Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

Now that all the others have run out of air, it's my turn to do a little story-making. In Homer's account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan War after the abduction of Helen, Penelope manages, in the face of scandalous rumors, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters, and sleeping with goddesses, he kills her suitors and—curiously—twelve of her maids. In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged maids, asking: "What led to the hanging of the maids, and what was Penelope really up to?" In Atwood's dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the story-telling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.

A searing examination of male friendship and the broader social implications of masculinity in an age of toxic loneliness In a small town in North America, two boys, or men, embark on a vaguely charted road trip through the northern wilderness with little more than canned food and secondhand camping gear—and the rifle they buy on their way out of town for reasons neither seems able to articulate. The more they handle the gun, and the farther they get from their parents’ houses and their peers, girlfriends and online gaming, the grim future that awaits them in their nowhere town, the less their actions—and the games, literal and metaphorical, they play—are bound by the usual constraints. When Adam decides to harass a young couple they meet on the highway, the outcome is irreversible, and leads them even further down a road from which there’s no turning back. A searing examination of male friendship and the broader social implications of masculinity in an age of toxic loneliness, The Passenger Seat introduces Vijay Khurana as an powerful new voice in fiction.

"Wonderfully ambitious.... Flournoy explores the complexity of friendship, family, and home in a voice that is expansive yet intimate, humorous yet devastating. I loved this book." — Brit Bennett, author of The Vanishing Half and The Mothers An era-defining novel about five Black women over the course of their twenty-year friendship, as they move through the dizzying and sometimes precarious period between young adulthood and midlife—in the much-anticipated second book from National Book Award finalist Angela Flournoy. Desiree, Danielle, January, Monique, and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood, and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood—overwhelming, mysterious, and full of freedom and consequences—swoops in and stays. Desiree and Danielle, sisters whose shared history has done little to prevent their estrangement, nurse bitter family wounds in different ways. January’s got a relationship with a “good” man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000’s into the late 2020’s, from young adults to grown women, they must figure out what they mean to one another—amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life. The Wilderness is Angela Flournoy’s masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.

From Booker Prize finalist David Szalay, a propulsive, hypnotic novel, about a man whose future is derailed by a series of events that he is unable to control.Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead. What follows is a rocky trajectory that sees István emigrate from Hungary to London, where he moves from job to job before finding steady work as a driver for London’s billionaire class. At each juncture, his life is affected by the goodwill or self-interest of strangers. Through it all, István is a calm, detached observer of his own life, and through his eyes we experience a tragic twist on an immigrant “success story,” brightened by moments of sensitivity, softness, and Szalay’s keen observation. Fast-paced and immersive, Flesh reveals István’s life through intimate moments, with lovers, employers, and family members, charted over the course of decades. As the story unfolds, the tension between what is seen and unseen, what can and cannot be said, hurtles forward until finally—with everything at stake—sudden tragedy again throws life as István knows it in jeopardy. Spare and penetrating, Flesh traces the imperceptible but indelible contours of unresolved trauma and its aftermath amid the precarity and violence of an ever-globalizing Europe with incisive insight, unyielding pathos, and startling humanity.

A grumpy yet loveable man finds his solitary world turned on its head when a boisterous young family moves in next door. Meet Ove. He's a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn't walk around with a smile plastered to his face all the time?Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove's mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents' association to their very foundations.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

Katarina Bishop and W.W. Hale the fifth were born to lead completely different lives: Kat comes from a long, proud line of loveable criminal masterminds, while Hale is the son of one of the most seemingly perfect dynasties in the world. If their families have one thing in common, it's that they both know how to stay under the radar while getting-or stealing-whatever they want. No matter the risk, the Bishops can always be counted on, but in Hale's family, all bets are off when money is on the line. When Hale unexpectedly inherits his grandmother's billion dollar corporation, he quickly learns that there's no place for Kat and their old heists in his new role. But Kat won't let him go that easily, especially after she gets tipped off that his grandmother's will might have been altered in an elaborate con to steal the company's fortune. Forced to keep a level head as she and her crew fight for one of their own, Kat comes up with an ambitious and far-reaching plan that only the Bishop family would dare attempt. To pull it off, Kat is prepared to do the impossible, but first, she has to decide if she's willing to save her boyfriend's company if it means losing the boy.