Everyone Celaena Sardothien loves has been taken from her. But she’s at last returned to the empire—for vengeance, to rescue her once-glorious kingdom, and to confront the shadows of her past… She has embraced her identity as Aelin Galathynius, Queen of Terrasen. But before she can reclaim her throne, she must fight. She will fight for her cousin, a warrior prepared to die for her. She will fight for her friend, a young man trapped in an unspeakable prison. And she will fight for her people, enslaved to a brutal king and awaiting their lost queen’s triumphant return. The fourth volume in the New York Times bestselling series continues Celaena’s epic journey and builds to a passionate, agonizing crescendo that might just shatter her world.

Celaena has survived deadly contests and shattering heartbreak-but at an unspeakable cost. Now, she must travel to a new land to confront her darkest truth . . . a truth about her heritage that could change her life-and her future-forever. Meanwhile, brutal and monstrous forces are gathering on the horizon, intent on enslaving her world. Will Celaena find the strength to not only fight her inner demons, but to take on the evil that is about to be unleashed?

Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang)A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much."

Roll the dice, strike up the band, and get ready for a swoon-worthy summer! A charming gaming romance that blends the magic of D&D with the camaraderie of band camp Hazel Buchanan has her senior year mapped out: Win respect as color guard captain, kick off her first D&D campaign, and steer clear of distractions. But her plan takes a critical hit when Max—her former best friend and longtime crush—returns to town with drumsticks in hand and an unexplained chip on his shoulder. Hazel and Max can’t help bickering every time they’re together, and thanks to meddling parents, he’s invading her D&D game too. As Dungeon Master, she’s ready to shut him down, but D&D has a way of bringing people together like nothing else. Is this rivalry masking something more? With dice rolling and emotions spinning, Hazel might be in for more than she planned . . .

Sylvia Plath's celebrated collection. When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. Her husband, Ted Hughes, brought the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel" and once again shows why readers have fallen in love with her work throughout the generations.

The haunted Juliet Capulet and the brooding Prince Hamlet cross plots and purposes in this gothic, Shakespeare-infused romantic fantasy Since her death and unexplained resurrection, Juliet of House Capulet has been deemed the “Miracle of Verona.” A year after rising from her grave, her mother hopes to find her a suitable husband at the Midsummer Festival at Castle Elsinore. Juliet, however, has other plans—seek out a mystic who might rid her of the ghost of her infamous lover: Romeo Montague. Meanwhile, Prince Hamlet, plagued by glimpses of the ghost of his late father, seeks someone who might help him communicate with the dead king’s apparition. For he suspects a villain lurks among the royal family, responsible for his father’s death. When Juliet rescues a seemingly mad Lady Ophelia from drowning, she’s invited to dine with the royal family and comes face to face with the infuriatingly clever and distractingly handsome Prince Hamlet. Soon, the pair discover that each might hold the key to the other’s ghostly mystery. But as the two join forces, they unearth not only clues to the malevolent magic taking root across the Continent, but a growing attraction powerful enough to tear a hole between worlds. With the aid of King Lear’s brilliant daughter Cordelia, her quick-witted companions Cesario and Imogen, and the utterly unreliable and wholly vexing Bottom the Weaver, Hamlet and Juliet uncover a conspiracy that threatens the entire Globe.