A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

Meet Celaena Sardothien. Beautiful. Deadly. Destined for greatness. In a land without magic, where the king rules with an iron hand, Celaena, an assassin, is summoned to the castle. She comes not to kill the king, but to win her freedom. If she defeats twenty-three killers, thieves, and warriors in a competition, she is released from prison to serve as the king’s champion. The Crown Prince will provoke her. The Captain of the Guard will protect her. But something evil dwells in the castle of glass—and it’s there to kill. When her competitors start dying one by one, Celaena’s fight for freedom becomes a fight for survival, and a desperate quest to root out the evil before it destroys her world.

In this lush, slow-burning romance, two childhood neighbors, connected by a shared tragedy, unexpectedly reunite to ghostwrite a love story for a reclusive author. Spending the summer at her secluded Hamptons estate, they soon discover that dozens of classic romance tropes, including the ones they’re crafting on page, are mysteriously playing out in real life. Katie Caruso is a completely normal twenty-five-year-old girl. At least, for the past eight years, she’s tried to be. She likes glitter and sequins and flirting with cute boys at New York City bars. She’s also a ghostwriter for Meredith Bradford, the bestselling romance novelist of all time. But then Tyler McNally walks back into Katie’s life, and that bedazzled facade crumbles at her platform-sneakered feet. Katie and Tyler haven’t seen or spoken to each other since the overdose death of Katie’s older brother, a standout MLB pitching prospect. Tyler was her brother’s best friend, and Katie—naturally—was the girl next door. But now, Tyler is a sleeve-tattooed, Ivy League-educated aspiring literary fiction novelist, nine years sober . . . and Katie’s writing partner for the summer. As genre conventions require, Katie and Tyler soon find themselves removed from Manhattan and instead writing their love story in “forced proximity” at Meredith’s isolated Southampton home. As the summer unfolds, the tropes Katie and Tyler have written into their novel begin to play out in their own lives. Call it destiny, fate, or magic It’s clear their love story is unfinished. This time, though, they’ll fight for their happy ending. Heart-wrenching and tender, Tropesick is a love letter to the romance genre. With a wink and a nod, Okie has packed the novel with listeners’ favorite Grumpy/Sunshine Brother’s best friend Girl next door Forced proximity Forbidden love Kissing in the rain Groveling hero Second-chance romance Slow burn Only one bed

Alternate cover edition of ISBN 9780063310681. Two writers with a complicated history end up working on the same TV show... Can they write themselves a new ending? A sexy and emotional enemies-to-lovers romance guaranteed to pull on your heartstrings and give you a book hangover from brilliant new voice Yulin Kuang. Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever. Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except… Grant has done everything in his power to move on from the past, including building a life across the country. And while the panic attacks have never quite gone away, he’s well liked around town as a screenwriter. He knows he shouldn’t have taken the job on Helen’s show, but it will open doors to developing his own projects that he just can’t pass up. Grant’s exactly as Helen remembers him—charming, funny, popular, and lovable in ways that she’s never been. And Helen’s exactly as Grant remembers too—brilliant, beautiful, closed off. But working together is messy, and electrifying, and Helen’s parents, who have never forgiven Grant, have no idea he’s in the picture at all. When secrets come to light, they must reckon with the fact that theirs was never meant to be any kind of love story. And yet… the key to making peace with their past—and themselves—might just lie in holding on to each other in the present.