As crises mount and multiply, governments fail to respond or exacerbate the problems. What are we to do? Mutual Aid is a radical handbook for anyone who grasps the severity of the global poly-crisis and wants a community-based means to fight back. Dean Spade — lawyer, academic, writer, and activist — highlights the bold and innovative ways ordinary people have developed to share resources and care for those in crisis. Mutual aid isn’t charity. It is a form of organizing integral to all influential and successful social movements. Spade offers practical tools and advice to help with the challenges of working in groups, forming a decision-making process, and preventing and addressing conflict.

You hear that selling sex is degrading; you hear that no one would ever choose to do it; you hear that it's dangerous; that women get abused and killed. You often hear, "There should be a law against it!" Or, perhaps just against the buyers. What do sex workers want? That's not something you hear asked very often. In this accessible manifesto, the strong argument for full decriminalization of sex work is explored through personal experience and looking at laws around the world. In some places, like New York, selling sex is illegal. In others, like Sweden, only buying it is. In some, like the UK and France, it's legal to sell sex and to buy it, but not to run a brothel or solicit a sale. In New Zealand, it's not illegal at all. In What Do Sex Workers Want?, Juno Mac and Molly Smith - both sex workers - explain what each of these laws do in practice to those doing the work. Addressing each model in turn, they show that prohibiting the sex industry actually exacerbates every harm that sex workers are vulnerable to.

A captivating exploration of climate change, through the lens of nine different emotions, to better understand the science, history, and future of our changing planet Dr. Kate Marvel is a renowned climate scientist and researcher whose work on climate change led her to grapple with strong, complicated emotions. Initially, she resisted those feelings, afraid they would interfere with her objective scientific judgement. But over time she realized that there is no one way to think—or feel—about climate change. To live on and care for our changing planet, we need to embrace the full spectrum of human emotion. That’s why she’s written Human Nature, the story of climate change told through nine different emotions. As Marvel argues, we need every emotion we can muster if we’re going to counter the usual myopic perspectives on climate change and care enough to make better decisions. And this book is a dazzling call to care. In Human Nature, each chapter uses a different emotion to illustrate the science behind our changing climate. We feel the wonder of being able to use climate models to predict the future. We feel anger at those who have knowingly destroyed the planet for profit. We feel love for our beautiful Earth, the only good planet. With Marvel as our guide, we get to feel it all—and we can begin to turn our strong feelings into strong action. Human Nature is a remarkable, hopeful look at climate science that prioritizes feelings—and in doing so charts a path forward for life together in our swiftly evolving world.

"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." WIth an introduction by Christopher Bigsby. (back cover)

The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story. Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living. As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live. Thurber Prize-winner and NYTimes bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.

From the author of Utopia For Realists, a revolutionary argument that the innate goodness and cooperation of human beings has been the greatest factor in our success If one basic principle has served as the bedrock of bestselling author Rutger Bregman's thinking, it is that every progressive idea -- whether it was the abolition of slavery, the advent of democracy, women's suffrage, or the ratification of marriage equality -- was once considered radical and dangerous by the mainstream opinion of its time. With Humankind, he brings that mentality to bear against one of our most entrenched ideas: namely, that human beings are by nature selfish and self-interested. By providing a new historical perspective of the last 200,000 years of human history, Bregman sets out to prove that we are in fact evolutionarily wired for cooperation rather than competition, and that our instinct to trust each other has a firm evolutionary basis going back to the beginning of Homo sapiens. Bregman systematically debunks our understanding of the Milgram electrical-shock experiment, the Zimbardo prison experiment, and the Kitty Genovese "bystander effect." In place of these, he offers little-known true stories: the tale of twin brothers on opposing sides of apartheid in South Africa who came together with Nelson Mandela to create peace; a group of six shipwrecked children who survived for a year and a half on a deserted island by working together; a study done after World War II that found that as few as 15% of American soldiers were actually capable of firing at the enemy. The ultimate goal of Humankind is to demonstrate that while neither capitalism nor communism has on its own been proven to be a workable social system, there is a third option: giving "citizens and professionals the means (left) to make their own choices (right)." Reorienting our thinking toward positive and high expectations of our fellow man, Bregman argues, will reap lasting success. Bregman presents this idea with his signature wit and frankness, once again making history, social science and economic theory accessible and enjoyable for lay readers.

The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story. Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living. As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live. Thurber Prize-winner and NYTimes bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.

This volume reproduces the 1932 Modern Library edition, for which Bennett A. Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there, lurked several rogue androids. Deckard's assignment--find them and then..."retire" them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

“I’ve arrived in London without incident. There are few triumphs in my recent life, but I count this as one. My existence of the last three years has been nothing but incident.” The Year is 1883 and Emma M. Lion has returned to her London neighborhood of St. Crispian’s. But Emma’s plans for a charmed and studious life are sabotaged by her eccentric Cousin Archibald, her formidable Aunt Eugenia, and the slightly odd denizens of St. Crispian’s. Emma M. Lion offers up her Unselected Journals, however self-incriminating they may be, which comprise a series of novella-length volumes. Armed with wit and a sideways amusement, Emma documents the curious realities of her life at Lapis Lazuli House.

From Theo Baker, winner of the George Polk Award for his investigation that brought down Stanford's president, comes a revelatory and gripping account of Silicon Valley hubris. Slush funds. Shell companies. Yacht parties. This is life for Silicon Valley’s favored teenagers. Seventeen-year-old Theo Baker showed up for freshman year at Stanford University as a tech-obsessed coder. It seemed like paradise. There were Rodin sculptures next to nuclear laboratories and inventors lounging with Olympians. But Baker soon discovered a culture that embraced corner-cutting, that vested infinite excess and access in the hands of kids with few safeguards to catch bad behavior. Stanford, he realized, was less a school than a business. Its annual budget was nearly twice that of Harvard or Yale and higher than those of 116 countries. The product? Students. Especially those special few identified as the next trillion-dollar startup founders. For them, there were secret societies, “pre-idea” funding offers, and social calls from billionaires, all with the expectation that these geniuses would soon join the ruling elite. At the helm of this business was Marc Tessier-Lavigne, a superstar neuroscientist and wealthy biotech executive. But when Baker joined the student newspaper and started poking around the Stanford president’s record, he discovered never-reported allegations of research misconduct in studies published across two decades bearing Tessier-Lavigne's name. Only one month into college and thousands of miles from home, Baker began receiving anonymous letters, going on stakeouts, and tracking down confidential sources. High-powered lawyers and public relations teams were hired to attack his reporting. Stanford opened an investigation into its own leader. And by the end of the year, Tessier-Lavigne was out as president. This is the incredible journey of a reluctant teenage reporter who uncovered a story that shook the scientific world and became front-page news across the country. It is also an unprecedented inside view of the students learning to rule the world—and what they’re learning from those who already do. How to Rule the World is a shocking, hilarious, and moving debut, showcasing Silicon Valley’s training ground as never before.

“I’ve arrived in London without incident. There are few triumphs in my recent life, but I count this as one. My existence of the last three years has been nothing but incident.” The Year is 1883 and Emma M. Lion has returned to her London neighborhood of St. Crispian’s. But Emma’s plans for a charmed and studious life are sabotaged by her eccentric Cousin Archibald, her formidable Aunt Eugenia, and the slightly odd denizens of St. Crispian’s. Emma M. Lion offers up her Unselected Journals, however self-incriminating they may be, which comprise a series of novella-length volumes. Armed with wit and a sideways amusement, Emma documents the curious realities of her life at Lapis Lazuli House.

A lush tale of deadly court intrigue and a modern classic of fantasy by Locus award winner and Hugo, Nebula, and World Fantasy Award finalist Katherine Addison The youngest, half-goblin son of the Emperor has lived his entire life in exile, distant from the Imperial Court and the deadly intrigue that suffuses it. But when his father and three half brothers in line for the throne are killed in an "accident," he has no choice but to take his place as the only surviving rightful heir. Entirely unschooled in the art of court politics, he has no friends, no advisors, and the sure knowledge that whoever assassinated his father and brothers could make an attempt on his life at any moment. Surrounded by sycophants eager to curry favor with the naïve new emperor, and overwhelmed by the burdens of his new life, he can trust nobody. Amid the swirl of plots to depose him, offers of arranged marriages, and the specter of the unknown conspirators who lurk in the shadows, he must quickly adjust to life as the Goblin Emperor. All the while, he is alone, and trying to find even a single friend . . . and hoping for the possibility of romance, yet also vigilant against the unseen enemies that threaten him, lest he lose his throne–or his life.

In the canton of Yarrowdale, at the very edge of the Empire's reach, an impossible crime has occurred. A Treasury officer has disappeared into thin air-somehow abducted from his quarters while the door and windows remained locked from the inside, in a building whose entrances and exits are all under constant guard. To solve the case, the Empire calls on its most brilliant and mercurial investigator, the great Ana Dolabra. At her side, as always, is her bemused assistant Dinios Kol. Before long, Ana's discovered that they're not investigating a disappearance, but a murder-and that the killing was just the first chess move by a thief who seems to be able to pass through warded doors like a ghost, and who can predict every one of Ana's moves as though they can see the future. Worse still, the killer seems to be targeting the high-security compound known as the Shroud. Here, the Empire's most brilliant minds dissect fallen Titans to harness the volatile magic found in their blood. Should it fall, the destruction will be terrible indeed--and the Empire itself will grind to a halt, robbed of the magic that allows its wheels of power to turn. Din has seen Ana solve impossible cases before. But this time, with the stakes higher than ever and Ana seemingly a step behind their adversary at every turn, he fears that his brilliant superior has met an enemy she can't defeat.

Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it. Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is. Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.