Award-winning cartoonist Peter Kuper transports readers through the 400-million-year history of insects and the remarkable entomologists who have studied them. This visually immersive work of graphic nonfiction dives into a world where ants, cicadas, bees, and butterflies visit a library exhibition that displays their stories and humanity’s connection to them throughout the ages. Kuper’s thrilling visual feast layers history and science, color and design, to tell the remarkable tales of dung beetles navigating by the stars, hawk-size prehistoric dragonflies hunting prey, and mosquitoes changing the course of human history. He also illuminates pioneering naturalists, from well-known figures like E. O. Wilson and Rachel Carson to unheralded luminaries like Charles Henry Turner, the Black American scholar who documented arthropod intelligence, and Maria Sybilla Merian, the seventeenth-century German regarded as the mother of entomology. Galvanized by the sixth extinction and the ongoing insect crisis, Kuper takes readers on an unforgettable journey.

Alternate cover edition for 9780802135162 This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother’s ghost has begun to visit him each evening. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria. One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting the birds of North America. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s—and his grandmother’s—in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to officially claim a new name: Nadir, an Arabic name meaning rare. As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along. Featuring Zeyn Joukhadar’s signature storytelling, The Thirty Names of Night is a timely exploration of how we all search for and ultimately embrace who we are.

A lonely, lovable, queer mountain lion narrates this star-making fever dream of a novel. A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity’s foibles, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience. When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call “ellay.” As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief. But even when salvation finally seems within reach, they are forced to face down the ultimate Do they want to eat a person, or become one? Henry Hoke’s Open Throat is a marvel of storytelling, a universal journey through a wondrous and menacing world recounted by a lovable mountain lion. Feral and vulnerable, profound and playful, Open Throat is a star-making novel that brings the mythic to life.

Alternate cover edition for 9780802135162 This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

A complete refreshment and uplift of a hilarious, beguiling first novel for the head and the heart.“It’s maybe six hundred times a day,” Sylvie says, and then she stops and the therapist tilts her head. “That I think about you,” Sylvie goes on, the word you said so quietly as to be barely audible. Sylvie is happy only when she is in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything. Her true pleasures, which include hitting a piñata so the candy falls out; her thoughts about the false hope promised by eighties music; and what a dog’s inner life is really like. She’s aware she has an obsession, but whether it’s a case of extreme transference, “erotic transference,” or a lost person’s need to connect, Sylvie isn’t sure. Beyond therapy, Sylvie has what she considers to be a small a job as a veterinary nurse, companionship from her tattooist friend via text, and her little brain-damaged dog, Curtains. One day, on the beach in her seaside town, she meets Chloe, who understands Sylvie completely. Chloe becomes her friend that day and for the rest of her life. When the therapist delivers some devastating news, Sylvie has to imagine new and lasting ways of coping (that don’t include being adopted by the therapist). Her world has begun to open up, inching beyond the pain, confusion, and fear that have confined her, and she must decide whether she’s ready for a bravery of feeling. With a lightness of touch, irresistible charm, and a rare, warm wit, Happiness Forever is one woman’s search inside—and for—herself. In this stunning debut, Adelaide Faith encapsulates the great vulnerability, difficulty, and joy of being a person and of being alive.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

The Bluest Eye is Toni Morrison's first novel, a book heralded for its richness of language and boldness of vision. Set in the author's girlhood hometown of Lorain, Ohio, it tells the story of black, eleven-year-old Pecola Breedlove. Pecola prays for her eyes to turn blue so that she will be as beautiful and beloved as all the blond, blue-eyed children in America. In the autumn of 1941, the year the marigolds in the Breedloves' garden do not bloom. Pecola's life does change—in painful, devastating ways. With its vivid evocation of the fear and loneliness at the heart of a child's yearning, and the tragedy of its fulfillment. The Bluest Eye remains one of Toni Morrison's most powerful, unforgettable novels- and a significant work of American fiction.

Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother’s ghost has begun to visit him each evening. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria. One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting the birds of North America. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s—and his grandmother’s—in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to officially claim a new name: Nadir, an Arabic name meaning rare. As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along. Featuring Zeyn Joukhadar’s signature storytelling, The Thirty Names of Night is a timely exploration of how we all search for and ultimately embrace who we are.

A complete refreshment and uplift of a hilarious, beguiling first novel for the head and the heart.“It’s maybe six hundred times a day,” Sylvie says, and then she stops and the therapist tilts her head. “That I think about you,” Sylvie goes on, the word you said so quietly as to be barely audible. Sylvie is happy only when she is in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything. Her true pleasures, which include hitting a piñata so the candy falls out; her thoughts about the false hope promised by eighties music; and what a dog’s inner life is really like. She’s aware she has an obsession, but whether it’s a case of extreme transference, “erotic transference,” or a lost person’s need to connect, Sylvie isn’t sure. Beyond therapy, Sylvie has what she considers to be a small a job as a veterinary nurse, companionship from her tattooist friend via text, and her little brain-damaged dog, Curtains. One day, on the beach in her seaside town, she meets Chloe, who understands Sylvie completely. Chloe becomes her friend that day and for the rest of her life. When the therapist delivers some devastating news, Sylvie has to imagine new and lasting ways of coping (that don’t include being adopted by the therapist). Her world has begun to open up, inching beyond the pain, confusion, and fear that have confined her, and she must decide whether she’s ready for a bravery of feeling. With a lightness of touch, irresistible charm, and a rare, warm wit, Happiness Forever is one woman’s search inside—and for—herself. In this stunning debut, Adelaide Faith encapsulates the great vulnerability, difficulty, and joy of being a person and of being alive.

The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos. From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe. But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened? A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.