Who wore the first pants? Who painted the first masterpiece? Who first rode the horse? Who invented soap? This madcap adventure across ancient history uses everything from modern genetics to archaeology to uncover the geniuses behind these and other world-changing innovations.Who invented the wheel? Who told the first joke? Who drank the first beer? Who was the murderer in the first murder mystery, who was the first surgeon, who sparked the first fire--and most critically, who was the first to brave the slimy, pale oyster? In this book, writer Cody Cassidy digs deep into the latest research to uncover the untold stories of some of these incredible innovators (or participants in lucky accidents). With a sharp sense of humor and boundless enthusiasm for the wonders of our ancient ancestors, Who Ate the First Oyster? profiles the perpetrators of the greatest firsts and catastrophes of prehistory, using the lives of individuals to provide a glimpse into ancient cultures, show how and why these critical developments occurred, and educate us on a period of time that until recently we've known almost nothing about.

An irreverent new take on the Renaissance, which reveals it as anything but Europe's golden age. From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we're told) heralds the dawning of a new world--a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we've told ourselves about Europe's not-so-golden age, myths she sets right with sharp clarity. Palmer's Renaissance is altogether desperate. Troubled by centuries of conflict, she argues, Europe looked to a long-lost Roman Empire (even its education practices) to save them from unending war. Later historians met their own political challenges with a similarly nostalgic vision, only now they looked to the Renaissance and told a partial story. To right this wrong, Palmer offers fifteen provocative portraits of Renaissance men and women (some famous, some obscure) whose lives reveal a far more diverse, fragile, and wild Renaissance than its glowing reputation suggests.

Marguerite Florian is a spy with two problems. A former employer wants her dead, and one of her new bodyguards is a far too good-looking paladin with a martyr complex. Shane is a paladin with three problems. His god is dead, his client is much too attractive for his peace of mind, and a powerful organization is trying to have them both killed. Add in a brilliant artificer with a device that may change the world, a glittering and dangerous court, and a demon-led cult, and Shane and Marguerite will be lucky to escape with their souls intact, never mind their hearts. . .