An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season. Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation—leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won’t soon forget.

A young girl clings fiercely to the damaged love of her mother—a taciturn farmworker cast out by her family and scorned by her village after giving birth out of wedlock—in this devastating and lyrically rendered novel from a French-Italian maverick.Marie lives with her mother, Genie, in a ramshackle house by a willow-lined river in rural France, among farms, vineyards, and wheatfields. Her grandparents’ house is nearby, beyond a hill of white sand overrun by foxes, but she and her mother are not welcome there. Every morning, Genie walks to the neighboring farms and houses to do what work there is to be done—pruning vines, husking corn, feeding livestock, making sausages and preserves. When farmers and villagers greet the woman, she says nothing, and keeps walking.Once, she was lighthearted, a lovely girl from one of the best families in the valley; but now they all call her “Crazy Genie.” While her mother works, Marie waits at the edge of the fields, or in the corners of dark kitchens, yearning for her mother to turn from her work and notice her; longing for the moment when they will be back in their lonely house by the river.  “I wanted to love her every minute of my life, so that she would want me,” Marie thinks. “I followed her everywhere. She would ‘Get out of my hair.’ But me, I wanted to love her, to always be near her.”Crazy Genie, told in Marie’s ingenuous, straightforward voice—first as a child and later as hopeful, emotionally wounded young woman—is the second novel by the French author Inès Cagnati, who grew up in poverty in rural France in the 1940s, the child of Italian immigrant agricultural workers. Rich in observation, color and detail, and devastating in its portrayal of a child’s unconditional love and of society’s callous prejudices, Crazy Genie won the Prix des Deux Magots in 1977. Her first novel, Free Day, won the Prix Roger Nimier in 1973. Together these books cement Cagnati’s astonishing power as a writer to convey the experience of people literature has overlooked, awakening compassion and giving a voice to the voiceless.

The big-hearted, bestselling South Korean memoir co-written by two best friends flouting gender norms and societal expectations with their decision to grow old together under one roof. When most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence—savoring solitude, quiet mornings, and the unmitigated freedom of living alone. But in their forties, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical to buy a home and live together—not as lovers, not as roommates, but as chosen family. Now a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence and the unexpected rewards of compromise when you’ve grown set in your ways. From sick days to career wins to aging parents and beach-side retirement plans, they are redefining domestic bliss on their own terms, where love, partnership, and home are defined not by tradition, but by choice. With warmth, wit, and sharp social insight, Hana and Sunwoo share their blueprint for building a life outside the scripts of marriage and society’s expectations for women. Two Women Living Together is a quiet revolution—a celebration of female friendship, community, and the many forms that love and family can take.

A decade-spanning love story from an author who is “the missing link between Jane Austen and John Updike” (The Independent)Haunted by unspoken tensions and stifled ardor, two lovers navigate shifting expectations and societal changes in inter-war England. The mid-twentieth century British novelist Elizabeth Taylor numbered among her admirers Elizabeth Bowen, Ivy Compton-Burnett, and Kingsley Amis. She also regularly published stories in The New Yorker for close to two decades. For all that, her work, as steely as it is delicate, remains the secret of a small number of intensely devoted readers.The publication of her finest novel, A Game of Hide and Seek, long unavailable in the United States, should help to change that. This is an unabashed love story, capturing all the uncertainty and inevitability and deceptiveness of true love, tracking the shifting currents of emotional life, and never yielding to melodrama. Set in Britain between the wars—a time of transition between old convention and new ways—the book’s heroine is Harriet, the only child of a suffragette, whom we meet as a shy and domestic and not especially smart or pretty girl. At eighteen she falls in love with Vesey, but after Vesey must go away, she marries another man, Charles, and bears a child. Then Vesey returns.Love is at the center of the book, but so too is Taylor’s extraordinary knack for depicting characters. The minor figures in the book—from Harriet’s mother’s friend Caroline, with her progressive politics, to Charles, his coworkers, and his mother, to Betsy with her schoolgirl crush on her Greek teacher—are as memorable as the passion and heartache of Harriet and Vesey.

A poignant coming-of-age novel set in a Welsh mining town, Richard Llewellyn's How Green Was My Valley is a paean to a more innocent age, published in Penguin Modern Classics Growing up in a mining community in rural South Wales, Huw Morgan is taught many harsh lessons - at the kitchen table, at Chapel and around the pit-head. Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world. Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and Noose If you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics. 'Vivid, eloquent, poetical, glowing with an inner flame of emotion'The Times Literary Supplement

A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).

Demigods Nico di Angelo and Will Solace must endure the terrors of Tartarus to rescue an old friend in this thrilling adventure co-written by New York Times #1 best-selling author Rick Riordan and award-winning author Mark Oshiro. As the son of Hades, Nico di Angelo has been through so much, from the premature deaths of his mother and sister, to being outed against his will, to losing his friend Jason during the trials of Apollo. But there is a ray of sunshine in his life–literally: his boyfriend, Will Solace, the son of Apollo. Together the two demigods can overcome any obstacle or foe. At least, that’s been the case so far... Now Nico is being plagued by a voice calling out to him from Tartarus, the lowest part of the Underworld. He thinks he knows who it is: a reformed Titan named Bob whom Percy and Annabeth had to leave behind when they escaped Hades’s realm. Nico’s dreams and Rachel Dare’s latest prophecy leave little doubt in Nico’s mind that Bob is in some kind of trouble. Nico has to go on this quest, whether Mr. D and Chiron like it or not. And of course Will insists on coming with. But can a being made of light survive in the darkest part of the world? and what does the prophecy mean that Nico will have to “leave something of equal value behind?” Nico will have to face demons both internal and external as his relationship with Will is tested to the core in this standalone adventure featuring two of the most popular characters in the Percy Jackson saga.

Eszter Encsy, a now accomplished actress, finds herself thinking about her impoverished and frustrating childhood and path to accomplishment as she hears news of an old childhood acquaintance. She engages in a series of internal monologues, delving into the depths of the humiliation, isolation, poverty, social and emotional exclusion and despair she has experienced, desperately attempting to unearth and comprehend all of her experiences. At first she recalls them with a disturbing calmness and an indifferent detachment, outwardly remaining unperturbed and icy, but soon finds her manner of speaking and her demeanor slowly changing as it becomes more and more difficult for Eszter to choke down the intense feeling of hatred and resentment she has been allowing to quietly ferment for years. It is a composed, restrained feeling of hatred which is always with her, but breaks out on only a few occasions, and which now begins to contaminate her entire life like a deadly poison.