"Refreshingly charming with a feisty, resilient heroine worth fighting for. I loved it!" —Amalie Howard, USA Today bestselling author, for The Lady He Lost An enemies-to-lovers historical romantic comedy between a grumpy Viscount with a rocky reputation and a bright-as-sunshine heiress determined to make something of herself, perfect for fans of Evie Dunmore, India Holton and Bridgerton. If he won't add her business into his guidebook, she'll make him an offer he can't refuse. Della Danby is determined to prove she's more than just a flighty heiress riding on her parents' money to get through life. When her closest friend and business partner finds her hands full with a new baby, Della takes the opportunity to shoulder more responsibility at their ladies' gambling club and secure their financial stability, and she has the perfect to drum up new business by adding their club to a popular guidebook of local attractions. Gambling ruined Viscount Lyman Ashton's life and his marriage. He has no intention of putting a new club in his guide, nor of getting involved with its intriguing and energetic proprietress. But when Della refuses to take no for an answer and approaches his publisher with a plan to write her own book of attractions for ladies, Lyman reluctantly agrees to collaborate with her in exchange for the money he so desperately needs to pay his debts. As they grow closer, Lyman finds himself falling for Della even though his past could jeopardize her reputation. But if they can ever have a future together, Della may have to choose between the club she's worked so hard to build and her chance at love. Praise for The Lady He Lost "Friends to enemies to lovers at its best. I loved every minute." —Harper St. George, author of The Heiress Gets a Duke "A fun and sexy historical. It is perfect for fans of empowered women and their supportive men." —Library Journal

Newly widowed and desperate to protect her estate and beloved servants from her malevolent brother-in-law, Martha Russell conceives a daring plan. Or rather, a daring plan to conceive. After all, if she has an heir on the way, her future will be secured. Forsaking all she knows of propriety, Martha approaches her neighbor, a London exile with a wicked reputation, and offers a strictly business a month of illicit interludes . . . for a fee. Theophilus Mirkwood ought to be insulted. Should be appalled. But how can he resist this siren in widow’s weeds, whose offer is simply too outrageously tempting to decline? Determined she’ll get her money’s worth, Theo endeavors to awaken this shamefully neglected beauty to the pleasures of the flesh—only to find her dead set against taking any enjoyment in the scandalous bargain. Surely she can’t resist him forever. But could a lady’s sweet surrender open their hearts to the most unexpected arrival of all . . . love?

Lady Lucie is fuming. She and her band of Oxford suffragists have finally scraped together enough capital to control one of London’s major publishing houses, with one purpose: to use it in a coup against Parliament. But who could have predicted that the one person standing between her and success is her old nemesis, Lord Ballentine? Or that he would be willing to hand over the reins for an outrageous price—a night in her bed. Lucie tempts Tristan like no other woman, burning him up with her fierceness and determination every time they clash. But as their battle of wills and words fans the flames of long-smouldering devotion, the silver-tongued seducer runs the risk of becoming caught in his own snare. As Lucie tries to out-manoeuvre Tristan in the boardroom and the bedchamber, she soon discovers there’s truth in what the poets say: all is fair in love and war… A lady must have money and an army of her own if she is to win a revolution - but first, she must pit her wits against the wiles of an irresistible rogue bent on wrecking her plans...and her heart.

The one you love…Robert Selby is determined to see his sister make an advantageous match. But he has two problems: the Selbys have no connections or money and Robert is really a housemaid named Charity Church. She’s enjoyed every minute of her masquerade over the past six years, but she knows her pretense is nearing an end. Charity needs to see her beloved friend married well and then Robert Selby will disappear…forever.May not be who you think…Alistair, Marquess of Pembroke, has spent years repairing the estate ruined by his wastrel father, and nothing is more important than protecting his fortune and name. He shouldn’t be so beguiled by the charming young man who shows up on his doorstep asking for favors. And he certainly shouldn’t be thinking of all the disreputable things he’d like to do to the impertinent scamp.But is who you need…When Charity’s true nature is revealed, Alistair knows he can’t marry a scandalous woman in breeches, and Charity isn’t about to lace herself into a corset and play a respectable miss. Can these stubborn souls learn to sacrifice what they’ve always wanted for a love that is more than they could have imagined?

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton/Parent Trap you never knew you needed! Gwen has a brilliant beyond brilliant idea. It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games. “Let’s get them together,” she says. It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead. “It’ll be easy” she says. There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other. But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be? Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage. Beth’s not mature enough for this… Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé. That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.

A graduate student and an archivist work together to fight a god. Fall, 1969. Ulysses Lenkov should be working on his dissertation. Instead, he's developing an unlucrative sideline in helping ghosts and hapless magic users. But when his clients start leaving town suddenly—or turning up dead—he starts to worry there's something afoot that’s worse than an unavenged death or incipient insanity. His investigation begins with the last word on everyone's lips before they vanish: the mysterious Dionysus. Sam Sterling is an archivist who recently moved back to Madison to be closer to the family he's not too sure he likes. But his peaceful days of teaching library students, creating finding aids, and community theater come to an end when the magnetic, mistrustful Ulysses turns up with a warning. There's a god coming, and it looks like it's coming for Sam. Soon the two are helping each other through demon attacks, discovering the unsavory history of Sam's family, and falling in love as they race to find a solution. But as the year draws to a close, they'll face a deadly showdown as they try to save Sam—and the city itself.