One of Honore de Balzac's most celebrated tales, "The Unknown Masterpiece" is the story of a painter who, depending on one's perspective, is either an abject failure or a transcendental genius--or both. The story, which has served as an inspiration to artists as various as Cezanne, Henry James, Picasso, and New Wave director Jacques Rivette, is, in critic Dore Ashton's words, a "fable of modern art." Published here in a new translation by poet Richard Howard, "The Unknown Masterpiece" appears, as Balzac intended, with "Gambara," a grotesque and tragic novella about a musician undone by his dreams. Honoré De Balzac (1799-1850) is generally credited as the inventor of the modern realistic novel. In more than ninety novels, he set forth French society and life as he saw it. He created a cast of over two thousand individual and identifiable characters, some of whom reappear in different novels. He organized his works into his masterpiece, La Comedie Humaine,which was the final result of his attempt to grasp the whole of society and experience into one varied but unified work.Richard Howard was born in Cleveland in 1929. He is the author of fourteen volumes of poetry and has published more than one hundred fifty translations from the French, including works by Gide, Stendhal, de Beauvoir, Baudelaire, and de Gaulle. Howard received a National Book Award for his translation of Fleurs du mal and a Pulitzer Prize for Untitled Subjects, a collection of poetry.

One of Pushkin's most popular and chilling stories, 'The Queen of Spades' tells of a young man who develops a dangerous obsession in pursuit of the wealth he craves.

Hailed by Nabokov as "the greatest artist that Russia has yet produced," Nikolai Gogol (1809-1852) left his mark as a playwright, novelist, and writer of short stories. Gogol's works remain popular with both writers and readers, who prize his originality, imaginative gifts, and sheer exuberance. This collection offers an excellent introduction to the author's works. Opening a door to his bizarre world of broad comedy, fantasy, and social commentary, the title story portrays a petty official's mental disintegration as he struggles for the attention of the woman he loves. Set during the repressive rule of Nicholas I, it satirizes the bureaucratic excesses of the era. Additional tales include "The Nevski Prospect," a portrayal of the feverish pace of St. Petersburg street life, and "The Portrait," a gripping depiction of a soul's perdition.

Twenty-three illustrated gothic tales from the dark corridors of the imagination of Tim Burton. Burton - the creative genius behind Batman, Edward Scissorhands, Sleepy Hollow and Nightmare Before Christmas, among others - now gives birth to a cast of gruesomely sympathetic children: misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and tragedy of these hopeful, yet hapless beings.

In a forgotten patch of French countryside, a woman is battling her demons embracing exclusion yet wanting to belong, craving freedom whilst feeling trapped, yearning for family life but at the same time wanting to burn the entire house down. Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?

In a forgotten patch of French countryside, a woman is battling her demons embracing exclusion yet wanting to belong, craving freedom whilst feeling trapped, yearning for family life but at the same time wanting to burn the entire house down. Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?