When Lucy's sister Phyllida suggests that she join her for a quiet holiday on the island of Corfu, Lucy is overjoyed. Her work as an actress has temporarily come to a halt. But the peaceful idyll does not last long. A series of incidents, seemingly unconnected - but all surrounded in mystery - throws Lucy's life into a dangerous spin, as fear, danger and death - as well as romance - supplant the former tranquillity.

Thirteen stolen works of art. One haunted marsh. And a Boston witch willing to risk everything for the friend she’s already failed. An atmospheric, eerie debut for readers of Starling House and A Discovery of Witches, Isabella Stewart Gardner art heist aficionados, witchy girls, burnt-out former gifted kids, New England history buffs, the coven curious, ride-or-die friends, folklore fanatics, and anyone who’s ever wanted to wander through the looking glass. Once, Maeve Ryan was the strongest witch of her generation. But Maeve messed up a spell to contact the Lady of the Fens, an eerie Revenant who lures the unwary to their deaths in the brackish marshlands of the North Shore. Maeve destroyed her reputation, hurt her best friend Ash, and tainted herself with unbound, wild magic that transforms witches into insane Revenants. With unbound power eating away at Maeve’s mind, all she wants is to get rid of her magic. Forever. But Ash’s research into how the spell went awry leads in an unexpected direction: the Isabella Stewart Gardner Museum, and a link between the Lady and a decades-old art theft worth $500 million. When Ash disappears through a stolen painting’s empty frame, Maeve has to follow. Inside is the Other Marsh, a haunting, deadly realm where only the Lady’s rules apply. Within this half-world lie secrets about North Shore’s history, Maeve’s failure, and the fate of the masterpieces that disappeared over three decades ago. But as Maeve fights toward the truth, she risks her friendship, her coven, and her life against enemies hiding in plain sight.

New York Times bestselling author T. Kingfisher returns to the cozy fantasy world of Swordheart in this deliciously charming sequel. Four hundred years ago, three warriors were trapped inside enchanted swords, cursed to be immortal servants of whoever wielded the blade. One of them is the Dervish, a restless, fiery soul who hates his captivity and hates his wielders even more, but has never found a way to escape the sword’s magic. Then one day, a disillusioned scholar named Learned Edmund is tasked with delivering the sword to a distant city, and, in the greatest of peril, draws the blade. The Dervish finds himself bound to a sweet, brilliant, and above all kind young man. And while he may be able to protect Edmund from bandits, cultists, dragons, and strange inhuman diplomats, he may find it much harder to protect his own heart.

A rollicking work of lyricism and humor, about one family’s tumble into the unknown, from the Pulitzer Prize finalist and bestselling author of North Woods Miles Krzelewski is a devoted husband, a doting father beloved for his outlandish bedtime stories, and the proud owner of a truffle-hunting dog in a land with no truffles. He is also a bit lost, twelve years late with his PhD on Russian folktales, and increasingly haunted by a sense that he's become a disappointment to his family. So when his wife Kate accepts a visiting professorship at a prestigious college in the far away forests of Vermont, he decides that this will be his year to finally move forward with his life. But Miles is a man of many enthusiasms, one who possesses, in Kate’s words, “a great capacity to fall in with anyone, anywhere.” And no sooner does he arrive than he finds himself entangled with a cast of characters as colorful as any of his folktales, from a ghostly tree surgeon to a scythe-mad biochemist, a Shakespearean temptress and a photographer of snowflakes obsessed with chronicling, on thousands of index cards, the world’s delusions in a “Inventory of Wrong Ideas.” The new friends, the enchanted woods, the sure, no PhD, but all good fun. Until Miles stumbles upon a bizarre—perhaps ridiculous—local legend, which, he soon suspects, might not be just a legend after all. Joyous, absurd, and life-affirming, Country People is a luminous exploration of marriage and parenthood, the nature of belief and the power of stories, and the ways in which we find connection in an increasingly fragmented world.

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

I took Treasure Island to church with me as a talisman. “What a lovely bible,” Mrs. Tribly said. “Isn’t it just?” I replied, hoping she would not ask me to read a favorite verse aloud. I do not believe the psalmist wrote, Fifteen men on a dead man’s chest, Yo-ho-ho and a bottle of rum. The Year is 1883 and Emma M. Lion has returned to her London neighbourhood of St. Crispian’s. But Emma’s plans for a charmed and studious life are sabotaged by her eccentric Cousin Archibald, her formidable Aunt Eugenia, and the slightly odd denizens of St. Crispian’s. Emma M. Lion offers up her Unselected Journals, however self-incriminating they may be, which comprise a series of novella-length volumes. Armed with wit and a sideways amusement, Emma documents the curious realities of her life at Lapis Lazuli House.

When Lucy's sister Phyllida suggests that she join her for a quiet holiday on the island of Corfu, Lucy is overjoyed. Her work as an actress has temporarily come to a halt. But the peaceful idyll does not last long. A series of incidents, seemingly unconnected - but all surrounded in mystery - throws Lucy's life into a dangerous spin, as fear, danger and death - as well as romance - supplant the former tranquillity.

Veronica and Stoker are practically dying for a new adventure but when their wish is granted, they find themselves up against a secret society and a darkly seductive duo in this landmark historical mystery from beloved New York Times bestselling and Edgar Award–nominated author Deanna Raybourn. When the corpse of an entitled young man is found entirely drained of blood in a carriage next to Highgate Cemetery, Veronica’s interest is piqued. And then a second victim is found, his death made to look like a suicide, and Veronica and her intrepid beau, Stoker, know the hunt is on. The two men share one link: they were both members of a society so secretive that only a singular mention of it can be found anywhere. Thirsty for more clues, Veronica and Stoker hear that a young Roma boy may know more about their first victim, but the only way to the boy is through an old acquaintance of Stoker’s, Lady Julia Brisbane. Lady Julia and her dashing husband, Nicholas, occasionally track down murderers and are only too happy to help. But as it becomes clear the secret society is a dangerous sect looking to entice immortality seekers, Veronica and Stoker find themselves ensnared by a decidedly more sinister couple. The professed leader of the society claims to be a creature of the night; his partner practices witchcraft and they both fancy themselves emissaries of the otherworldly. Just as Veronica and Stoker get closer to learning the true purpose of the society and unraveling this macabre mystery, another body turns up, and they quickly discover they’ve gone from being the hunters to the hunted. . . .