Named one of the best art books of 2008 by The New York Times and The Sunday Times [London]: “An indelible portrait of a peculiar society.”—Vogue The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture. 8 illustrations.

Everyone is originally from Africa, and this book is therefore for everyone. For too long, Africa's history has been neglected. Dominated by western narratives of slavery and colonialism, its past has been fragmented, overlooked and denied its rightful place in our global story. Now, Zeinab Badawi guides us through Africa's spectacular history, from the origins of humanity, through ancient civilisations and medieval empires with powerful queens and kings, to the miseries of conquest and the elation of independence. Seeking out occluded histories from across the continent, meeting with countless historians, anthropologists, archaeologists and local storytellers, and travelling through more than thirty countries, Badawi weaves together a fascinating new account of an epic, sweeping history of the oldest inhabited continent on the planet, told through the voices of Africans themselves.

A radiant novel of longing that blooms between two boys over the course of one summer—about family, desire, and what we inherit—from celebrated author Tash Aw. When his grandfather dies, a boy named Jay travels south with his family to the property he left them, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Still, Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the local son of the farm’s manager, different from him in every way except for one. Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members confront their own regrets, and begin to drift apart. Like the land around them, they are powerless to resist the global forces that threaten to render their lives obsolete. At once sweeping and intimate, The South is a story of what happens when private and public lives collide. It is the first in a quartet of novels that form Tash Aw’s masterful portrait of a family navigating a period of great change—a reimagined epic for our times.

The Book-Makers is a celebration of 550 years of the printed book, told through the lives of eighteen extraordinary men and women who took the book in radical new printers and binders, publishers and artists, paper-makers and library founders. This is a story of skill, craft, mess, cunning, triumph, improvisation, and error.

A powerful, surreal novel, in the tradition of Gogol, about the chaotic events surrounding the arrival of a circus in a small Hungarian town. The Melancholy of Resistance, László Krasznahorkai's magisterial novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender center of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, "is a slow lava flow of narrative, a vast black river of type." And yet, miraculously, the novel, in the words of The Guardian, "lifts the reader along in lunar leaps and bounds."

A powerful, surreal novel, in the tradition of Gogol, about the chaotic events surrounding the arrival of a circus in a small Hungarian town. The Melancholy of Resistance, László Krasznahorkai's magisterial novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender center of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, "is a slow lava flow of narrative, a vast black river of type." And yet, miraculously, the novel, in the words of The Guardian, "lifts the reader along in lunar leaps and bounds."

A poignant collection of short pieces about the author's hometown, St. Petersburg, Russia, and the siege of Leningrad that combines memoir, history, and fiction. The prolonged German siege of Leningrad during the Second World War was among the most destructive sieges in history, leading to mass starvation and well over a million deaths. The contemporary Russian poet and scholar Polina Barskova, born in Leningrad, has done extensive research on the siege in archives in St. Petersburg, research that has borne fruit in Living Pictures, an extraordinary dramatization of life under the most extreme of circumstances. In the remarkable title piece of the collection, set in the winter of 1941 and 1942, Mosej and Antonina, a young couple who work in the Hermitage, refuse to take shelter underground, remaining instead in the grand galleries of the palatial museum. Their experience begins almost as a lark, as they recite poetry, perform tableaux vivants based on Rembrandt paintings, and retell the story of the Snow Queen. Inevitably, however, cold and hunger take over, and as they do the two characters fall silent, or rather, their imagined voices are replaced by documented voices of the siege, as if the reader had tuned into a ghostly radio channel. Living Pictures is an uncanny and poignant masterpiece in which Barskova brilliantly explores the vertiginous divide between individual suffering and recorded history.

This tale of romantic obsession chronicles two relationships that take place in disparate worlds, separated by 500 years. The story of failed saint Margery Kempe's physical passion for Jesus mirrors the tale of the narrator's adoration of a young man.

How do we talk about porn? Why it is that when we do talk about porn, we tend to retreat into the abstract? How do we have meaningful conversations about it with those closest to us? In Porn: An Oral History, her extraordinary second book, Polly Barton interrogates the absence of discussion around a topic that is ubiquitous and influences our daily lives. In her search for understanding, she spent a year initiating intimate conversations with twenty acquaintances of a range of ages, genders and sexualities about everything and anything related to porn: watching habits, emotions and feelings of guilt, embarrassment, disgust and shame, fantasy and desire. Soon, unfolding before her, was exactly the book that she had been longing to encounter - not a traditional history, but the raw, honest truth about what we aren't saying. A landmark work of oral history written in the spirit of Nell Dunn, Porn is a thrilling, thought-provoking, revelatory, revealing, joyfully informative and informal exploration of a subject that has always retained an element of the taboo.

What does it mean to lose yourself – and is that something you should be aiming for? A young woman with little interest in games takes up a job in Frankfurt at a famous gaming company, naively set on reinvention. On her morning commute, in the familiar clutches of tedium and self-loathing, she encounters a nice-eyed stranger who returns her forgotten umbrella and finds herself catapulted into a dizzying, year-long whirlwind of obsession – not just with this endlessly attractive spectre, but also with the feverish karaoke trips from which she draws the ultimate solace. With astonishing existential acuity, Polly Barton's formidable debut novel renders the paradoxes of modern life in all its complexity, in deliriously self-conscious prose that is at once propulsive, titillating and bitingly funny. Echoing with the sounds of Whitney Houston and The Cure, reaching for the sublime in dark, sweaty boxes, What Am I, A Deer? is an exhilarating exploration of authenticity, fantasy, romance and intoxication. 

For the readers of A Civil Action, The Emperor of all Maladies and The Immortal Life of Henrietta Lacks; Toms River melds hard-hitting investigative reporting, a ripping scientific detective story, deep historical research and an unforgettable cast of characters into a riveting narrative that will leave readers asking, could it happen in my town, too? On a cool September day in 1971, an independent trucker with a history of legal scrapes flung open the double doors of his eighteen-wheeler and began tossing leaky drums of industrial waste onto the sandy soil of a rundown chicken farm in Toms River, New Jersey. Eight years later, a schoolteacher who lived four miles away gave birth to a boy whose cherubic smile belied the fast growing tumors that soon riddled his face and chest. The doctors predicted he would not reach his first birthday. They were wrong, but that was only one of many surprises that would eventually come to light in Toms River, culminating in 2001 with a record legal settlement believed to top $35 million and an unprecedented government study confirming the existence of a long-suspected cluster of childhood cancer linked to polluted water and air. A detective story rooted in a scientific quest thousands of years old, Toms River is a tale of dumpers at midnight and deceptions in broad daylight, of corporate avarice and government neglect, and of a few brave individuals who would not keep silent.

Across the Third World, people grew up reading inexpensive, beautifully-produced books from the Soviet Union – children’s books, classics of world literature, books on science and mathematics, and works of Marxist theory. The first half of The East Was Read is an homage to the lost world Soviet books. Wang Chaohua and Pankaj Mishra recall with fondness the meaning of these books for their very different lives in China and in India respectively. Deepa Bhasthi goes on an emotional journey into the library of her grandfather, a communist intellectual. Rossen Djagalov writes a short history of Progress Publishers. Ngũgĩ wa Thiong’o talks about how he wrote Petals of Blood in Yalta on the sidelines of the Afro-Asian Writers’ Association in 1973. Sumayya Kassamali writes about Faiz in Beirut, giving us a sense of the cultural worlds that drew in both the Soviet Union and the Third World Project.

John Green, the #1 bestselling author of The Anthropocene Reviewed and a passionate advocate for global healthcare reform, tells a deeply human story illuminating the fight against the world’s deadliest disease. Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is a disease of poverty that walks the trails of injustice and inequity we blazed for it. In 2019, John Green met Henry, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone while traveling with Partners in Health. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal and dynamic advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, treatable infectious disease to also be the deadliest, killing 1.5 million people every year. In Everything is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world and how our choices will shape the future of tuberculosis.

Basing her analysis on explosive little-known facts, Shiva exposes the model of philanthrocapitalism, which is about deploying unaccountable money to bypass democratic structures, derail diversity, and impose totalitarian ideas, based on One Science, One Agriculture and One History, She calls for a resurgence of real knowledge..so that people can reclaim their right to Live Free, Think Free, Breathe Free, Eat Free.

An award-winning writer and illustrator follows the story of her grandfather’s involvement in a freewheeling group of Jewish revolutionaries to question whether the world was ready for their vision of multiracial solidarity—and whether we are today.Molly Crabapple first discovered the story of the Jewish Bund when her mother showed her a trove of her grandfather's old paintings and letters. Sam Rothman was a rough-and-tumble kid who worked at a tannery deep in the Pale of Settlement in 19th century Russia. He discovered that he was an artist--a brilliant interpreter of life in his Jewish village--and soon after that he was a revolutionary, enlisted in the strikes, street fights, and study groups of the Jewish Bund. Molly saw herself not just in his career but in his revolutionary inclinations--Molly spent much of her life in revolutionary enclaves around the world, marching in the streets and dancing till morning. In the Bund, she discovered a movement of artists, philosophers, working people, and street fighters who had a utopian vision for the world. As Jews--a people always on the margins--they understood themselves as a people who needed special protection. But as Marxist revolutionaries, they also saw themselves as part of an international solidarity that rejected all forms of ethnonationalism. They fought for this vision in the parlors, cafes, battlefields and prison camps. Their ideas sparked the Russian Revolution, which soon swept them aside. They fought with the emerging nationalist movements sweeping Europe. And they battled Zionists over the destiny of the Jewish people, believing that Jews could never find peace by becoming colonizers themselves. Their last stand was against the Nazis--they led the largest Jewish resistance movement, culminating in the Warsaw Ghetto Uprising, a dramatic and tragic climax to their story. In retelling the history of the Bund and its extraordinary cast of characters during one of the most politically and culturally vibrant moments in European history, Molly is also exploring her own revolutionary life. Her narration is tinged with an almost desperate need to understand whether the Bund failed because their idea was unworkable--or if the world failed the Bund, whose movement could've saved us from the violence of Russian Communism, Nazism, and Zionism. This dynamic, tragic story, is driven by that urgent question--and offers a new lens through which to see our contemporary struggles for solidarity in the face of tribalism.

FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that confronts historical traumas and exposes the fragility of human life.”—from the Nobel Prize citation “Unforgettable . . . a disquietingly beautiful novel about the impossibility of waking up from the nightmare of history.”—Hernan Diaz Han Kang’s most revelatory book since The Vegetarian, We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter of Korean history. One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness that awaits her at her friend's house. Blurring the boundaries between dream and reality, We Do Not Part powerfully illuminates a forgotten chapter in Korean history, buried for decades—bringing to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable violence—and a celebration of life, however fragile it might be.