Daisy Patel is a software engineer who understands lists and logic better than bosses and boyfriends. With her life all planned out, and no interest in love, the one thing she can't give her family is the marriage they expect. Left with few options, she asks her childhood crush to be her decoy fiance. Liam Murphy is a venture capitalist with something to prove. When he learns that his inheritance is contingent on being married, he realizes his best friend's little sister has the perfect solution to his problem. A marriage of convenience will get Daisy's matchmaking relatives off her back and fulfill the terms of his late grandfather's will. If only he hadn't broken her tender teenage heart nine years ago... Sparks fly when Daisy and Liam go on a series of dates to legitimize their fake relationship. Too late, they realize that very little is convenient about their arrangement. History and chemistry aren't about to follow the rules of this engagement.

Auschwitz, 1943. I cradle my little sister’s feverish body and weep silently in the darkness. “I love you,” I whisper, “Remember, tomorrow we’re free.” And I know in my heart that whatever it takes, I will find a way out of here—for me, and for my sister…At the imposing iron gates of Auschwitz, twenty-one-year-old Hodaya clings to her mama and papa, her little sister Bayla’s arms around her waist. But when Hodaya is sent one way and her parents the other, a plea to keep her sister safe is the last thing in her mother’s eyes. Hodaya makes a silent promise in return.But Auschwitz is no place for a little girl, and keeping Bayla safe takes every ounce of Hodaya’s strength. She hates watching the spark in her little sister’s eyes dull, and as she hands over her daily rations of watery soup and stale bread to keep Bayla fed, she feels herself weakening by the second. But she vows to find a way out, even if it means sacrificing the young woman she once was.Admiring the bravery of other prisoners’ revolts and imagining a world in which she joins in, Hodaya battles between her determination to save Bayla and mounting despair. But in the end, it’s the most unlikely person who reminds her to dare to Alaric, a German soldier. As desperate hunger closes in, Alaric draws a parcel of warm food from a satchel and offers it to Hodaya—his expression guarded, blue eyes troubled, but his hand steady.But can Hodaya trust a stranger, particularly a German? And as sickness takes hold of Bayla, is it already too late to keep her promise to keep Bayla safe—or will the last ounce of hope in her heart lead to an escape from the darkest of places?A breath-taking, gut-wrenching World War Two page-turner which will tear your heart apart at the same time it restores your faith in the power of love, family and sisterhood to triumph over evil. Perfect for fans of The Midwife of Auschwitz, The Choice and The Tattooist of Auschwitz.

Daisy Patel is a software engineer who understands lists and logic better than bosses and boyfriends. With her life all planned out, and no interest in love, the one thing she can't give her family is the marriage they expect. Left with few options, she asks her childhood crush to be her decoy fiance. Liam Murphy is a venture capitalist with something to prove. When he learns that his inheritance is contingent on being married, he realizes his best friend's little sister has the perfect solution to his problem. A marriage of convenience will get Daisy's matchmaking relatives off her back and fulfill the terms of his late grandfather's will. If only he hadn't broken her tender teenage heart nine years ago... Sparks fly when Daisy and Liam go on a series of dates to legitimize their fake relationship. Too late, they realize that very little is convenient about their arrangement. History and chemistry aren't about to follow the rules of this engagement.

From the internationally bestselling author of Any Trope but You comes an enemies-to-lovers rom-com about a hopeless romantic wedding planner and the cynical divorce lawyer forced to help her plan her ex’s wedding.Gracie Holland lives for Happily Ever Afters—just not her own. After a crushing breakup, she’s thrown herself into planning weddings at Larkwood, the ivy-covered Rhode Island estate where she also lives in the guest cottage. But when her beloved boss passes away and leaves the estate to her grandson, Gracie’s carefully rebuilt life is suddenly on the line. Jude Larkwood is everything she’s sworn ruthless, practical, and immune to romance—he’s a divorce lawyer, for crying out loud! Worse, he plans to sell Larkwood by the end of the summer. Jude has spent his life cleaning up other people’s romantic disasters—and he has no interest in watching another love story fall apart on his family’s lawn. But inheriting Larkwood comes with one its maddeningly optimistic wedding planner. Gracie’s sunshiney faith in love unsettles Jude almost as much as her ability to push through his defenses. He’s built a life on keeping emotion out of the equation—but something about her keeps slipping past his guard. When Gracie’s ex calls out of the blue asking her to plan his wedding, she sees an unexpected opportunity. Jude reluctantly agrees to give her until the wedding to change his mind, and in exchange, she drags him into a two-month crash course in love to make even the most hardened cynic start to wonder if love might not be such a scam after all. But as cake tastings and vendor emergencies give way to late-night confessions and undeniable chemistry, Gracie and Jude must confront the fears they’ve spent years avoiding. But can a hopeless romantic and a confirmed cynic find a future they both believe in?

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.