this book and believed it was a hallucinogenic, interactive biography of my own life and future.” —Tilda SwintonA Penguin Classics Deluxe EditionFirst masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf’s own time. Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey—a nobleman, traveler, writer? Man or . . . woman? Written for the charismatic, bisexual writer Vita Sackville-West, Orlando is one of Woolf’s most popular and accessible novels, a playful mock biography of a chameleon-like historical figure that is both a wry commentary on gender and, in Woolf’s own words, a “writer’s holiday” that delights in its ambiguity and capriciousness.This edition is collated from all known proofs, manuscripts, and impressions to reflect the author’s intentions, and includes an introduction and notes by the distinguished scholar and coauthor of The Madwoman in the Attic Sandra M. Gibert.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

With drawings by the author Emulating Tolstoy, who frees his serfs, and Jefferson, who freed his slaves, Kurt Vonnegut bids farewell and God speed to all of the literary characters who have worked so hard for him over the years. Their unconditional liberty is the authors fiftieth birthday present to himself. Only Kilgore Trout, the science fiction writer, is told of his new freedom from the whims of the author. He has promised a Nobel Prize as compensation for the pointlessness and bitterness of his life so far. For the others, Elliot Rosewater and all the rest, the author’s birthday will seem a day like any other day. Trout’s encounter with his Creator takes place at the Midland city festival for the arts. And Trout, before he learns the astonishing truth of his own existence, tells a Midland city Pontiac dealer named Dwayne Hoover fax about the life of the Pontiac dealer that drive the Pontiac dealer insane. This book answers once and for all the question, "To what extent are human beings sacred, and to what extent are the machines?" Illustrations are by the author, including a very good drawing of an electric chair in the basement of the Shepherdstown adult correctional institution, just outside Midland City.