All's fair in love and lore. Joonie is living in a fantasy—at least that's what people keep telling her. A copywriter by day and fanfic auteur by night, Joonie continues to date and dump disappointing men in search of a happily ever after. But every potential suitor seems to have one flaw in They can't hold a candle to her book boyfriend, Ryke. The protagonist of her favorite fantasy romance series (and, notably, a sexy merman), Ryke is a symbol for the life Joonie craves and the kind of relationship she deserves. So with a book always in her back pocket, why would she ever settle for less? But when Joonie learns that Ryke's character is based on someone the author knows in real life, she embarks on an epic quest to track him down, meet him in person, and determine once and for all if soulmates really do exist. Unfortunately, her brother's annoying best friend who doesn't believe in love or happy endings insists on hitching a ride. And like any great hero's journey, it doesn't take long for the trials and tribulations to begin.  As Joonie fights her way toward her love interest, using the skills she acquired through reading, she'll learn an important You can pursue a fantasy, but you can't always write your own plot. As unhinged as it is brilliant, Female Fantasy is both a self-aware dive into the concept of genre and a wild, steamy romp. Most of all, though, it's a heartfelt love letter to romance readers everywhere.

Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. Plagued by a maddening anxiety, the terrible disconnect between his own concept of happiness and the joy of the rest of the world, Yozo Oba plays the clown in his dissolute life, holding up a mask for those around him as he spirals ever downward, locked arm-in-arm with death. Osamu Dazai’s immortal—and supposedly autobiographical—work of Japanese literature, is perfectly adapted here into a manga by Junji Ito. The imagery wrenches open the text of the novel one line at a time to sublimate Yozo’s mental landscape into something even more delicate and grotesque. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche.