To Felicity, my steadfast architect, whose vision shapes not only skylines but the very foundations of my heart. Your ambition is a beacon, your resilience a testament, and your love, the most exquisite structure I’ve ever known. You build worlds within my soul, and for that, I am eternally grateful. To Farah, my brilliant legal mind, whose sharp wit and unwavering integrity cut through any doubt. You champion the truth with a ferocity that inspires, and in the quiet moments, your tenderness is my greatest sanctuary. You fight for justice in the world, and in my heart, you have already won. To the fierce, ambitious women who dare to build their empires and love with unapologetic passion. May your careers soar and your hearts find the deepest, most fulfilling connections. This story is a tribute to the unyielding strength and breathtaking vulnerability that resides within you. And to every woman who has ever found love, support, and a fierce, unwavering partnership with another woman. May your stories be told, celebrated, and lived with boundless joy and unwavering passion. May our shared dreams illuminate the path forward, and may our love be the enduring compass that guides us through every triumph and every challenge, forging a future as beautiful and strong as the bonds we share.

At Grimrose Académie, the fairy-tale deaths continue. And unless the curse is broken, one of the girls could be next. Nani, Yuki, Ella, and Rory have discovered the truth about the curse that's left a trail of dead bodies at Grimrose. But the four still know nothing of its origins, or how to stop the cycle of doomed fates. Each girl harbors her own secret. One is learning why she was brought to the school. One struggles to keep her new and deadly power under control. One knows exactly how much time she has left. And one, trying to escape her dark destiny, will come even closer to fulfilling it. Can the girls change their own stories and break the curse? Or must one of them die to end it forever?

The Book of Lost Tales 2 (The History of Middle-Earth, Vol. 2)viii, 391 pp. "The Book of Lost Tales was the first major work of imagination by J.R.R. Tolkien, begun in 1916, when he was twenty-five years old, and left incomplete several years later. It stands at the beginning of the entire conception of Middle-earth and Valinor, for the Lost Tales were the first form of the myths and legends that came to be called The Silmarillion. Embedded in English legend and association, they are set in the narrative frame of the great westward voyage of a mariner named Eriel (or AElfwine). His destination is Tol Eressea, the Lonely Isle where Elves dwell; from them he learns their true history, the Lost Tales of Elfinesse. The Tales include the earliest accounts of Gods and Elves, Dwarves, Balrogs, and Orcs; of the Silmarils and the Two Trees of Valinor; of Nargothrond and Gondolin; of the geography and cosmography of their invented world. The Book of Lost Tales is published in two volumes. The first contains the Tales of Valinor; and this second past includes Beren and Luthien, Turin and the Dragon, and the only full narratives of the Necklace of the Dwarves and the Fall of Gondolin. Each tale is followed by a commentary, together with associated poems, and each volume contains extensive information on names and vocabulary of the earliest Elvish languages. Additional books in this series will extend the history of Middle-earth as it was refined and enlarged in later years and will include the long Lays of Beleriand, the Ambarkanta or Shape of the World, the Lhammas or Account of Tongues, annals, maps, and many other previously unpublished writings of J.R.R. Tolkien."Keywords: FANTASY SCIENCE FICTION HISTORY MIDDLE EARTH JRR TOLKIEN BOOK OF LOST TALES

Detective Jo Shaw has it all worked out. She’s good at her job, she has loads of mates, and she likes being single. She doesn’t need complications, but an emergency call to the stabbing of a young woman brings plenty of those. Jo has to risk her career to save the woman’s life, and a bad night gets worse when the trauma surgeon turns out to be Isla Munro, Jo’s only real love, who walked out on her fifteen years ago and never came back. With the victim’s children missing and the husband the prime suspect, Jo’s investigation is stonewalled by a community living in fear. As one dead end leads to another, she and Isla are forced to put their differences aside and work together. But the case is far more dangerous than Jo realizes, and her determination to sort the truth from the lies may put her own life on the line.

While investigating police brutality and corruption in 1970s Detroit, journalist Elena Abbott uncovers supernatural forces being controlled by a secret society of the city’s elite. In the uncertain social and political climate of 1972 Detroit, hard-nosed, chain-smoking tabloid reporter Elena Abbott investigates a series of grisly crimes that the police have ignored. Crimes she knows to be the work of dark occult forces. Forces that took her husband from her. Forces she has sworn to destroy. Hugo Award-nominated novelist Saladin Ahmed ( Star Canto Bight, Black Bolt ) and artist Sami Kivelä ( Beautiful Canvas ) present one woman's search for the truth that destroyed her family amidst an exploration of the systemic societal constructs that haunt our country to this day.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.